Synopsis

The Madrigals are an extraordinary family who live hidden in the mountains of Colombia in a charmed place called the Encanto. The magic of the Encanto has blessed every child in the family with a unique gift — every child except Mirabel. However, she soon may be the Madrigals last hope when she discovers that the magic surrounding the Encanto is now in danger.

Metrics

Movie Details

Production Budget:	$150,000,000
Poland Releases:	November 26th, 2021 (Wide), released as Nasze magiczne Encanto
Video Release:	December 24th, 2021 by Disney+
MPAA Rating:	PG for some thematic elements and mild peril. (Rating bulletin 2700 (cert #53378), 9/29/2021)
Running Time:	109 minutes
Keywords:	Family Adventure, Sibling Rivalry, Disrupted by 2020 COVID-19 pandemic
Source:	Original Screenplay
Genre:	Adventure
Production Method:	Digital Animation
Creative Type:	Kids Fiction
Production/Financing Companies:	Walt Disney Pictures, Walt Disney Animation Studios
Production Countries:	United States
Languages:	English

Weekend estimates: Spider-Man back to the top with $14.125 million on soft weekend

January 23rd, 2022

Spider-Man: No Way Home is back at the top of the box office chart this weekend, with Sony projecting it will earn $14.125 million this time around for a domestic total of $721 million. Scream will be down 59% from its opening (in line with our model’s prediction). Its $12.4 million takes it to $51.3 million so far. Redeeming Love is coming in well ahead of our Friday-morning prediction with $3.71 million over the weekend and will land in fourth place. More...

Weekend estimates: West Side Story shows some legs with $10.5-million weekend win

December 12th, 2021

As I said on Friday, the measure of success for West Side Story is not so much how it opens as how strong its legs are. Based on its performance through this weekend, there’s cause for some mild optimism. Ahead of the weekend, our model expected an opening around $6.9 million, based on its debut in a relatively modest 2,820 theaters and current market conditions. Its $800,000 in preview earnings suggested a weekend close to $10 million was on the cards, and bumped the model’s prediction up to $8.27 million. This morning Disney announced a projected $10.5 million for the film over its opening weekend. While that’s hardly a reason for dancing in the streets, it does suggest the film will play well for a while. More...

Weekend predictions: West Side Story may edge out Encanto for top spot this weekend

December 10th, 2021

This is shaping up to be an interesting weekend at the box office, with three movies having a theoretical shot at coming out on top. Our model marginally favors Encanto, which should have a strong hold as Holiday Season hots up. West Side Story is hot on its heels though, and could easily come out on top based on its $800,000 in previews on Thursday. Even Ghostbusters: Afterlife has an outside shot at pulling off a surprise win. More...

Weekend estimates: Encanto holds top spot on slow post-Thanksgiving weekend

December 5th, 2021

Encanto will do enough this weekend to hold on to top spot at the box office, according to studio estimates released on Sunday. With a projected $12.739 million this time around, Disney’s animated adventure will end the weekend with around $58 million in total domestically. It will be down 53% from the Friday–Sunday portion of Thanksgiving—a little stronger than Ghostbusters: Afterlife, which will be off 57% in its third weekend. Afterlife will take in $10.35 million this weekend, according to Sony, for $102.2 million to date. More...

Weekend predictions: our model predicts Ghostbusters will win the weekend

December 3rd, 2021

With no major new releases this weekend, the race at the box office will be between returning films, and our model thinks we’ll have a surprise winner. After trailing Encanto by just $3 million over the Friday–Sunday portion of the Thanksgiving Holiday, Ghostbusters: Afterlife is favored to win this weekend by a similar margin. More...

Weekend estimates: Encanto leads modest Thanksgiving weekend

November 28th, 2021

The first Thanksgiving with a full slate of new releases during the pandemic was full of uncertainty for theater owners. Family audiences have been returning to theaters but remain at about half their usual level, while the older crowd is mostly on the sidelines and at around 30% of its pre-pandemic size. A holiday weekend dominated by family fair like Encanto and Ghostbusters: Afterlife, with a side dish of the older-skewing House of Gucci is a welcome sight, but the big question was who would show. As it turns out, we’re looking at a modest weekend, with audiences hovering around their long term trend rather than rushing back to theaters. More...

