Denmark Box Office for The LEGO Movie 2: The Second Part (2019)

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The LEGO Movie 2: The Second Part
Theatrical Performance (US$)
Denmark Box Office $1,200,000Details
Worldwide Box Office $190,131,035Details
Home Market Performance
North America DVD Sales $6,466,252 Details
North America Blu-ray Sales $14,916,785 Details
Total North America Video Sales $21,383,037
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

The heroes of Bricksburg reunite in an adventure to save their beloved city. It's been five years since everything was awesome and the citizens are facing a huge new threat: Invaders from outer space, wrecking everything faster than they can rebuild. The battle to defeat them and restore harmony to the LEGO universe will take Emmet, Lucy, Batman and their friends to faraway, unexplored worlds, including a strange galaxy where everything is a musical. It will test their courage, creativity and Master Building skills, and reveal just how special they really are.

Metrics

Movie Details

Production Budget:$99,000,000
Denmark Releases: February 6th, 2019 (Wide)
Video Release: April 16th, 2019 by Warner Home Video
June 3rd, 2019 by Warner Home Video
MPAA Rating: PG for mild action and rude humor. NOTE: EDITED FOR RE-RATE. CONTENT IS DIFFERENT FROM PREVIOUS PG RATED VERSION, BULLETIN NO. 2559 (1/2/19). ONLY THIS EDITED VERSION IS RATED. CHANGE IN RATING DESCRIPTOR ONLY.
(Rating bulletin 2562 (Cert #51974), 1/23/2019)
Running Time: 107 minutes
Franchise: Lego
Keywords: Gratuitous Cameos, Family Movie, Post Apocalypse, Space Opera, Dinosaurs, Alien Abduction, Alien Invasion, 3-D, 3-D - Shot in 3-D, IMAX: DMR, Family Adventure
Source:Based on Toy
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Lord Miller, Vertigo Entertainment, Rideback, Warner Bros., Lego Systems A/S
Production Countries: Australia, Canada, Denmark, United States
Languages: English

2019 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets

November 27th, 2019

Avengers: Endgame

It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This year, Thanksgiving is as late as it could have been, which means there’s no way to squeeze in four weeks of regular installments of the gift guide, as well as the December monthly preview, etc. So we are going to have a condensed list this year. That said, there weren’t a ton of first-run releases that would have made this list regardless. More...

Home Market Releases for May 7th, 2019

May 8th, 2019

The LEGO Movie 2: The Second Part

It is yet another slow week on the home market with very few first-run releases of note. There are three contenders for Pick of the Week: Better Call Saul: Season 4, The LEGO Movie 2: The Second Part on 4K Ultra HD, and My Hero Academia: Season Three, Part One. It is too close to call, so I’m declaring a three-way tie. More...

Weekend Wrap-Up: Captain Marvel Cracks $150 million During Debut

March 12th, 2019

Captain Marvel

That burst of hot air you feel is box office analysts and movie executives breathing a sigh of relief as 2019 finally has its first win in the year-over-year comparison. Captain Marvel beat expectations earning $153.43 million over the weekend. This is more than the entire box office earned last weekend, helping the box office grow 85% week-over-week to $209 million. The year-over-year growth wasn’t as explosive, but this was still 51% more than the same weekend last year. 2019 is still way behind 2018, $480 million or 22% to be more precise at $1.75 billion to $2.23 billion. However, this gap is about 10% smaller than it was this time last week, so while 2019 has a long, long way to go to catch up to 2018, it at least looks like it is possible instead of just wishful thinking. More...

Weekend Estimates: Captain Marvel Starts Higher. Further. Faster.

March 10th, 2019

Captain Marvel

Captain Marvel is opening with $153.0 million over the weekend, according to Disney’s estimate. This is on the high end of the studio’s projections based on Friday’s estimates. Additionally, it is more than the entire box office pulled in this weekend last year, as well as the third biggest March opening and the seventh biggest opening in the MCU. The film is already the biggest domestic hit of 2019 and the fifth-biggest hit worldwide. Its legs should be relatively long for a blockbuster, as it earned certified fresh reviews and a solid A from CinemaScore. More...

