Synopsis
Following the events of Avengers: Endgame, Spider-Man must step up to take on new threats in a world that has changed forever.
Metrics
Theatrical Performance (US$) | ||
South Korea Box Office | $57,818,108 | Details |
Worldwide Box Office | $1,132,937,929 | Details |
Home Market Performance | ||
North America DVD Sales | $21,563,886 | Details |
North America Blu-ray Sales | $49,885,685 | Details |
Total North America Video Sales | $71,449,571 | |
Further financial details... |
Following the events of Avengers: Endgame, Spider-Man must step up to take on new threats in a world that has changed forever.
November 27th, 2019
It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This year, Thanksgiving is as late as it could have been, which means there’s no way to squeeze in four weeks of regular installments of the gift guide, as well as the December monthly preview, etc. So we are going to have a condensed list this year. That said, there weren’t a ton of first-run releases that would have made this list regardless.
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October 3rd, 2019
It’s a great week for home market releases with a couple of monster hits coming out. Spider-Man: Far From Home was already named Pick of the Week when it came out on VOD and the DVD / Blu-ray / 4K lives up to that title. Meanwhile, Toy Story 4 is the best release of the week, but it is only coming out on VOD and I don’t like giving the Pick of the Week title to VOD releases. This leaves Maiden and That Time I Got Reincarnated as a Slime: Season One, Part 1 as the Pick of the Week contenders. It is a close race, but the latter has better extras on its Blu-ray and that was the tiebreaker.
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October 1st, 2019
Spider-Man: Far From Home was the first installment in the M.C.U. to come out after Endgame. It not only needs to tell a story by itself, it has the unenviable goal of setting up the post-Infinity Stones era of the M.C.U. Is it able to accomplish both of these tasks?
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September 18th, 2019
It’s one of those weeks on the home market. There are almost no new releases to talk about and the ones worth talking about all have caveats when it comes to my recommendations. That is to say, while there are a number of DVDs / Blu-ray that I recommend buying, there are none that really rise to the level of Pick of the Week. This leaves Spider-Man: Far from Home as the Pick of the Week, despite it coming out only on VOD so far.
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August 7th, 2019
It was a mixed weekend at the box office with Fast and Furious Presents: Hobbs and Shaw missing lofty expectations by a huge margin and this left the box office 8.4% lower than last weekend at $149 million. More importantly, this was 6.9% higher than the same weekend last year. 2019 closed the gap between it and last year a little bit and it is now down by 6.2% or $460 million at $6.96 billion to $7.42 billion. Unfortunately, we really needed a much faster start from Hobbs and Shaw to have a good month, so this might be as good as it gets until September.
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August 4th, 2019
Fast and Furious Presents: Hobbs and Shaw missed even the low end of predictions with an estimated opening weekend of just $60.8 million. This is not a good start for a film that cost $200 million to make. Additionally, its reviews and its A minus from CinemaScore do not suggest long enough legs to make up for this opening. Fortunately, the film is doing a lot better internationally with an estimated opening of $120 million in 63 markets. Furthermore, this number doesn’t include China, because the film doesn’t open there until the end of the month. (It has also yet to open in France, Italy, and Japan, but it will earn more in China than those three markets combined.) The film is opening well behind The Fate of the Furious in most markets, including Russia where it managed $8.20 million on 1,766 screens, compared to $14.26 million on 1,470 screens for the previous film. It was even worse in the U.K. at $7.85 million in 610 theaters vs. $17.58 million on 572. Overall, the film is more in line with Fast Five than the other recent films in the franchise. This is still enough to earn a profit, especially if it does well in China, but the spin-off won’t replace the main films in the Fast and the Furious franchise like I thought it had a chance of doing.
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August 3rd, 2019
Fast and Furious Presents: Hobbs and Shaw is going to miss predictions, but it did bounce back from weak previews with $23.72 million on Friday. This is higher than Mission: Impossible—Fallout managed during its opening day, despite worse preview numbers. This bodes well for the film’s legs. Its reviews are slightly better than the previous installment in the Fast and the Furious franchise, while its A minus from CinemaScore is a little weaker. Universal is projecting a $60 million opening weekend after this result, but studios tend to underestimate these things so it looks like their movies over-performed in the end, so I think $61 million or $62 million is more likely.
