United Kingdom Box Office for The Rhythm Section (2020)

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The Rhythm Section
Theatrical Performance (US$)
United Kingdom Box Office $459,841Details
Worldwide Box Office $5,983,043Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Stephanie Patrick is an ordinary woman on a path of self-destruction after her family is tragically killed in a plane crash. When Stephanie discovers that the crash was not an accident, she enters a dark, complex world to seek revenge on those responsible and find her own redemption.

Metrics

Movie Details

Production Budget:$50,000,000
United Kingdom Releases: January 31st, 2020 (Wide)
Video Release: April 14th, 2020 by Paramount Home Video
MPAA Rating: R for violence, sexual content, language throughout, and some drug use.
(Rating bulletin 2612 (Cert #51913), 1/15/2020)
Running Time: 109 minutes
Keywords: Death of a Son or Daughter, Death of a Spouse or Fiancée / Fiancé, Terrorism, Revenge, Female Lead, Action Thriller, Adult Child Dealing with the Death of a Parent, Addiction, Depression, Prostitution, Investigative Journalist, MI6, False Identity, Undercover, No Honor Among Thieves
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Eon Productions, Global Road Entertainment, Ingenious Media, Paramount Pictures, TMP
Production Countries: United Kingdom, United States
Languages: English

DVD and Blu-ray Releases for April 28th, 2020

April 29th, 2020

The Grand Budapest Hotel

It is a slow week for DVD and Blu-rays with almost no first-run releases to talk about. The Rhythm Section is the biggest first-run release of the week and it bombed hard. As for the best, The Assistant and The Grand Budapest Hotel are the only two contenders for Pick of the Week. That said, I am really looking forward to Elvira: Mistress of the Dark and I won’t have to wait long, because the screener is on its way. More...

VOD Releases: Go on a World Tour from Your Own Home

April 9th, 2020

Trolls: World Tour

This could turn out to be the most important weekend for the movie industry in decades. It’s the weekend Trolls: World Tour comes out on the home market. This is the first major motion picture with a planned saturation level release that is not being pushed back due to the Covid-19 outbreak, but is instead coming out on Video on Demand. In a few years, we might look back at this week as the week the movie industry changed fundamentally, if this film is a big enough hit to convince studios that theatrical releases are unnecessary. More...

Weekend Wrap-Up: 2020 Suffers Its First Loss

February 11th, 2020

Birds of Prey

It was bound to happen, I was just hoping it wouldn’t happen this soon, but 2020 suffered its first loss in the year-over-year comparison. Birds of Prey failed to live up to the very low end of expectations opening with just $33 million. On the positive side, the holdovers held on really well and that helped limit losses. In fact, the overall box office was $95 million this weekend, up 18% from last weekend. That said, this is still down 16% from the same weekend last year and this number is a lot more important. Year-to-date, 2020 is still ahead of 2019 by $62 million or 6.2% at $1.07 billion to $1.01 billion, so we clearly shouldn’t be panicking this early on, but there are some troubling signs at the box office. More...

Weekend Wrap-Up: Bad Boys Still Feeling Good, New Releases are Bad and Worse

February 4th, 2020

Bad Boys for Life

The Super Bowl turned out to be a good game, at least according to the score sheet. This perhaps hurt the box office over the weekend, as Bad Boys for Life fell a little faster than expected. That said, it still dominated the box office with a huge lead over the second place film, 1917. Meanwhile, the two new releases, Gretel and Hansel and The Rhythm Section, both bombed to varying degrees. The overall box office fell 33% from last weekend, hitting $81 million; however, an extreme decline like this is to be expected on Super Bowl weekend. More importantly, this is 11% higher than the same weekend last year and that helped 2020 extend its lead over 2019 to 8.9% / $77 million at $945 million to $868 million. A few more weeks like this and I’ll actually become optimistic about the year’s box office chances. More...

Weekend Estimates: Bad Boys Enjoy Life at the Top

February 2nd, 2020

Bad Boys for Life

Bad Boys for Life is extending its run at the top of the chart the weekend with Sony projecting a total of $17.675 million as of Sunday morning. That’s down 48% from last weekend, which is another solid hold, and takes the film to the brink of $150 million at the domestic box office—it’s expected to have around $148 million by close of business. The studio is baking in a big 71% drop today thanks to competition with the Super Bowl, so it may end up doing just a little better than predicted. More...

Friday Estimates: Bad Boys Beat Up Newcomers

February 1st, 2020

Bad Boys for Life

If Friday’s estimates are any indication, then the weekend will be a little weaker than anticipated. Bad Boys for Life will easy lead the way after pulling in $5.19 million on Friday. Sony is projecting $17 million based on this result, which is a little lower than our $19 million to $20 million prediction, but still a great hold for a mainstream action film on Super Bowl weekend. This won’t be enough to get the movie to $150 million by the end of the weekend and it likely ends the film’s chances at $200 million domestically. That said, it is still going to be the biggest hit in the franchise by the end of Saturday, so there’s still plenty of reasons to celebrate. More...