Friday Estimates: Captain Marvel Sets 2019 Weekend Record in One Day

March 9th, 2019

Captain Marvel

It took just one day for Captain Marvel to set the record for biggest 2019 weekend, as it dominated the chart with $61.38 million. In fact, it is already in sixth place on the 2019 domestic chart, just behind Alita: Battle Angel. The reviews are on the lower end of the MCU average, but that says more about the high quality of the MCU than the low quality of the film, as its Tomatometer Score is 79% positive. The audience reactions are even more positive; Disney released its CinemaScore and it is a solid A. The film should have no trouble topping our prediction with Disney projecting a $145 million to $155 million weekend. I think they are being a little conservative here, but we will see tomorrow when the weekend estimates show up. More...

Weekend Predictions: Will Captain Marvel have a Marvelous Start?

March 7th, 2019

Captain Marvel

This should easily be the best weekend of 2019 as Captain Marvel is widely expected to become the biggest domestic hit of 2019 and it should take just three days to get there. It could take just two days to get there. This film has no competition, at least when it comes to this year. However, the main competition is Black Panther, A Wrinkle in Time, and the rest of the box office from this weekend last year. Those films pulled in $139 million and hopefully Captain Marvel will top that by itself. More...

Weekend Wrap-Up: Dragons Don’t Dominate, as Madea Makes the Most of its Final Debut

March 4th, 2019

How to Train Your Dragon: The Hidden World

2019 has hit its low point, I hope. While Tyler Perry’s A Madea Family Funeral opened faster than anticipated, Greta couldn’t pull its weight and How to Train Your Dragon: The Hidden World slipped faster than expected. The overall box office fell 9.4% from last weekend to $113 million. Worse still, this is 23% lower than the same weekend last year. Unfortunately, this is actually better than average for the year so far, as 2019 is now 26% or $540 million behind 2018’s pace at $1.51 billion to $2.04 billion. Fortunately, Captain Marvel should help things turn around when the film debuts in a few days. More...

Weekend Estimates: Dragons Stay Afloat, Medea Ends on a High Note

March 3rd, 2019

How to Train Your Dragon: The Hidden World

According to estimates, How to Train Your Dragon: The Hidden World really bounced back on Saturday and its Sunday number will help it earn first place over the weekend with $30.05 million. This is lower than predictions and a sophomore decline of 48% is a little steep for a family film. That said, the film is nearly at $100 million domestically after just 10 days and its worldwide total is at $375 million, again according to estimates. The film opened in first place in China with $33.38 million in approximately 10,000 locations. The film’s only remaining major market is Japan, but it doesn’t open there until August. In the meantime, the film should have little trouble getting to $500 million worldwide before then. More...

Friday Estimates: Medea Takes on Dragons and Wins

March 2nd, 2019

Greta

Tyler Perry’s A Madea Family Funeral got off to a faster than expected start on Friday earning $9.2 million. This might be enough to keep it in first place over the full weekend. It depends on its legs. Its reviews are only 29% positive, which normally would be a disaster, but the Madea franchise has been critic-proof for its entire history, so this really shouldn’t have an effect and opening with $26 million or more is likely. More...

Weekend Predictions: New Month, New Beginning?

February 28th, 2019

Greta

2019 has been a terrible year and we really need things to turn around soon or there will be no chance for things to turn around by the end. Fortunately, things should turn around in March. Unfortunately, it won’t be this week. The two wide releases this week are Tyler Perry’s A Madea Family Funeral and Greta. The former is expected to become a midlevel hit. The latter might not top the Mendoza Line. This weekend last year, Black Panther continued to dominate the box office with $66.31 million. This is likely more than the combined final domestic box office numbers of the two wide releases. 2019 will lose the year-over-year comparison, again, but hopefully for the last time in several weeks. More...

