Romania Box Office for Povestea incredibilă a lui Enzo (2019)

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The Art of Racing in the Rain
Theatrical Performance (US$)
Romania Box Office $155,470Details
Worldwide Box Office $33,773,963Details
Home Market Performance
North America DVD Sales $4,106,460 Details
North America Blu-ray Sales $2,091,160 Details
Total North America Video Sales $6,197,620
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Through his bond with his owner, Denny Swift, an aspiring Formula One race car driver, Enzo has gained tremendous insight into the human condition and understands that the techniques needed on the racetrack can also be used to successfully navigate the journey of life. The film follows Denny and the loves of his life—his wife, Eve, their young daughter Zoe, and ultimately, his true best friend, Enzo.

Metrics

Movie Details

Production Budget:$18,000,000
Romania Releases: August 16th, 2019 (Wide), released as Povestea incredibilă a lui Enzo
Video Release: October 29th, 2019 by Fox Home Entertainment
MPAA Rating: PG for thematic material.
(Rating bulletin 2565 (Cert #51978), 2/13/2019)
Running Time: 109 minutes
Keywords: Animal Lead, Auto Racing, Talking Animals, Reincarnation, Voiceover/Narration, Comedy Drama, Romance, In-Laws / Future In-Laws, Cancer, Death of a Spouse or Fiancée / Fiancé, Death of a Son or Daughter, Dysfunctional Family, Falsely Accused
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: 20th Century Fox, Original Film, Starbucks Coffee Company, Shifting Gears Productions
Production Countries: United States
Languages: English

Home Market Releases for November 5th, 2019

November 6th, 2019

Good Omens

Fast & Furious Presents: Hobbs & Shaw is easily the biggest release of the week, but it is not the best. Pick of the Week contenders include Galaxy Quest and Good Omens, as well as Alice, Sweet Alice, which arrived late. I’m going with Good Omens, but all three are must haves. More...

Home Market Releases for October 29th, 2019

October 30th, 2019

An American Werewolf in London

It’s a weird week on the home market, as there is not a big new wide release to talk about. However, there are several older releases, imports, etc. that are easily worth picking up and a couple of them are contenders for Pick of the Week. This includes the An American Werewolf in London: Limited Edition Blu-ray and the Godzilla The Showa-Era Films Box Set. Both are absolute must haves, but the latter’s price-tag might scare away some folks. More...

Weekend Wrap-Up: Good Does Well, Box Office is Still Weak

August 20th, 2019

Good Boys

It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash. More...

Weekend Wrap-Up: Hobbs and Shaw Survive Their Sophomore Stint

August 12th, 2019

Fast and Furious Presents: Hobbs and Shaw

The weekend box office was mediocre with many of the new releases missing expectations, and some of them had low expectations to begin with. Fast and Furious Presents: Hobbs and Shaw was able to remain in first place, but on the low end of expectations, leaving Scary Stories to Tell in the Dark as the biggest positive news of the weekend. Overall, the weekend box office was 11% lower than last weekend at $132 million. Worse still, this is 10% lower than the same weekend last year, leaving 2019 further behind last year’s pace. 2019 is now behind 2018 by 6.2% or $480 million at $7.16 billion to $7.64 billion. More...

Weekend Estimates: Hobbs and Shaw Remain Top Draw

August 11th, 2019


Friday Estimates: Scary Tops Friday, Hobbs and Shaw Set to Win Weekend

August 10th, 2019

Scary Stories to Tell in the Dark

Scary Stories to Tell in the Dark led the way on Friday with $7.86 million. The film’s reviews are Certified Fresh at 80% positive, but it only managed a C from CinemaScore. To be fair, this isn’t a bad result for a horror film, but it does mean it likely won’t have great legs and will sink into second place over the full weekend. It will still beat our prediction and could even become CBS Films’ best opening of all time. Right now, it is on pace to come close to The Woman in Black’s current record with about $20 million during the opening weekend. It would be ironic is CBS Films set the company record now, as it is ceasing theatrical releases and instead shifting towards streaming content. More...

Thursday Night Previews: Stories Scares Up Some Box Office Dollars

August 9th, 2019

Scary Stories to Tell in the Dark

Scary Stories to Tell in the Dark had the best previews on Thursday, earning $2.3 million. It was expected to top Dora and the Lost City of Gold, because it is a horror movie and that genre tends to be a lot more front-loaded. However, it wasn’t expected to do this well and it will easily top our $15 million prediction for the weekend, especially if its reviews translate into strong word-of-mouth. More...

