Brazil Box Office for This Must Be the Place (2012)
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Synopsis
Cheyenne is a former rock star. At 50, he still dresses 'Goth' and lives in Dublin off his royalties. The death of his father, with whom he wasn't on speaking terms, brings him back to New York. He discovers his father had an obsession: to seek revenge for a humiliation he had suffered. Cheyenne decides to pick up where his father left off, and starts a journey, at his own pace, across America.
Metrics
Movie Details
Brazil Releases: |
July 27th, 2012 (Wide) |
Video Release: |
March 12th, 2013 by Anchor Bay Home Entertainment |
MPAA Rating: |
R for language, some sexual content and brief disturbing images. (Rating bulletin 2247, 10/31/2012) |
Running Time: |
118 minutes |
Keywords: |
Musicians, Rock 'n' Roll, Dysfunctional Family, Holocaust, Revenge, Road Trip, Voiceover/Narration, Jewish, War Crimes |
Source: | Original Screenplay |
Genre: | Black Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: |
Indigo Film, Lucky Red, Medusa Film, ARP, France 2 Cinema, Element Pictures |
Production Countries: |
France, Ireland, Italy |
Languages: |
English |
March 13th, 2013
There are not many first run releases coming out on the home market this week, but two of them, Life of Pi and Rise of the Guardians, rose to Pick of the Week status. For that honor, we have to turn to an older release, Who Framed Roger Rabbit?, which celebrated its 25th Anniversary by coming out on Blu-ray for the first time. Yes, it is shovelware, but it is still the best movie on this week's list. If you don't have the DVD already and really don't like Pan & Scan, you might want to wait till Disney fixes the mix-up with the DVD portion of the Combo Pack.
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November 7th, 2012
Flight earned top spot on the Per Theater Chart with an average of $13,217, just ahead of the overall box office leader, Wreck-It-Ralph, which earned an average of $13,070.
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November 2nd, 2012
There are not a lot of new releases on this week's list, and even fewer that have a good shot at earning some measure of mainstream success. This Must Be the Place is probably the best bet in that regard, but fans of B-movies should try and see Miami Connection.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2012/07/27 |
7 |
$22,703 |
|
12 |
$1,892 |
$24,747 |
1 |
2012/08/03 |
11 |
$20,818 |
-8% |
13 |
$1,601 |
$61,667 |
2 |
2012/08/17 |
15 |
$2,283 |
|
10 |
$228 |
$103,729 |
4 |
2012/08/24 |
12 |
$6,159 |
+170% |
12 |
$513 |
$121,758 |
5 |
2012/08/31 |
13 |
$5,379 |
-13% |
9 |
$598 |
$135,001 |
6 |
2012/09/07 |
21 |
$1,817 |
-66% |
7 |
$260 |
$139,597 |
7 |
2012/09/14 |
22 |
$1,185 |
-35% |
4 |
$296 |
$142,166 |
8 |
2012/10/05 |
21 |
$890 |
|
5 |
$178 |
$146,618 |
11 |
Box Office Summary Per Territory
Territory |
Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
Belgium |
3/21/2012 |
$0 |
0 |
6 |
17 |
$64,076 |
12/6/2015 |
Brazil |
7/27/2012 |
$22,703 |
12 |
13 |
72 |
$146,618 |
12/12/2015 |
Netherlands |
4/26/2012 |
$36,410 |
13 |
13 |
13 |
$42,738 |
12/6/2015 |
North America |
11/2/2012 |
$7,754 |
2 |
15 |
51 |
$142,242 |
10/27/2021 |
Portugal |
4/25/2012 |
$0 |
0 |
10 |
16 |
$49,705 |
12/10/2015 |
Spain |
5/11/2012 |
$0 |
0 |
69 |
182 |
$367,254 |
12/11/2015 |
Turkey |
7/13/2012 |
$16,787 |
15 |
15 |
38 |
$51,054 |
12/29/2018 |
United Kingdom |
3/23/2012 |
$0 |
0 |
8 |
8 |
$322,902 |
12/6/2015 |
|
Rest of World |
$12,990,068 |
|
|
Worldwide Total | $14,176,657 |
10/27/2021 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.