International Box Office: China Propels Alita to the Top

February 27th, 2019

Alita: Battle Angel

Alita: Battle Angel rose to first place with $92.42 in 82 markets for totals of $202.68 million internationally and $263.70 million worldwide. The film debuted in China with $63.26 million over the weekend for a total opening of $64.31 million. This is a great start in that market and better than the film’s predicted $50 million opening and even better than its early $60 million projection. It won’t be enough to save the film’s financial future, but it will be enough to save face. The film only made $3.2 million during its opening in Japan, which is disappointing, as the movie was based on a Manga / Anime from Japan and many assumed it would perform better there. The film has no more openings but should top $400 million internationally with relative ease and with a bit of luck, could get to $450 million. We will know more next week, once we see how long its legs will be in China. More...

Weekend Wrap-Up: Dragons Breath Fire and Life into the Box Office

February 26th, 2019

How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World not only led the way over the weekend, it had the fastest start of the year so far. This helped the overall box office grow to $127 million. This is 4.3% higher than last weekend, which might not seem impressive, but this is a post-holiday weekend and we usually see a substantial drop-off. On the other hand, this is still 34% lower than this weekend last year, as Black Panther’s sophomore stint was almost exactly double The Hidden World’s debut. This left 2019 even further behind 2018 and the gap is now 25% or $460 million at $1.36 billion to $1.82 billion. More...

Weekend Estimates: Dragons Roar, Holdovers Can’t Soar

February 24th, 2019

How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World isn’t quite matching Friday’s projections, but it is still dominating the weekend box office with an estimated $55.53 million Friday through Sunday, and $58.03 million in total if you include the paid previews. This is by far the biggest opening of the year, topping Glass by $15 million and the film is already in the top five for 2019. Internationally, it debuted in first place in Russia with $11.2 million, pushing its weekend haul to $34.7 million, while its international running tally rose to $216.9 million. It is already the biggest worldwide hit of the year, at least it is the biggest Hollywood hit at the global box office. So far that chart is dominated by Chinese films, but that’s common, as Chinese New Year usually results in a few films earning over $100 million at the box office during that week alone. More...

Friday Estimates: Dragons Take Flight One Last Time

February 23rd, 2019

How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World is beating expectations with $17.49 million on Friday, putting it on pace for $60 million over the full weekend, including its $2.5 million from paid previews. This is more than enough to be the fastest opening in the franchise and it is easily the best opening of the year so far. It’s nice for a potential major hit to actually top expectations and this is the first time that’s happened all year. Hopefully the film’s reviews and word-of-mouth can continue to lift its box office chances over the full weekend and indeed over the next few weeks. More...

Thursday Night Previews: Dragons Doubles Lego with $3 million

February 22nd, 2019

How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World got off to a fast start with $3 million in previews on Thursday. This is twice as much as The Lego Movie 2: The Second Part earned during its previews and it doesn’t include the $2.5 million in paid previews The Hidden World earned on February 2nd. Additionally, its reviews are fantastic and its word-of-mouth should help carry the film over the weekend. I want to be cautious, because 2019 has been a bad year at the box office so far, but I can see us having to adjust our prediction tomorrow, once Friday’s numbers show up. More...

Weekend Predictions: Can Dragons make the Box Office Soar Again?

February 21st, 2019

How to Train Your Dragon: The Hidden World

There’s only one true wide release this weekend, How to Train Your Dragon: The Hidden World, but it should become the fastest opening film of the year so far. Additionally, Fighting With My Family is expanding wide and after its stellar start last weekend, it should easily earn a spot in the top five. It likely won’t be able to top Alita: Battle Angel or The Lego Movie 2: The Second Part, but it should be in a battle for fourth place with Isn’t It Romantic. On the positive side, How to Train Your Dragon: The Hidden World should earn more than the three new wide releases from this weekend last year. On the negative side, Black Panther remained in top spot with closer to $120 million. 2019 is going to get destroyed in the year-over-year comparison, again, but at least it won’t be as bad as last week was. More...

Weekend Wrap-Up: Alita Battles Disbelievers and Wins

February 20th, 2019

Alita: Battle Angel

The weekend wasn’t as bad as it could have been, at least not at the top. Alita: Battle Angel topped all but the most bullish expectations with $42.25 million from Thursday through Sunday. Isn’t It Romantic matched expectations nearly perfectly, while Happy Death Day 2U struggled, but should still break even, eventually. Overall, the box office rose 8.4% from last weekend, but plummet 57% from the same weekend last year. On the positive side, that was the weekend Black Panther debuted, so we knew a drop-off like this was to be expected. On the negative side, as of the end of business on Monday, 2019 was behind 2018’s pace by a margin of over $350 million or nearly 23%. 2019 will need to turn things around soon if it wants any chance of completing a comeback. Hell, it will need to turn things around soon if it wants any chance to avoid a worst-in-a-decade end result. More...

