China Box Office for Yao Ling Ling (2017)

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Yao Ling Ling
Theatrical Performance (US$)
China Box Office $57,366,400Details
Worldwide Box Office $57,628,372Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A quirky internet star, a pair of retired gangsters, and the black sheep of a prolific family of herbalists are a few of the oddball tenants that call the dilapidated apartments of Humble Grove home. Fearful of being locked out by a ruthless property developer with his eye on the building, they’ve stayed inside for years. So, when supernatural incidents befall them all on one night, instead of running, they turn to flamboyant ghost hunter Golden Ling to perform a most unusual exorcism.

Metrics

Movie Details

China Releases: December 29th, 2017 (Wide)
Video Release: April 3rd, 2018 by Well Go USA Video
MPAA Rating: Not Rated
Running Time: 89 minutes
Keywords: Internet, Gangs, Land Developer, Supernatural, Haunting, Paranormal Investigation, Exorcism
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: China
Languages: Mandarin

Theater Averages: Post Haunts the Theater Average Chart

January 10th, 2018

The Post

None of the new releases reached the $10,000 club, which is not unexpected. The Post remained in first place earning an average of $47,167 in 36 theaters. This is an amazing omen for its upcoming wide expansion. Phantom Thread slipped to $40,040 in four theaters. There was a large gap to the third place film, Ex Files 3: Return of the Exes, which earned an average of $10,418 in 17 theaters, while I, Tonya was right behind with $10,107 in 242 theaters. The best new release of the week was actually the only wide release of the week, Insidious: The Last Key, with an average of $9,493. More...

Limited and VOD Releases: In Between a Rock and a Hard Place

January 4th, 2018

In Between

It’s a bad weekend to release a limited release, as the Golden Globes are given out on Sunday. There are still some good films that are trying to find an audience, including Blame, Bob le flambeur, and In Between. I doubt any will have breakout success, but all three deserve to find an audience, either in theaters or on the home market. More...

International Box Office: The Last Jedi Completes the Hat-Trick with $68.0 million

January 3rd, 2018

Star Wars: The Last Jedi

We’ve been tracking Star Wars: The Last Jedi’s international numbers on a daily basis, since it debuted, so talking about the weekend numbers would actually be behind our most recent report. Just a quick recap: The film earned $68.0 million in 54 markets for totals of $523.3 million internationally and $1.040 billion worldwide. The film is on pace for $1.4 billion to $1.5 billion worldwide, including China, where it opens on Friday. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/12/29 2 $38,650,000   74,120 $521   $38,770,000 1
2018/01/05 6 $2,460,000 -94% 17,355 $142   $54,380,000 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 1/12/2018 $42,132 15 15 22 $64,798 1/22/2018
China 12/29/2017 $38,650,000 74120 74120 91475 $57,366,400 4/26/2019
New Zealand 1/12/2018 $6,421 3 3 6 $11,039 1/22/2018
North America 1/5/2018 $79,180 24 24 38 $186,135
 
Worldwide Total$57,628,372 4/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Uncategorized

Sandra Ng   
Francis Ng   
Alex Fong   
Zhang Yi   
Yue Yunpeng   
Shen Teng   
Jiao Junyan   
Pan Binlong   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Sandra Ng    Director
Peter Ho-Sun Chan    Producer