Greece Box Office for Legend (2015)

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Legend poster
Theatrical Performance (US$)
Greece Box Office $157,734Details
Worldwide Box Office $42,280,444Details
Home Market Performance
North America DVD Sales $973,019 Details
North America Blu-ray Sales $1,176,198 Details
Total North America Video Sales $2,149,217
Further financial details...

  1. Summary
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Synopsis

Together, the Kray Twins take over the city. But as their reign expands, power-struggles, fierce madness, and a woman diminishes their bond; the weak link that could cause their empire to collapse. It takes us into the secret history of the 1960s and the extraordinary events that secured the infamy of the Kray twins. “The Old East End and the Swinging Sixties are long gone, and so are its doppelgängers, the Krays; all of it slipped into the alchemy of legend. Lies abound, the facts are elusive, but some truth can still be found… “

Metrics

Movie Details

Production Budget:$25,000,000
Greece Releases: November 5th, 2015 (Wide)
Video Release: February 16th, 2016 by Universal Home Entertainment
MPAA Rating: R for strong violence, language throughout, some sexual and drug material.
(Rating bulletin 2377, 6/10/2015)
Running Time: 131 minutes
Keywords: Twins, Same Actor, Multiple Roles, Organized Crime, Set in London, Set in United Kingdom, 1960s, Voiceover/Narration, Suicide
Source:Based on Real Life Events
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Cross Creek Pictures, StudioCanal, Working Title Films, Anton Capital Entertainment, Universal Pictures
Production Countries: United Kingdom
Languages: English

Home Market Releases for March 1st, 2016

March 2nd, 2016

Strange Brew

There are some really good releases on this week's Home Market Release Report, including many that either won or were competing for Oscars, like Creed, Room, etc. However, once you get past the cream of the crop, there isn't much in the way of depth. Most of the Oscar contenders are Pick of the Week Contenders, but the best release by far is The Adventures of Bob & Doug McKenzie: Strange Brew on Blu-ray. This is the greatest movie ever made. More...

Per Theater Chart: The Big Short was Nearly the Biggest

December 15th, 2015

The Big Short

We have a new champion on top of the per theater chart this week, as The Big Short earned one of the best limited release openings of the year. Its average of $88,191 was behind only Steve Jobs for the year and Steve Jobs opened in half as many theaters as The Big Short, 8 to 4. Carol remained strong in second place with an average of $21,105 in 16 theaters. Thankfully it is expanding, but I'm worried the studio waited too long and it won't reach its potential. Yellow Day opened with an average of $13,130 in two theaters. The Danish Girl rounded out the $10,000 club with an average of $10,964 in 24 theaters. By this time next week, it could be over $1 million in total. More...

Weekend Predictions: How Many will See Heart of the Sea?

December 10th, 2015

In the Heart of the Sea

There's only one wide release this week, In the Heart of the Sea, although some sources still have Legend expanding nationwide. Of course, expanding nationwide doesn't mean the same thing as expanding truly wide. Because In the Heart of the Sea doesn't have any real competition this weekend, it is widely expected to earn first place, but it isn't expected to be a smash hit. It is very unlikely it will do as well as last year's number one film, Exodus: Gods and Kings. The depth is a little better this year, but 2015 will still likely struggle to match 2014 in the year-over-year comparison. More...

2015 Preview: December

December 1st, 2015

Star Wars: The Force Awakens

November ended on a positive note with a strong Thanksgiving weekend. Even so, the overall numbers were mixed with a lot of misses mixed in with a few hits. It was better than October and we will call that a victory. Meanwhile, December is potentially record-breaking. Actually, given the evidence, it is almost assuredly going to be record-breaking. Star Wars: The Force Awakens has already set a record for the most money taken from ticket pre-sales and the biggest December weekend will fall. The pre-orders alone will guarantee that. On the downside, it is very likely that no film will make as much in total as The Force Awakens will make during its opening weekend. There's a chance no film makes in total as much as The Force Awakens makes during its opening day. There are a few films that have a shot at $100 million. For example, Joy should get there, if it becomes a major player during Awards Season. If not, it will at least come close. Daddy's Home, and to a lesser extent Sisters, could be surprise $100 million hits. However, like the rest of 2015, December is shaping up to be a month of a record-breaking hit and a lot of films that struggle just to get noticed. On the other hand, last December, was a lot more balanced at the top with four films earning more than $100 million, led by The Hobbit: The Battle of the Five Armies. There's a chance The Force Awakens earns more than all four $100 million hits from last year earned combined. More...