Weekend Estimates: Alita Wins Battle for Top Spot, but Production Budget is Winning the War

February 17th, 2019

Alita: Battle Angel

Alita: Battle Angel is topping the weekend chart with an estimated $27.8 million over the three-day weekend and $33.0 million over four. Adding in Thursday’s result gives us a total opening of $41.7 million, which is more than we predicted and we were already a little more bullish than most. Its reviews were bouncing above then sinking below the overall positive level throughout the week, but they seem to have settled on the south side at 58% positive. We won’t get the CinemaScore until Monday, but I suspect it will be substantially better than this and be in the B plus / A minus range. We don’t have solid numbers for its international weekend, but estimates have it in the $40 million range during its second weekend of release. This would have been a great run so far, had the film not cost so much to make. More...

Friday Estimates: Alita Battles it’s Way to the Top

February 16th, 2019

Alita: Battle Angel

Alita: Battle Angel started strong on Thursday with $8.72 million and held on well on Friday down just 14% to $7.53 million. Granted, this was the worst decline of the three new releases, but it was also the only one to open on Thursday, so I think this is a strong showing. The reviews remain right on the edge of the overall positive level, so it should have acceptable legs. Look for between $25 million and $26 million over the three-day weekend and $30 million over four. This would be a good start, if the film cost $100 million to make. However, with a budget between $160 million and $170 million, depending on tax breaks, even getting to $100 million domestically will just be saving face. More...

Weekend Predictions: Will there be a Lot of Love At the Box Office this week?

February 14th, 2019

Alita: Battle Angel

It’s a very odd weekend at the box office. Not only is it a long weekend with most people having Monday off, but Valentine’s Day is Thursday and two of the three wide releases opened on Wednesday. The biggest new release is Alita: Battle Angel, but the film reportedly cost as much as $200 million to make and there’s a chance it will open with less than $20 million over the three-day portion of the weekend. Isn’t It Romantic should get the biggest boost thanks to Valentine’s Day. Meanwhile, Happy Death Day 2U is hoping to top the original. As for this weekend last year, it was the weekend Black Panther debuted. 2019 is going to get destroyed at the year-over-year comparison, again. If it loses by less than 50%, I will be happy. That’s how bad things have gotten. More...

Weekend Wrap-up: 2019 Continues its Slump

February 12th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part missed expectations over the weekend, leading to yet another disappointing overall performance at the box office. Granted, the box office did climb by 55% from last weekend to $112 million. However, last weekend was the worst weekend at the box office in more than a year. Additionally, $112 million is still 20% lower than the same weekend last year. Year-to-date, 2019 has pulled in $1.01 billion; however, this is still 15% lower than last year’s pace and the slowest pace since 2011, in terms of raw dollars. If we go by ticket sales, we have to look all the way back to 1999 to find a slower start to the year. More...

Weekend Estimates: Lego Tops Chart, but Fails to Match the Original

February 10th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part reportedly cost $99 million to make and it will earn that much domestically, so it will very likely make a profit and Warner Bros. will be fine. That said, it is estimated to only manage $34.4 million over the weekend, which is about 40% lower than expectations and almost exactly 50% lower than the first film opened with. Its reviews are 84% positive, while it managed an A minus from CinemaScore, so it really should have done better than this. This hopefully isn’t a sign that the overall box office is unhealthy, but just a sign that WB has pushed the franchise too much too soon. Internationally, the film started with $18.1 million in 63 markets. This includes a first place, $5.2 million on 1,301 screens in the U.K. It also managed first place in Russia with $1.7 million on 2,493 screens. On the other hand, it only managed fourth place in Brazil with just $707,000 on 854 screens, which is the weakest start in the franchise. More...

