Market Charts > Genres > Black Comedy
Box Office History for Black Comedy
Ticket Sales and Market Share by Year
Note: Figures for 2026 are at an annualized rate.
Top-Grossing Movies 1995-2026, Adjusted for Ticket Price Inflation
Year by Year Market Share
| Year | Movies in Release | Market Share | Gross | Tickets Sold | Inflation- Adjusted Gross | Top-Grossing Movie | Gross that Year |
|---|---|---|---|---|---|---|---|
| 1995 | 5 | 0.52% | $27,454,230 | 6,311,313 | $71,380,950 | To Die For | $21,155,211 |
| 1996 | 13 | 3.40% | $196,486,575 | 44,453,972 | $502,774,423 | The Cable Guy | $60,240,295 |
| 1997 | 9 | 0.78% | $48,225,800 | 10,506,706 | $118,830,845 | Grosse Pointe Blank | $28,084,357 |
| 1998 | 13 | 1.50% | $101,869,742 | 21,720,627 | $245,660,291 | The Players Club | $23,031,390 |
| 1999 | 17 | 2.64% | $194,780,817 | 38,342,680 | $433,655,711 | Three Kings | $59,223,104 |
| 2000 | 9 | 0.83% | $62,630,861 | 11,619,825 | $131,420,221 | Nurse Betty | $25,170,054 |
| 2001 | 7 | 0.85% | $69,130,317 | 12,213,837 | $138,138,496 | Snatch | $30,033,056 |
| 2002 | 7 | 0.71% | $65,016,647 | 11,190,473 | $126,564,250 | The Royal Tenenbaums | $41,563,435 |
| 2003 | 3 | 0.66% | $60,664,276 | 10,060,410 | $113,783,237 | Bad Santa | $50,947,195 |
| 2004 | 8 | 1.41% | $132,844,336 | 21,392,003 | $241,943,554 | The Stepford Wives | $59,475,623 |
| 2005 | 9 | 0.77% | $67,650,358 | 10,553,877 | $119,364,349 | Fun with Dick & Jane | $54,062,538 |
| 2006 | 9 | 1.14% | $105,304,968 | 16,077,094 | $181,831,933 | Fun with Dick & Jane | $56,487,462 |
| 2007 | 5 | 0.17% | $16,556,026 | 2,406,399 | $27,216,373 | Death at a Funeral | $8,579,573 |
| 2008 | 8 | 0.71% | $69,423,811 | 9,669,054 | $109,357,001 | Burn After Reading | $60,355,347 |
| 2009 | 12 | 0.87% | $92,472,822 | 12,329,710 | $139,449,020 | The Men Who Stare at Goats | $31,976,937 |
| 2010 | 12 | 0.92% | $95,999,828 | 12,167,277 | $137,611,903 | Kick-Ass | $48,071,303 |
| 2011 | 15 | 0.98% | $100,331,350 | 12,652,126 | $143,095,545 | 30 Minutes or Less | $37,053,924 |
| 2012 | 16 | 0.91% | $98,444,930 | 12,367,453 | $139,875,893 | Dark Shadows | $79,727,149 |
| 2013 | 13 | 1.37% | $149,682,108 | 18,411,084 | $208,229,360 | American Hustle | $67,499,173 |
| 2014 | 15 | 2.71% | $283,371,570 | 34,684,401 | $392,280,575 | American Hustle | $82,599,283 |
| 2015 | 14 | 0.35% | $39,121,121 | 4,640,701 | $52,486,328 | Birdman or (The Unexpected … | $18,067,553 |
| 2016 | 5 | 0.70% | $80,050,419 | 9,254,383 | $104,667,072 | War Dogs | $43,034,523 |
| 2017 | 13 | 0.61% | $66,874,424 | 7,455,345 | $84,319,952 | Three Billboards Outside Eb… | $24,164,629 |
| 2018 | 12 | 1.64% | $193,947,513 | 21,289,519 | $240,784,460 | BlacKkKlansman | $48,527,565 |
| 2019 | 11 | 1.06% | $119,844,964 | 13,083,510 | $147,974,498 | Ready or Not | $28,714,231 |
| 2020 | 10 | 2.12% | $45,031,822 | 4,905,426 | $55,480,368 | Parasite (기생충) | $30,736,060 |
| 2021 | 2 | 0.22% | $10,097,184 | 992,840 | $11,229,020 | Promising Young Woman | $5,252,785 |
| 2022 | 3 | 0.60% | $44,169,690 | 4,194,652 | $47,441,514 | The Menu | $35,721,551 |
| 2023 | 8 | 1.13% | $101,309,161 | 9,260,434 | $104,735,509 | Cocaine Bear | $64,670,240 |
| 2024 | 6 | 0.36% | $30,633,676 | 2,708,548 | $30,633,678 | Poor Things | $24,257,189 |
| 2025 | 18 | 2.65% | $230,729,295 | 20,400,471 | $230,729,327 | Mickey 17 | $46,142,263 |
| 2026 | 1 | 1.01% | $8,920,222 | 788,702 | $8,920,220 | No Other Choice (어쩔수가없다)… | $8,920,222 |
Upcoming Releases
| Release Date | Movie | Theatrical Distributor | Domestic Box Office to Date | Trailer |
|---|---|---|---|---|
| February 2026 | ||||
| February 20 | How to Make a Killing (Wide) | A24 | ||
| March 2026 | ||||
| March 20 | Ready or Not 2: Here I Come (Wide) | Searchlight Pictures | ||
| April 2026 | ||||
| April 10 | The Christophers (Limited) | Neon | ||
| April 17 | 4 Kids Walk Into a Bank (Wide) | Amazon MGM Studios | ||
| October 2026 | ||||
| October 2 | Digger (Wide) | Warner Bros. | ||
| Digger (IMAX) | Warner Bros. | |||
Our Theatrical Market pages are based on the Domestic Theatrical Market performance only. The Domestic Market is defined as the North American movie territory (consisting of the United States, Canada, Puerto Rico and Guam).
The yearly amounts on our Theatrical Market pages are based on box office years. Each box office year starts on the first Monday of the year, so the previous year ends on the Sunday before the first Monday. For example, the "2017 box office year" started on January 2, 2017 so the "2016 box office year" ended on Sunday, January 1, 2017.