Thursday Night Previews: Gretel Gets off to a Faster Start than Rhythm

January 31st, 2020

Gretel and Hansel

Gretel and Hansel got off to a faster start than The Rhythm Section did during Thursday previews. This isn’t surprising, as horror movies tend to be more front-loaded than nearly all other genres. The movie managed $475,000, which his a little more than the $425,000 The Turning earned during its previews. Furthermore, its reviews are flirting with the overall positive level, so its legs could be decent, all things considered. That said, even optimistic projections from this point have it barely beating our prediction with between $7 million and $8 million. This is a good start for a film that reportedly cost just $5 million to make. More...

Weekend Predictions: The Box Office Looks far from Super

January 31st, 2020

Gretel and Hansel

It is Super Bowl weekend, which is one of the biggest media events of the year. Even people who have no interest in the NFL tend to at least pay attention to the game. Because of that, no studio wants to release a typical film this time of year and instead focus on counter-programming, usually female-led counter-programming. Neither The Rhythm Section nor Gretel and Hansel are expected to challenge Bad Boys for Life for first place, but the pair could be in a close race with each other. This weekend last year, no movie earned $10 million or more, while Miss Bala opened with less than $10 million. 2020 should end the month on a huge winning note. More...

The Rhythm Section Trailer 2

January 22nd, 2020

Thriller starring opens January 31 ... Full Movie Details. More...

2020 Preview: January

January 1st, 2020

Bad Boys for Life

It’s the year 2020, the year where we find out how many times you can say, “Well, hindsight is 20/20.” before you get punched. On the positive side, while December wasn’t a great month, it was good enough to help 2019 end on a positive note, a positive note that should continue into January. There are no real potential monster hits coming out this month, but there are three films that have a real shot at $100 million domestically. These are, in alphabetical order, 1917, which will rely on Awards Season to get to the century mark. Bad Boys for Life will have a much, much easier time getting to $100 million, assuming people still care about the franchise 17 years later. Finally, Dolittle is looking like a disaster with a really troubled production; however, a $100 million run isn’t out of the question and if it can get there, it will at least save face. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainment’s history. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there. More...

The Rhythm Section Trailer

September 20th, 2019

Thriller starring opens January 31, 2020 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/01/31 18 $226,728   404 $561   $226,728 1
2020/02/07 - $15,443 -93% 131 $118   $435,185 2
2020/02/14 - $1,380 -91% 22 $63   $457,429 3
2020/02/28 - $965   2 $483   $450,777 5
2020/03/06 - $206 -79% 1 $206   $459,841 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
North America 1/31/2020 $2,715,384 3,049 3,049 6,192 $5,437,971
Spain 3/6/2020 $85,231 146 146 146 $85,231 3/12/2020
United Kingdom 1/31/2020 $226,728 404 404 560 $459,841 3/11/2020
 
Worldwide Total$5,983,043 3/12/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Blake Lively    Stephanie Patrick

Supporting Cast

Jude Law    Iain Boyd
Sterling K. Brown    Frank White
Raza Jaffrey    Proctor
Richard Brake    Lehmans
Max Casella    Leon Giler
Daniel Mays    Dean West
Tawfeek Barhom    Reza
David Duggan    David Patrick
Geoff Bell    Green
Ivana Basic    Oksana
Jack McEvoy    Conor
Jade Anouka    Laura Fuller
Nasser Memarzia    Suleman Kaif
Amira Ghazalla    Alia Kaif
Ibrahim Renno    Vincent
Una Carroll    Alia’s Friend
Hugh Scully    Lyle
Wentao Ma    College Student
Fleur Phoenix Munroe    Working Girl
Nuala Kelly    Joan
Albert Christmas    Porter
Carmen Calle    Manifestation Member
Degnan Geraghty    Punter
Maceo Oliver    Jimmy
Shane Whisker    Christopher Patrick

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Reed Morano    Director
Mark Burnell    Screenwriter
Mark Burnell    Story by
Michael G. Wilson    Producer
Barbara Broccoli    Producer
Greg Shapiro    Executive Producer
Stuart Ford    Executive Producer
Mark Burnell    Executive Producer
Robert Friedman    Executive Producer
Vaishali Mistry    Executive Producer
Donald Tang    Executive Producer
Simon Williams    Executive Producer
Gregg Wilson    Executive Producer
Melanie Ann Oliver    Editor
Jongnic Bontemps    Composer
Sean Bobbitt    Director of Photography
Chris Corbould    Special Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.