Friday Estimates: New Releases Receive a Cold Welcome

February 9th, 2019

The Lego Movie 2: The Second Part

Friday’s box office can best be described as “What happened?” Thursday previews looked promising, but then the Friday numbers arrived and it looks like most of the new releases will miss expectations. This includes The Lego Movie 2: The Second Part, which opened with $8.5 million on Friday, $9.1 million including its paid previews from January. This is well below expectations and puts the film on pace for about $32 million over the weekend. Its reviews are 85% positive, but its early CinemaScore is just A minus, which isn’t particularly good for a family film. Next weekend is a long weekend, so I think it will still get to $100 million domestically, which is more than it cost to make. However, a lot of people thought it had a real shot at $200 million domestically, so this is a real disappointment. More...

Thursday Night Previews: Lego Lifts Off with $2.1 million in Combined Previews

February 8th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part got off to a solid start with $2.1 million in previews. This includes $1.5 million last night and $600,000 from the January paid preview. This is a good result for a family film opening without the benefit of a school holiday. Granted, The Lego Batman Movie opened with $2.2 million during its previews in 2017, but as a comic book movie, it had more drawing power with adults and would be slightly more front-loaded. We don’t know for sure if The Second Part will make up the difference over the full weekend and match our $55 million prediction, but we will have a better idea tomorrow when the Friday estimates show up. More...

Weekend Predictions: Can Lego Save 2019?

February 8th, 2019

The Lego Movie 2: The Second Part

I’m of two minds when it comes to this weekend. On the one hand, The Lego Movie 2: The Second Part should be the biggest hit of the year so far and could be the first true monster hit of the year. On the other hand, it might not be enough to keep pace with last year. Only one other new release, What Men Want, has a shot at $20 million, while the other two releases, Cold Pursuit and The Prodigy, might not reach $10 million. This weekend last year, wasn’t quite as strong when it came to new releases, but it had a massive advantage when it came to holdovers. I think 2019 has a small advantage here, but I’ve been burned before, so I won’t be too surprised if 2019 loses in the year-over-year comparison, again. More...

Weekend Wrap-Up: Super Bowl Wasn’t Super and Neither was the Box Office

February 5th, 2019

Miss Bala

The Super Bowl broke records, but not in a good way. (Lowest scoring Super Bowl... ever.) Even so, the Super Bowl still had a devastating effect on the box office leading to arguably the worst Super Bowl weekend box office results since 1999. More on that year later. As expected, Glass earned first place on the weekend box office chart with $9.55 million, but it is never a good sign when the number one film earns less than $10 million. The best / only new release was Miss Bala, which only managed $6.86 million. Overall, the box office fell 27% from last week down to just $72 million. Hopefully this is the worst weekend of the entire year. Worse still, this was 24% lower than the same weekend last year. Year-to-date, 2019 has pulled in $866 million, which is $160 million or 16% lower than 2018’s pace. This is the worst start in terms of raw dollars since 2012 and the worst start in terms of tickets sold since 1999. However, the box office will pick up in March and while I don’t think we’ll match last year’s record pace, we also won’t see a once in a decade slump either. More...

Preview: February

February 1st, 2019

The Lego Movie 2: The Second Part

2019 got off to a slow start as the biggest release of January, Glass, missed expectations and as a result, 2019 lost every weekend in the year-over-year comparison. Unfortunately, 2019 isn’t going to turn things around this month, as last February, Black Panther broke all of the records. That doesn’t mean there are no bright spots this month. Both The Lego Movie 2: The Second Part and How to Train Your Dragon: The Hidden World are virtually guaranteed to reach $100 million domestically, while I wouldn’t be too surprised if one or both hit $200 million. Meanwhile, there are several midlevel hits, one of which could turn into a surprise $100 million hit. That said, there’s a chance all nine movies opening this month combined will earn less than Black Panther did last year. More...

The LEGO Movie 2: The Second Part Trailer

January 8th, 2019

Animated adventure with the voices of Chris Pratt, Will Arnett, and Tiffany Haddish opens February 8 ... Full Movie Details.