Encanto trailer

October 26th, 2021

Disney animated adventure opens in theaters on November 24 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

Date	Rank	Gross	% Change	Total Gross	Week
2021/11/26	-	$272,324		$272,324	1
2021/12/03	-	$226,579	-17%	$584,989	2
2021/12/10	-	$153,315	-32%	$955,504	3
2021/12/17	-	$70,131	-54%	$1,078,823	4
2021/12/24	-	$10,848	-85%	$1,118,152	5
2021/12/31	-	$50,599	+366%	$1,261,797	6
2022/01/07	-	$82,688	+63%	$1,385,818	7
2022/01/14	-	$66,207	-20%	$1,472,739	8
2022/01/21	-	$48,178	-27%	$1,550,732	9
2022/01/28	-	$55,832	+16%	$1,644,789	10
2022/02/04	-	$60,944	+9%	$1,747,367	11
2022/02/11	-	$72,438	+19%	$1,859,069	12
2022/02/18	-	$85,570	+18%	$2,005,547	13
2022/02/25	-	$67,359	-21%	$2,116,234	14
2022/03/04	-	$56,782	-16%	$2,182,997	15
2022/03/11	-	$38,495	-32%	$2,242,673	16
2022/03/18	-	$35,754	-7%	$2,287,337	17
2022/03/25	-	$31,807	-11%	$2,330,528	18
2022/04/01	-	$52,029	+64%	$2,392,480	19
2022/04/08	-	$41,805	-20%	$2,441,009	20
2022/04/22	-	$20,217		$2,503,170	22
2022/04/29	-	$12,521	-38%	$2,519,524	23
2022/05/06	-	$9,297	-26%	$2,545,485	24
2022/05/13	-	$9,168	-1%	$2,556,879	25
2022/05/20	-	$17,137	+87%	$2,576,180	26
2022/05/27	-	$11,983	-30%	$2,598,837	27
2022/06/03	-	$10,343	-14%	$2,614,722	28
2022/06/10	-	$6,258	-39%	$2,623,227	29
2022/06/17	-	$3,973	-37%	$2,631,281	30
2022/06/24	-	$1,143	-71%	$2,634,522	31
2022/07/01	-	$1,416	+24%	$2,638,364	32
2022/07/08	-	$1,630	+15%	$2,641,778	33
2022/07/15	-	$687	-58%	$2,644,096	34
2022/07/22	-	$905	+32%	$2,646,127	35
2022/07/29	-	$322	-64%	$2,647,351	36
2022/08/05	-	$422	+31%	$2,648,036	37
2022/08/12	-	$149	-65%	$2,648,746	38
2022/08/19	-	$63	-58%	$2,648,899	39
2022/08/26	-	$92	+46%	$2,649,924	40
2022/09/02	-	$119	+29%	$2,650,131	41