Per Theater Chart: Carol Sings a Joyful Tune

November 24th, 2015

Carol

Carol had a festive opening earning just over $250,000 in four theaters for an average of $63,378. That's the third best average for an opening this year, just ahead of Ex Machina and just behind Sicario. The overall box office leader, The Hunger Games: Mockingjay - Part 2, was next with an average of $24,591. Legend was next with an average of $21,709 in four theaters. That's a good start, but its reviews suggest not so good legs. Speaking of long legs, Brooklyn remained in the $10,000 for the third week in a row earning an average of $10,270 in just over 100 theaters. More...

Weekend Estimates: Mockingjay Tops $100 Million, But Only Just

November 22nd, 2015

Mockingjay Part 2

The Hunger Games: Mockingjay—Part 2 is about to record the most disappointing $100 million weekend ever, based on Sunday’s estimate from Lionsgate. Why disappointing? Because its $101.025 million projected opening follows the $158 million earned by Catching Fire on this weekend in 2013 (then the sixth-biggest weekend ever), and the $122 million debut of Mockingjay—Part 1 this weekend last year. That marks a decline of 20% or so from one installment of the franchise to the next, which is the worst performance of any franchise to have recorded a $100 million start. Global numbers tell a similar story: $247 million this weekend against Part 1’s $275 million. However, once we get that troubling statistic out the way, this is also a reason for celebration: $100 million domestically and $250 million globally in one weekend is still a huge amount of money, and caps a spectacularly successful franchise for Lionsgate. More...

Limited and VOD Releases: These Limited Releases are Legendary

November 20th, 2015

Carol

There are three or four films on this week's list vying for Awards Season Glory, but of these three, Carol has by far the best shot at picking up major nominations. In fact, it is considered a favorite for five major nominations, including Best Picture. Will it win any of these? Getting off to a fast start in limited release will help its chances. More...

International Box Office: Runner Breaks Out to an Early Lead

September 23rd, 2015

The Maze Runner: The Scorch Trials

The Maze Runner: The Scorch Trials rose to first place with $43.3 million in 67 markets over the weekend for a total of $78.0 million internationally and $108.3 million worldwide. The film's biggest opening came from South Korea, but it only managed second place there with $5.66 million on 804 screens over the weekend for a total opening of $7.20 million. On the other hand, the film dominated the Russian box office with $4.19 million on 2,328 screens. The original movie opened stronger in Russia, but The Scorch Trials performed better in its opening in South Korea. Given these results, it is still too soon to tell how well this film will do compared to its predecessor. That said, it already has more worldwide than it cost to make. In fact, it almost has enough worldwide to pay for its entire production budget. Its advertising budget would have to be much larger than expected for it to not break even sooner rather than later. More...