The heroes of Bricksburg reunite in an adventure to save their beloved city. It’s been five years since everything was awesome and the citizens are facing a huge new threat: invaders from outer space, wrecking everything faster than they can rebuild. The battle to defeat them and restore harmony to the LEGO universe will take Emmet, Lucy, Batman and their friends to faraway, unexplored worlds, including a strange galaxy where everything is a musical. It will test their courage, creativity and Master Building skills, and reveal just how special they really are. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/8/2019 $144,512 265 265 630 $497,558 10/9/2019
Australia 3/22/2019 $1,357,213 391 391 2183 $7,179,981 3/13/2023
Brazil 2/8/2019 $669,111 853 853 1946 $1,700,000 5/2/2019
Bulgaria 2/8/2019 $48,818 0 0 0 $152,955 4/17/2019
China 3/22/2019 $5,481 0 24410 24410 $2,700,000 5/2/2019
Czech Republic 2/8/2019 $402,934 146 146 539 $1,018,522 4/9/2019
Denmark 2/6/2019 $0 0 0 0 $1,200,000 3/24/2019
France 2/22/2019 $1,130,770 452 470 2073 $3,400,000 5/2/2019
Germany 2/8/2019 $1,245,894 907 907 2168 $4,400,000 5/2/2019
Italy 2/22/2019 $972,618 500 500 624 $2,100,000 5/2/2019
Lithuania 2/8/2019 $61,232 144 144 516 $221,932 10/19/2022
Mexico 2/15/2019 $1,298,022 1716 1716 2737 $3,500,000 5/2/2019
Netherlands 2/8/2019 $536,329 135 142 1306 $3,743,319 6/9/2020
North America 2/8/2019 $34,115,335 4,303 4,303 24,210 $105,806,508
Poland 2/8/2019 $1,313,025 357 357 1331 $3,600,000 5/2/2019
Portugal 3/1/2019 $90,193 92 92 373 $427,418 6/4/2019
Russia (CIS) 2/7/2019 $1,721,542 1652 1652 5022 $3,300,000 5/2/2019
Slovakia 2/8/2019 $167,239 81 81 290 $431,832 6/4/2019
South Korea 2/6/2019 $19,378 0 414 480 $602,023 3/5/2019
Spain 2/8/2019 $810,700 306 312 1713 $2,300,000 5/2/2019
Turkey 2/8/2019 $263,385 217 220 879 $797,225 3/28/2019
United Kingdom 2/8/2019 $5,194,943 572 661 5119 $23,607,835 5/29/2019
 
Rest of World $17,443,927
 
Worldwide Total$190,131,035 3/13/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Chris Pratt    Emmet/Rex Dangervest
Elizabeth Banks    Wyldstyle/Lucy
Will Arnett    Batman
Tiffany Haddish    Queen Watevra Wa’Nabi
Stephanie Beatriz    General Mayhem
Alison Brie    Ultrakatty
Nick Offerman    Metal Beard
Charlie Day    Benny

Supporting Cast

Maya Rudolph    Mom
Will Ferrell    President Business/Dad
Jadon Sand    Finn
Brooklynn Prince    Bianca
Channing Tatum    Clark Kent/Kel-El/Superman
Jonah Hill    Hal Jordan/Green Lantern
Richard Ayoade    Ice Cream Cone
Ben Schwartz    Banamar
Noel Fielding    Balthazar
Jason Momoa    Aquaman
Cobie Smulders    Wonder Woman
Ike Barinholtz    Lex Luthor
Ralph Fiennes    Alfred Pennyworth
Orville Forte    Abraham Lincoln
Jimmy O. Yang    Enthusiastic Zebra
Jorma Taccone    Larry Poppins
Todd Hansen    Gandalf/Swamp Creature
Doug Nicholas    Surfer Dave/Chainsaw Dave/Purgatory Dave
Liam Knight    Duplo/Heart/Star/Sewer Babies
Emmett Mitchell    Duplo/Duplo Foreman/Duplo Wonder Woman
Sawyer Jones    Duplo/Heart/Star
Graham Miller    Duplo/Young Finn
Cora Miller    Duplo/Star
Ollie Mitchell    Duplo
Mike Mitchell    Guard/Octopus/Harmony Town Citizen/Announcer/Sherry/Apocalypseoung Warrior
Christopher Miller    Horse/Chocolate Bar/Plantimals/Paper Boy/Chad
Margot Rubin    Susan/Mermaid/Harley Quinn/Wonder Woman Mini Doll/Panda
Emily Nordwind    Cleopatra
Chris McKay    Larry the Barista
Trisha Gum    Velma
Ryan Halprin    Dolphin Clock/Apocalypseburg Citizen
Lauren White    Apocalypseburg Citizen