Weekend Predictions: Can Dora find Box Office Gold?

August 8th, 2019

Dora and the Lost City of Gold

There are five wide or semi-wide releases coming out this weekend, which is just too many and practically guarantees at least one of them will flop at the box office. Of these films, Dora and the Lost City of Gold is the only one expected to compete for first place, while Scary Stories to Tell in the Dark should do well as a low-budget horror movie. Unfortunately, The Kitchen and The Art of Racing in the Rain are not connecting with critics and that will likely keep them out of the top five. Finally, Brian Banks is opening in just 1,240 theaters and that could keep it out of the top ten. This weekend last year, The Meg opened with $45 million. No film playing this weekend will match that and I don’t think this year’s depth is going to compensate, meaning we are going to lose in the year-over-year competition yet again. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

The Art of Racing in the Rain Trailer

May 20th, 2019

Family drama starring Milo Ventimiglia and Amanda Seyfried opens August 9 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/08/23 8 $19,273   62 $311   $75,988 2
2019/08/30 9 $11,829 -39% 48 $246   $108,989 3
2019/09/06 9 $9,410 -20% 35 $269   $129,707 4
2019/09/13 14 $6,095 -35% 17 $359   $141,811 5
2019/09/20 15 $4,078 -33% 8 $510   $147,116 6
2019/09/27 18 $1,858 -54% 7 $265   $150,010 7
2019/10/04 20 $1,388 -25% 5 $278   $152,649 8
2019/10/11 30 $296 -79% 5 $59   $153,840 9

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 8/9/2019 $49,341 0 0 0 $66,086 10/20/2019
Brazil 8/9/2019 $300,000 0 0 0 $763,463 10/20/2019
Germany 10/4/2019 $38,464 0 0 0 $53,170 10/20/2019
Italy 11/7/2019 $134,837 0 54 67 $207,770 10/19/2022
Mexico 8/23/2019 $991,719 0 0 0 $2,551,018 10/19/2022
North America 8/9/2019 $8,137,584 2,765 2,765 10,896 $26,402,818 6/14/2022
Poland 9/6/2019 $19,125 0 0 0 $81,316 10/19/2022
Portugal 8/30/2019 $44,140 33 34 118 $159,403 10/19/2022
Romania 8/16/2019 $0 0 62 187 $155,470 10/21/2019
Russia (CIS) 10/24/2019 00$0
United Kingdom 8/9/2019 $238,077 383 383 383 $556,513 10/20/2019
 
Rest of World $2,776,936
 
Worldwide Total$33,773,963 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Milo Ventimiglia    Denny Swift
Kevin Costner    Enzo

Supporting Cast

Amanda Seyfried    Eve
Kathy Baker    Trish
Martin Donovan    Maxwell
Gary Cole    Don Kitch
Ian Lake    Mike
Ryan Kiera Armstrong    Young Zoe
McKinley Belcher III    Mark Finn
Lily Dodsworth-Evans    Teenage Zoe Swift
Andres Joseph    Tony
Al Sapienza    Actor
Nicole Anthony    Midwife
Aliza Vellani    Assistant
Eli Gabay    Student #1
Donald Heng    Sean Rey
Leo Chiang    Officer #1
Irakli Lomaia    Cafe Patron
Jim Pagiamtzis    Spectator
Kasia Machelak    Midwife
Tashia Wong    Cafe Patron and Racing Fan
Grayson Maxwell Gurnsey    Teen Driver
Nakita Kohan    Paralegal
Marcus Hondro    Mr. Spangle
Patrick Roccas    Officer #2
Aias Dalman    Friend of Zoë
Ian Hawes    Cafe Patron
Gianpiero Cognoli    F1 Commentator

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Simon Curtis    Director
Mark Bomback    Screenwriter
Garth Stein    Story based on the novel by
Neal H. Moritz    Producer
Patrick Dempsey    Producer
Tania Landau    Producer
Donald J. Lee    Executive Producer
Joanne Burstein    Executive Producer
James C. France    Executive Producer
Ross Emery    Director of Photography
Brent Thomas    Production Designer
Adam Recht    Editor
Dustin O'Halloran    Composer
Volker Bertelmann    Composer
Season Kent    Music Supervisor
Monique Prudhomme    Costume Designer