International Box Office: Mission: Accomplished

September 17th, 2015

Mission: Impossible - Rogue Nation

Mission: Impossible - Rogue Nation rocketed up the chart into first place with $91.3 million in 63 markets over the weekend... sort of. This includes $86.42 million during the film's six-day opening in China. Its three-day weekend number is a lot smaller than that, but still enough for first place. Overall, the film now has $424.8 million internationally and $612.9 million worldwide. It became only the second film in the franchise to reach the $600 million mark worldwide. This is more than enough to break even, so it should come as no surprise that there's another installment in the works. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2015/11/06 3 $86,633   35 $2,475   $86,633 1
2015/11/13 7 $29,477 -66% 24 $1,228   $157,734 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/21/2016 $53,739 38 38 46 $83,200 11/29/2018
Australia 10/16/2015 $531,971 194 195 685 $1,336,370 4/1/2024
Austria 1/8/2016 $64,654 26 26 83 $137,745 6/9/2016
Belgium 1/20/2016 $34,410 13 13 13 $34,410 6/9/2016
Bulgaria 1/15/2016 $5,568 15 15 41 $13,315 12/31/2018
Chile 1/28/2016 $0 0 1 1 $9,866 12/31/2018
Croatia 10/8/2015 $0 0 12 24 $82,629 12/30/2018
Czech Republic 10/15/2015 $43,595 74 74 106 $74,808 12/30/2018
Denmark 11/12/2015 $0 0 7 7 $71,391 12/1/2015
Ecuador 1/15/2016 $20,506 24 24 69 $40,749 12/31/2018
Estonia 10/16/2015 $3,173 8 9 17 $39,548 10/27/2015
Finland 11/13/2015 $31,799 33 33 108 $124,365 12/21/2015
France 1/20/2016 $643,500 223 223 446 $1,059,593 6/9/2016
Germany 1/7/2016 $587,883 198 198 628 $1,163,533 6/9/2016
Greece 11/5/2015 $86,633 35 35 59 $157,734 11/17/2015
Hong Kong 12/10/2015 $45,631 12 12 22 $81,797 9/5/2016
Hungary 10/9/2015 $112,867 40 40 40 $210,681 12/30/2018
Iceland 10/9/2015 $0 0 6 6 $35,742 12/30/2018
Italy 3/3/2016 $278,671 231 231 328 $438,090 6/9/2016
Latvia 10/16/2015 $0 0 1 1 $48,835 12/30/2018
Lebanon 10/8/2015 $0 0 2 5 $135,217 12/30/2018
Mexico 2/19/2016 $0 0 8 8 $225,209 6/9/2016
Netherlands 1/21/2016 $31,145 41 41 41 $31,145 6/9/2016
New Zealand 10/16/2015 $114,301 68 68 311 $383,683 6/8/2016
North America 11/20/2015 $86,836 4 107 329 $1,872,994 5/12/2016
Peru 3/3/2016 $14,212 16 16 17 $21,292 12/31/2018
Portugal 10/29/2015 $53,202 39 39 92 $114,122 12/8/2015
Romania 10/16/2015 $144,746 56 56 157 $403,904 12/30/2018
Russia (CIS) 10/1/2015 $1,158,216 950 950 2206 $2,106,160 11/20/2018
Serbia and Montenegro 11/12/2015 $0 0 9 20 $32,815 12/30/2018
Singapore 11/12/2015 $64,840 14 14 36 $135,052 6/9/2016
Slovakia 10/29/2015 $32,346 30 30 64 $79,780 11/17/2015
Slovenia 10/16/2015 $3,584 9 9 9 $4,076 10/22/2015
South Korea 12/10/2015 $779,744 449 449 482 $1,220,054 9/5/2016
Spain 1/8/2016 $150,304 109 109 221 $277,868 6/9/2016
Sweden 11/27/2015 $56,563 34 34 56 $262,849 9/5/2016
Switzerland 12/31/2015 $97,258 25 25 25 $102,740 9/5/2016
Taiwan 11/13/2015 $52,652 17 17 43 $149,826 12/16/2015
Thailand 2/18/2016 $17,343 25 25 29 $28,884 6/9/2016
Turkey 10/2/2015 $21,259 35 35 75 $53,810 12/30/2018
Ukraine 10/1/2015 $46,730 73 73 150 $107,993 12/30/2018
United Arab Emirates 10/8/2015 $0 0 12 31 $559,166 12/30/2018
United Kingdom 9/11/2015 $8,004,125 522 563 3413 $27,924,806 12/16/2015
Uruguay 3/31/2016 $2,690 5 5 6 $3,412 12/31/2018
 