Box Office Summary Per Territory

Territory	Release Date	Opening Weekend	Opening Weekend Screens	Maximum Screens	Theatrical Engagements	Total Box Office	Report Date
Argentina	11/25/2021	$561,927	0	0	0	$2,962,003	6/13/2022
Australia	12/2/2021	$810,617	326	333	2050	$4,454,709	9/30/2024
Austria	12/12/2021	$69,465	0	0	0	$782,352	6/27/2022
Belgium	11/24/2021	$337,935	0	0	0	$2,670,523	7/25/2022
Brazil	11/25/2021	$732,636	0	0	0	$3,700,112	9/7/2022
Chile	11/25/2021	$289,908	0	0	0	$1,433,510	10/20/2022
China	1/7/2022	$3,240,000	27765	27765	68406	$12,060,643	10/20/2022
Colombia	11/24/2021	$2,797,869	0	0	0	$10,672,948	5/23/2022
Czech Republic	11/25/2021	$71,071	200	200	997	$697,341	10/22/2022
Denmark	11/25/2021	$50,108	0	0	0	$226,984	7/5/2022
Finland	11/26/2021	$105,567	103	103	585	$493,474	10/20/2022
France	11/24/2021	$3,605,709	0	0	0	$24,048,662	9/7/2022
Germany	11/25/2021	$907,856	0	0	0	$5,748,972	9/7/2022
Hong Kong	11/25/2021	$353,178	0	0	0	$963,138	10/20/2022
India	11/26/2021	$92,617	0	0	0	$159,092	10/20/2022
Indonesia	11/24/2021	$321,052	0	0	0	$709,442	10/20/2022
Italy	11/24/2021	$1,877,948	0	0	0	$5,511,412	10/20/2022
Japan	11/26/2021	$1,559,181	0	0	0	$6,736,664	6/27/2022
Lithuania	11/26/2021	$54,969	19	19	136	$241,960	10/20/2022
Malaysia	11/25/2021	$37,441	0	0	0	$213,190	10/20/2022
Mexico	11/25/2021	$1,491,786	0	0	0	$5,415,326	10/20/2022
Netherlands	11/24/2021	$213,048	266	266	1717	$2,001,533	8/22/2022
New Zealand	12/2/2021	$98,062	92	124	968	$495,546	11/4/2024
North America	11/24/2021	$27,206,494	3,980	3,980	27,695	$96,093,622
Norway	11/24/2021	$51,261	0	0	0	$350,609	5/23/2022
Philippines	12/8/2021	$25,116	0	0	0	$53,785	6/6/2022
Poland	11/26/2021	$272,324	0	0	0	$2,650,131	9/7/2022
Portugal	11/25/2021	$148,076	111	111	1048	$1,014,668	10/20/2022
Romania	11/26/2021	$71,971	149	149	1615	$934,054	12/14/2022
Russia (CIS)	11/25/2021	$1,995,032	1951	1975	7076	$6,491,961	10/22/2022
Singapore	11/25/2021	$175,340	0	0	0	$837,255	10/20/2022
Slovakia	3/10/2022	$50,989	26	82	422	$647,167	2/24/2023
South Korea	11/24/2021	$1,708,798	1100	1100	3977	$4,863,966	2/1/2023
Spain	11/26/2021	$1,718,462	376	376	3989	$8,175,763	7/12/2022
Sweden	11/26/2021	$317,407	0	0	0	$1,308,802	5/31/2022
Switzerland	11/26/2021	$415,050	0	0	0	$2,170,046	9/7/2022
Taiwan	11/26/2021	$301,272	0	0	0	$947,581	3/1/2022
Thailand	11/25/2021	$131,097	0	0	0	$338,577	12/28/2021
Turkey	11/26/2021	$118,170	301	303	1584	$1,398,321	10/22/2022
United Kingdom	11/24/2021	$2,291,676	594	614	6253	$10,506,027	9/7/2022

Worldwide Total						$231,181,871	11/4/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Stephanie Beatriz

Mirabel Madrigal

Supporting Cast

María Cecilia Botero		Abuela Alma
John Leguizamo		Bruno
Mauro Castillo		Félix
Jessica Darrow		Luisa
Angie Cepeda		Julieta
Carolina Gaitán		Pepa
Diane Guerrero		Isabela
Wilmer Valderrama		Agustín
Rhenzy Feliz		Camilo
Ravi Cabot-Conyers		Antonio
Adassa^*		Dolores
Maluma^*		Mariano
Rose Portillo		Señora Guzmán
Noemi Josefina Flores		Young Mirabel
Juan Castano		Osvaldo
Sarah-Nicole Robles		Señora Ozma
Hector Elias		Old Arturo
Alan Tudyk		Toucan
Olga Merediz		Singing Voice of Abuela Alma
Jorge E. Ruiz Cano		Tiple Maestro
Alyssa Bella Candian		Town Kids
Paisley Day Herrera		Town Kids
Brooklyn Skylar Rodriguez		Town Kids
Ezra Rudulph		Town Kids