Cameos

Bruce Willis    Himself
Gary Payton    Himself
Sheryl Swoopes    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Mike Mitchell    Director
Phil Lord    Screenwriter
Christopher Miller    Screenwriter
Phil Lord    Story by
Christopher Miller    Story by
Matthew Fogel    Story by
Christopher Miller    Producer
Dan Lin    Producer
Jinko Gotoh    Producer
Phil Lord    Producer
Roy Lee    Producer
Jill Wilfert    Executive Producer
Keith Malone    Executive Producer
Matthew Ashton    Executive Producer
Chris McKay    Executive Producer
Zareh Nalbandian    Executive Producer
Ryan Halprin    Executive Producer
Michael E. Uslan    Executive Producer
Will Allegra    Executive Producer
Chris Leahy    Executive Producer
Patrick Hanenberger    Production Designer
Clare Knight    Editor
Mark Mothersbaugh    Composer
Trisha Gum    Animation Director
Craig Berry    Head of Story
Marius de Vries    Executive Music Producer
Jon Lajoie    Song Writer
Kier Lehman    Music Supervisor
David Burgess    Animation Supervisor
Emmanuel Blasset    Character CG Supervisor
John Rix    Character CG Supervisor
Phil Bonner    Modeling Supervisor
Sharon Taylor    Co-Producer
Kristen Murtha    Co-Producer
Alex Loots    Production Manager
Steph Huot    Production Manager
Mary Hidalgo    Casting Director
Brendan Ferguson    Unit Production Manager
James Bitonti    First Assistant Director
Benjamin Cairns    Second Assistant Director
Jon Burton    Co-Producer
Rebecca Karch Tomlinson    Associate Producer
Ethan Van der Ryn    Supervising Sound Editor
Erik Aadahl    Supervising Sound Editor
Marcus Taylor    Additional Editor
Anna Solorio-Catalano    Additional Editor
Jessica Ambinder-Rojas    Additional Editor
Wyatt Jones    Additional Editor
Todd Hansen    Additional Editor
Doug Nicholas    Additional Editor
Garret Elkins    Additional Editor
Darrin Ly    First Assistant Editor
Vaughn Bien III    Assistant Editor
Elaine Walrath    Assistant Editor
Michael Hugh O’Donnell    Assistant Editor
Carrie Owens    Assistant Editor
Nick Willard    Assistant Director
Hayley Beisler    Production Supervisor
Jake Vacek    Production Supervisor
Matt Town    Post-Production Supervisor
Randall James Bol    Post-Production Supervisor
Michael Semanick    Re-recording Mixer
Gary Summers    Re-recording Mixer
Nathan Nance    Re-recording Mixer
Jason W. Jennings    Sound Designer
Malte Bieler    Sound Designer
Brandon Jones    Sound Designer
Tim Walston    Sound Effects Editor
Matt Yocum    Sound Effects Editor
Michele Perrone    Dialogue Editor
John C. Stuver    Dialogue Editor
Harrison Meyle    Dialogue Editor
John Sanacore    Foley Mixer
Dominick Certo    Supervising Music Editor
Maarten Hofmeijer    Music Editor
Barbara McDermott    Music Editor
Brad Haehnel    Score Recordist
Brad Haehnel    Score Mixer
Wataru Hokoyama    Additional Music
Peter Seibert    Additional Music
Tim Jones    Additional Music
Nick Dudar    Art Director
Elizabeth Wilcox    Set Decorator
Michael Farias    Location Manager
Naomi Bakstad    Make up
Anne Carroll    Hairstylist
Mauricio Bedolla    Art Director
Ross Haynes    Art Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.