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| Theatrical Performance (US$) | ||
| Turkey Box Office | $172,130 | Details |
| Worldwide Box Office | $1,304,301 | Details |
| Further financial details... | ||
| Turkey Releases: | March 8th, 2019 (Wide), released as Kartopu Savaşları 2 |
| Video Release: | October 29th, 2019 by Viva |
| MPAA Rating: | PG for some mild rude humor. (Rating bulletin 2594 (Cert #52364), 9/4/2019) |
| Running Time: | 89 minutes |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Canada |
| Languages: | English |
November 8th, 2019
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It is not a good week for limited releases. There were so few films that had 10 or more reviews that I had to bend the normal rule and even then, there are only nine films on the main list. Of these, Honey Boy easily has the best chance of box office success. However, I’m also interested in Good Girls Get High, KonoSuba - God’s Blessing on the Stupidly Long Name, and The Kingmaker. Let’s hope they all find audiences.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/03/08 | 4 | $92,732 | 303 | $306 | $92,732 | 1 | |
| 2019/03/15 | 7 | $33,743 | -64% | 227 | $149 | $160,288 | 2 |
| 2019/03/22 | 17 | $3,310 | -90% | 48 | $69 | $168,884 | 3 |
| 2019/03/29 | - | $489 | -85% | 14 | $35 | $174,233 | 4 |
| 2019/04/05 | - | $66 | -87% | 3 | $22 | $176,020 | 5 |
| 2019/04/12 | - | $15 | -77% | 1 | $15 | $173,686 | 6 |
| 2019/04/19 | - | $262 | +1,647% | 2 | $131 | $172,130 | 7 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Canada | 12/7/2018 | $0 | 0 | 0 | 0 | $0 | |
| France | 1/31/2020 | $372,013 | 297 | 380 | 1025 | $815,606 | 2/29/2020 |
| Lithuania | 2/22/2019 | $34,250 | 0 | 0 | 0 | $75,990 | 7/10/2019 |
| North America | 11/8/2019 | $0 | 0 | 0 | 0 | $0 | |
| Portugal | 11/11/2021 | $26,217 | 58 | 58 | 172 | $71,917 | 9/26/2023 |
| Russia (CIS) | 1/10/2019 | $72,052 | 502 | 502 | 1037 | $114,545 | 3/25/2019 |
| South Korea | 7/23/2020 | $37,494 | 209 | 209 | 238 | $54,113 | 8/12/2020 |
| Turkey | 3/8/2019 | $92,732 | 303 | 303 | 598 | $172,130 | 4/25/2019 |
| Worldwide Total | $1,304,301 | 9/26/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Jean-Francois Pouliot | Director | |
| Benoît Godbout | Director |
