March 28th, 2012
The Adventures of Tintin led all new releases and took top spot on the Blu-ray sales chart. It sold 504,000 units and generated $11.09 million in opening week sales. This represents an opening Blu-ray share of very nearly 50%, which is an excellent start for a kids film.
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March 27th, 2012
Like last week, new releases dominated the DVD sales chart this week with three new releases topping the chart. The best of the best was Happy Feet Two with 896,000 units / $13.43 million during its first week on the home market. The film struggled at the box office, so this start on the home market is better than expected.
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March 13th, 2012
There are two themes this week. The first is Awards Season. There are no fewer than half a dozen Award Season players on this week's list, although one was a late review. Speaking of late reviews, that's the other theme on this week's list, as there are no fewer than eight releases on this week's list where I'm waiting for the screener to arrive. (This includes Wizards which arrived on Monday; however, screeners need to arrive by Friday if I'm to get the review done on time.) Unfortunately, there's a lot of crossover among these two groups and a few Pick of the Week candidates are late. For instance, My Week with Marilyn and Melancholia fit into both groups. Other screeners I'm waiting for that could be Pick of the Week are Wallace & Gromit: World of Invention and the aforementioned Wizards: 35th Anniversary Blu-ray, while The Guild: Season Five was up for that honor as well. However, in the end I went with The Descendants on Blu-ray Combo Pack.
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November 3rd, 2011
The Adventures of Tintin: Secret of the Unicorn doesn't open here till a few days before Christmas, but it led the way on the international chart with an astonishing $56.56 million on 5,699 screens in 19 markets. Its biggest opening was in France, where it managed $26.97 million on 850 screens. That's like a $150 million opening here. It's a record for a non-sequel in that market. It wasn't as impressive in the U.K., but it did score $10.83 million on 512 screens, which is equivalent to a $50 million to $60 million opening here. These results will force me to re-evaluate its box office potential with an above $200 million run a lot more likely now. Granted, the source material is better known in Europe, plus it will have a lot more competition when it debuts here, but this is still a great sign going forward.
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October 31st, 2011
It was a rare winning weekend at the box office, although it came too late to salvage the month, which was a bloody affair and 2011 fell tens of millions of dollars further behind last year's pace. The lone bright spot over the weekend was Puss in Boots, which easily led the way. However, even here there was darkness, as it failed to live up to the low end of expectations. The overall box office was a macabre $105 million, or 14% lower than last weekend. We did get a jolt with the box office creeping up 11% from last year. However, while double-digit growth would normally send chills up your spine, not having to deal with Halloween on the weekend itself explains much of that success. Year-to-date, 2011 remains lifeless down 4% from last year at $8.52 billion compared to $8.86 billion and unless some dark magic can revive the box office, and soon, we will have the second year in a row of year-over-year declines and 2011 could see the lowest ticket sales in about a decade and a half. That's truly scary.
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October 26th, 2011
The international box office was pretty slow this week and the only new release to have any impact was Paranormal Activity 3. This film did top the chart with $26.11 million on 3,876 screens in 42 markets. Leading the way was the U.K. with $5.43 million on 391 screens, which was easily enough for first place in that market. It also topped the charts in Russia with $3.20 million on 637 screens, in Australia with $3.04 million on 192, in Mexico with $1.96 million on 732, and in Spain with $1.04 million on 232. On the other hand, it had to settle for third place in France with $2.50 million on 215 screens and in Brazil with $1.21 million on 200. Compared to previous installments, these results were mixed. The film was stronger in Australia, but weaker in the U.K. and France, for instance. It's too soon to tell where it will finish, but assuming it is the biggest hit domestically of the three films, it should at least come close to $200 million worldwide.
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October 24th, 2011
The industry as a whole has to be breathing a small sigh of relief after the weekend numbers started to come in. Paranormal Activity 3 broke records over the weekend helping the overall box office along the way. It grew 38% compared to last weekend, hitting $121 million. Unfortunately, that was still 6% lower than the same weekend Last year. Year-to-date, 2011 is 4% behind 2010's pace at $8.38 billion to $8.73 million and there's little hope that deficit will go away by the end of the year.
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October 23rd, 2011
After a poor September and slow start to October, Paranormal Activity 3 put some life back in to the movie industry this weekend with a huge $54 million opening weekend, according to Paramount's Sunday estimate. That's comfortably a record for the franchise and will almost certainly top Jackass 3D to become the biggest October's biggest weekend too. With no other horror flick coming out between now and Halloween, it should be set for a comfortable $100 million or so at the box office (on a budget of $5 million).
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October 20th, 2011
The box office was terrible last weekend, so much so that it is hard to imagine things won't turnaround this weekend. There is one film, Paranormal Activity 3, that's almost guaranteed to be a hit, but expectations for the other wide releases range from expensive bomb, The Three Musketeers 3D; international hit that will flop here, Johnny English Reborn and niche market film just hoping to reach the top ten, The Mighty Macs. Last year Paranormal Activity 2 opened with just over $40 million. Paranormal Activity 3 might be able to do the same, but the rest of the new releases and the holdovers are not looking good, so there could be a sizable decline in the year-over-year comparison.
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October 19th, 2011
Real Steel was able to stay on top of the international chart, just as it did domestically. Over the weekend, it earned $25.03 million on 4,116 screens in 29 markets for a total of $60.94 million internationally. Worldwide it has taken $112.67 million, which is just over what it cost to make. The film opened in several markets, including the U.K., but it had to settle for fourth place with $2.11 million on 385 screens there. On the other hand, it added $4.63 million on 881 screens in Russia and now has earnt $14.39 million in that market. It also remained in first place in Mexico with $2.77 million on 1,049 screens for a total of $7.31 million after two weeks. It also earned first place in Australia with $2.34 million on 349 screens over the weekend, for a total of $7.88 million after two.
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October 1st, 2011
There is a little bit of good news going into October, as September did help close the year-to-date deficit, even if it was by a small amount. Unfortunately, we really needed a better result to be optimistic about our chances of closing that gap entirely by the end of the year. Even worse, this month represents the last chance 2011 has to catch up to 2010. I know there are two additional months left in the year, but October of 2010 was a soft month with four of the five weekends showing year-over-year declines. If October 2011 is even weaker, the odds of making up the $300 million deficit will be all but gone. It becomes even more troubling that there are no movies opening in October that are guaranteed to be monster hits. So, while October of 2010 was weak compared to October of 2009, it looks like it will be stronger than October of 2011. Hopefully I'm just being pessimistic. There are a couple films that have a shot at $100 million and I will be surprised if none of them at least come close to that milestone, but the slate of films is weaker than I would like.
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