Rest of World $799,186
 
Worldwide Total$42,280,444 4/1/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Tom Hardy    Reggie Kray/Ronald Kray
Emily Browning    Frances Shea

Supporting Cast

David Thewlis    Leslie Payne
Duffy*    Timi Yuro
Christopher Eccleston    Nipper Read
Chazz Palminteri    Angelo Bruno
Paul Anderson    Albert Donoghue
Joshua Hill    Constable Scott
Colin Morgan    Frank Shea
Tara Fitzgerald    Mrs. Shea
Nicholas Farrell    Dr. Humphries
Adam Fogerty    Pat Connolly
Mel Raido    Ian Barrie
Major Johnson Finley    The Double R Club Singer
Millie Brady    Joan Collins
Chris Mason    Ronnie Hart
Stephen Thompson    Ronnie Bender
Sam Spruell    Jack McVitie
Taron Egerton    Mad Teddy Smith
Alex Ferns    McLean
Martin McCreadie    Eddie Richardson
Shane Attwooll    George Cornell
Richard Riddell    Mike Jobber
Huggy Leaver    Pig & Whistle Barman
Sam Hoare    Stefan De Faye
Frankie Fitzgerald    Jack Dickson
Christopher Adamson    Philip Testa
Alex Giannini    Tony Caponigro
Samantha Pearl    Shirley Bassey
Mark Theodore    Sonny Liston
Lara Cazalet    Mrs. Payne
Charley Palmer Rothwell    Leslie Holt
Tim Faraday    Big Screw
John Sessions    Lord Boothby
Kevin McNally    Harold Wilson
Tim Woodward    Superintendent Cummings
Nick Hendrix    Hew McCowan
Robert Ashby    Arnold Goodman
Geoffrey Beevers    Old Bailey Judge
Jane Wood    Violet Kray
Jon McKenna    Charles Kray Senior
John Sears    Father Foster
Stephen Lord    Fuller
Lorraine Stanley    Blind Beggar Barmaind
Ashley Byam    John

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Brian Helgeland    Director
Brian Helgeland    Screenwriter
John Pearson    Based on the Book 'The Profession of Violence' by
Tim Bevan    Producer
Eric Fellner    Producer
Chris Clark    Producer
Quentin Curtis    Producer
Brian Oliver    Producer
Michael Bassick    Executive Producer
Christopher Woodrow    Executive Producer
Kate Soloman    Executive Producer
Amelia Granger    Executive Producer
Liza Chasin    Executive Producer
Olivier Courson    Executive Producer
Ron Halpern    Executive Producer
Tom Hardy    Executive Producer
Tyler Thompson    Executive Producer
Timmy Thompson    Executive Producer
Jane Robertson    Co-Producer
Dick Pope    Director of Photography
Peter McNulty    Editor
Tom Conroy    Production Designer
Caroline Harris    Costume Designer
Christine Blundell    Make-up and Hair Designer
Carter Burwell    Composer
Lucinda Syson    Casting Director
Jack Ravenscroft    First Assistant Director
Richard Mays    Production Manager
Danny Hambrook    Sound Mixer
Pat Karam    Supervising Location Manager
Beverley Winston    Script Supervisor
Patrick Rolfe    Supervising Art Director
Ann Lynch    Post-Production Supervisor
Kirsten Lane    Music Supervisor
Dominic Gibbs    Supervising Sound Editor
Jeffrey J. Haboush    Re-recording Mixer
Mark Taylor    Re-recording Mixer
Adam Milo Smalley    Music Editor
Marco Scotti    Costume Supervisor
Neal Champion    Special Effects Supervisor
Emma Champion    Special Effects Coordinator
Ben Meechan    Sound Designer
Adam Horley    Dialogue Editor
Kris Wright    Visual Effects Executive Producer
Adam Rowland    Visual Effects Supervisor
Simon Kenny    Visual Effects Producer
Katrin Arndt    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.