Synopsis
Nine years after she left him for his best friend, journalist Abel gets back together with his recently widowed old flame Marianne. It seems to be a beautiful new beginning, but soon the hapless Abel finds himself embroiled in all sorts of drama: the come-ons of a wily jeune femme, the machinations of Marianne’s morbid young son, and some unsavory questions about what exactly happened to his girlfriend’s first husband.
Metrics
Movie Details
July 25th, 2019
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The Lion King not only earned first place on the overall chart, but it topped the theater average chart with an average of $40,586. Last week’s winner, The Farewell, landed in second place with an average of $32,723. David Crosby: Remember My Name was the final film in the $10,000 club earning an average of $10,871 in four theaters.
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July 19th, 2019
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It’s an odd week for limited releases, as at first glance there were so many films coming out this week that I feared I would have to be a little more judicious when it came to trimming the list to a manageable size. However, it turns out that wasn’t a problem, as so many films have no, or almost no, reviews. There are some films that are worth checking out, but I don’t know if any of them will find an audience. Rosie does have the best shot, but even then, I’m not bullish about its chances. David Crosby: Remember My Name, I Do Not Care If We Go Down in History as Barbarians, and Luz also deserve to find audiences, but they all have serious obstacles in their way.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2019/03/08 |
16 |
$3,625 |
|
10 |
$363 |
$4,610 |
1 |
| 2019/03/15 |
20 |
$561 |
-85% |
3 |
$187 |
$6,261 |
2 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
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