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| Theatrical Performance (US$) | ||
| South Korea Box Office | $22,897 | Details |
| Worldwide Box Office | $9,180,852 | Details |
| Further financial details... | ||
| South Korea Releases: | November 22nd, 2018 (Wide), released as Promise at Dawn |
| Video Release: | June 30th, 2020 by Menemsha Films |
| Running Time: | 131 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production Countries: | France |
| Languages: | French |
July 1st, 2020
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This week’s list of VOD releases is dominated by biopics and documentaries. This includes some of the bigger releases as well, led by Mr. Jones. There are also a couple of TV shows hitting VOD that are worth checking out: Brooklyn Nine-Nine: Season Seven and Penny Dreadful: City of Angels: Season One.
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June 30th, 2020
The pandemic continues to have an adverse effect on the entertainment industry as a whole, including the home market, with the result that there are no major releases to talk about this week. There are some smaller releases, like The Ghost of Peter Sellers and The Short History of the Long Road, that are worth checking out. Orca: The Killer Whale! is in the “So bad it’s good” camp. That leaves Come and See: The Criterion Collection as the clear winner for Pick of the Week.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/11/23 | - | $5,686 | 18 | $316 | $12,645 | 1 | |
| 2018/11/30 | - | $3,012 | -47% | 7 | $430 | $19,323 | 2 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| France | 12/22/2017 | $0 | 0 | 0 | 0 | $8,790,595 | 6/13/2018 |
| Italy | 3/15/2019 | $51,729 | 43 | 45 | 115 | $126,874 | 5/18/2019 |
| Lithuania | 7/26/2019 | $8,183 | 50 | 50 | 68 | $34,766 | 10/2/2019 |
| Netherlands | 8/2/2019 | $20,891 | 30 | 31 | 89 | $82,492 | 10/19/2022 |
| Russia (CIS) | 3/1/2019 | $12,085 | 56 | 56 | 100 | $40,032 | 5/18/2019 |
| South Korea | 11/22/2018 | $5,686 | 18 | 18 | 25 | $22,897 | 12/14/2018 |
| Spain | 8/24/2018 | $36,342 | 36 | 39 | 75 | $83,196 | 9/6/2018 |
| Worldwide Total | $9,180,852 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Eric Barbier | Director |