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jared Bush		Director
Byron Howard		Director
Charise Castro Smith		Co-Director
Yvett Merino		Producer
Clark Spencer		Producer
Charise Castro Smith		Screenwriter
Jared Bush		Screenwriter
Jared Bush		Story Creator
Byron Howard		Story Creator
Charise Castro Smith		Story Creator
Jason Hand		Story Creator
Nancy Kruse		Story Creator
Lin-Manuel Miranda		Story Creator
Lin-Manuel Miranda		Original Songs
Germaine Franco		Original Score
Jeremy Milton		Editor
Jennifer Lee		Executive Producer
Bradford Simonsen		Associate Producer
Scott Kersavage		Visual Effects Supervisor
Jason Hand		Head of Story
Nancy Kruse		Head of Story
Ian Gooding		Production Designer
Lorelay Bové		Production Designer
William B. Schwab		Art Director Characters
Camille Andre		Art Directors Environments
Mehrdad Isvandi		Art Directors Environments
Stephanie Hachem		Production Manager
Renato Dos Anjos		Head of Animation
Kira Lehtomaki		Head of Animation
Thaddeus P. Miller		Technical Supervisor
Michelle Lee Robinson		Head of Characters
Claudia Chung Sanii		Head of Characters
Nicholas Burkard		Head of Technical Animation
Jack Fulmer		Head of Environments
Christopher Hendryx		Effects Supervisor
Sergi Caballer		Character Modeling Supervisor
Alexander Alvarado		Character Look Development Supervisor
Luis Labrador		Environment Modeling Supervisor
Jay V. Jackson		Environment Look Development Supervisor
Suki Lee		Set Extension Supervisor
Christoffer Pedersen		Character Rigging Supervisor
Jesus Canal		Simulation Supervisor
Ian Krebs-Smith		Technical Animation Supervisor
Jason Stellwag		Technical Animation Supervisor
Alberto Abril		Animation Supervisor
Valentin Amador Diaz		Animation Supervisor
Kelly McClanahan		Animation Supervisor
Chad Sellers		Animation Supervisor
Philip To		Animation Supervisor
Michael Woodside		Animation Supervisor
Moe El-Ali		Crowds Supervisor
Darren Simpson		Stereoscopic Supervisor
Joaquin Baldwin		Layout Supervisor
Dorian Bustamante		Layout Supervisor
Tamara Alejandra Faralla Kersavage		Layout Finaling Supervisor
Cory Rocco Florimonte		Layout Lead/Camera Polish
Corey Butler		Lighting Supervisor
Gregory Culp		Lighting Supervisor
Richard Gouge		Lighting Supervisor
Richard E. Lehmann		Lighting Supervisor
Amol Sathe		Lighting Supervisor
Emily Tse		Lighting Supervisor
Neelima Karanam		Associate Technical Supervisor
Nadim Sinno		Associate Technical Supervisor
Mitch Counsell		Tactics Supervisor
Charlyn Go		Senior Production Supervisor
Kelly M. Feeg		Production Supervisor, Story
Jasmine Gonzalez Reed		Production Supervisor, Editorial
Lauren Albers		Production Supervisor, Visual Development
Taylor Anne Tiahrt		Production Supervisor, Characters
Elise M.L. Scanlan		Production Supervisor, Environments
Samantha Stendal		Production Supervisor, Layout
Nicholas Ellingsworth		Production Supervisor, Animation
Holly E. Bratton		Production Supervisor, Sweatbox
Blair Bradley-Coughlin		Production Supervisor, Technical Animation
Madison Boehme		Production Supervisor, Eff ects
Tucker Gilmore		Production Supervisor, Lighting
Demi Chen		Production Supervisor, Stereo
Heather Blodget		Production Supervisor, Marketing
Shannon Mills		Supervising Sound Editor
Nia Hansen		Sound Designer
Berenice Robinson		Post Production Producer
Tom MacDougall		Executive Music Producer
Jamie Sparer Roberts		Casting
Mark Kennedy		Story Artist
Seth Boyden		Story Artist
Tom Ellery		Story Artist
Ryan Green		Story Artist
Lior Lev		Story Artist
Nicole Mitchell		Story Artist
Tom Owens		Story Artist
Jeff Snow		Story Artist
David Vantuyle		Story Artist
Zane Yarbrough		Story Artist
Dan Abraham		Story Artist
Hillary Bradfield		Story Artist
Julia "Fitzy" Fitzmaurice^*		Story Artist
Michael Herrera		Story Artist
Carrie Liao		Story Artist
Natalie Nourigat		Story Artist
Toby Shelton		Story Artist
Jeremy Spears		Story Artist
Samantha Vilfort		Story Artist
Alaia Braxton-Walker		Editorial Coordinator
Loren Gabriela Madrid Cisneros		Editorial Coordinator
Edwin Soto		Editorial Coordinator
Michael Dean Hebert		Editorial Coordinator
John Wheeler		First Assistant Editor
Pace Paulsen		First Assistant Editor
Jasmin Atiles		Production Coordinator, Animation
Russell James Pikus		Production Coordinator, Animation
Ellis Trespalacios		Production Coordinator, Animation/Crowds
Alex Kupershmidt		Tech Anim 2D Lead
Dimitre Berberov		Effects Lead
Dale Mayeda		Effects Lead
Alex Moaveni		Effects Lead
Jacob Rice		Effects Lead
Francisco Rodriguez		Effects Lead
Sean Creveling		Production Coordinator, Effects
Samson Neslund		Sound Effects Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Theatrical Performance (US$)
Poland Box Office	$2,650,131	Details
Worldwide Box Office	$231,181,871	Details
Home Market Performance
North America DVD Sales	$6,483,234	Details
North America Blu-ray Sales	$6,215,654	Details
Total North America Video Sales	$12,698,888
Further financial details...

Poland Box Office for Nasze magiczne Encanto (2021)