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August 1st, 2019
It’s the first weekend of August and we have the last potential monster hit of the summer debuting. Fast and Furious Presents: Hobbs and Shaw is the first spin-off in the Fast and the Furious franchise. A lot of people think it will perform weaker at the box office than the other recent films in the franchise, but I think they are underestimating the box office appeal of Dwayne Johnson. Holdovers will be led by The Lion King and Once Upon a Time…in Hollywood, both of which should still be major factors at the box office. This weekend last year, Mission: Impossible—Fallout and Christopher Robin combined for just under $60 million. Even throwing in The Spy Who Dumped Me and the top three barely pass $70 million. Hobbs and Shaw should earn more than that by itself, giving 2018 a very strong win in the year-over-year competition.
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August 1st, 2019
July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year.
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July 31st, 2019
The Lion King remained in first place on the international chart earning $142.8 million in 53 markets for totals of $611.9 million internationally and $962.7 million worldwide. The film’s only opening this weekend was in Hong Kong, where it earned $2.0 million opening in first place. The film has yet to open in Italy and Japan, so it will have no trouble getting to $1 billion before it finishes its international run.
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July 30th, 2019
It was a mixed weekend at the box office with Once Upon a Time…in Hollywood becoming Quentin Tarantino’s biggest opening film in his career, but The Lion King falling much faster than expected. The overall box office was down 38% from last weekend, hitting $162 million. However, this was 4.1% more than the same weekend last year and that’s a much more important result. 2019 is still behind 2018 by a 6.4% or $460 million margin at $6.73 billion to $7.19 billion, but at this point, I will celebrate any victory, no matter how small.
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July 28th, 2019
As expected, The Lion King is easily topping the box office chart this weekend. Unfortunately, it is doing so despite falling much faster than expected, down 61% to an estimated $75.52 million during its third weekend of release for a running tally of $350.78 million. Fortunately, it could still be on pace to reach $500 million domestically, while it earned $142.8 million internationally for totals of $611.9 million internationally and $962.7 million worldwide. It will reach $1 billion shortly, making it yet another profitable disappointment. We’ve had too many of those this year, but I guess it is better than having these films lose money.
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July 27th, 2019
The Lion King had a decidedly un-family-friendly fall on Friday, earning $22.30 million. This is 71% lower than the film’s opening Friday and this is a terrible result for a family film. The movie will bounce back over the rest of the weekend, but a 60% decline to about $76 million is much lower than our prediction. Granted, the movie will still make more than enough money to break even, but it will be yet another profitable disappointment. We’ve had far too many of those and not enough films matching their potential at the box office this year.
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July 25th, 2019
Once Upon a Time…in Hollywood is Quentin Tarantino’s first film in four years and it is generating a ton of buzz. However, it is going up against The Lion King, which set records last weekend and has a slim chance at $100 million this weekend. Fortunately, the two films don’t share much of their respective target audiences, so they shouldn’t cannibalize each other at the box office too much. As a result, 2019 should easily beat the same weekend last year in the year-over-year competition. It is too soon to get excited about a potential comeback, but any victory is worth celebrating when you are this far behind.
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July 24th, 2019
After an early start in China, The Lion King expanded nearly worldwide earning $269.4 million in 52 markets for two-week totals of $346.0 million internationally and $537.8 million worldwide. The film’s best new market was the U.K. at $20.84 million in 713 theaters, but France wasn’t too far behind at $19.6 million. It also had stellar starts in Mexico ($18.43 million) and Brazil ($17.9 million), as well as is in Russia ($17.06 million). Other major markets include Australia where it earned with $14.46 million over the weekend for a total opening of $17.43 million and in South Korea with $13.44 million over the weekend for a total opening of $17.45 million. The film has yet to open in Japan and Italy and it will be over $1 billion before it gets there.
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July 23rd, 2019
The Lion King finished on the very high end of expectations opening with $191.77 million topping the previous July weekend record by well over $20 million. It also made more than the rest of the weekend box office combined, as the total weekend haul was $263 million. In fact, The Lion King made more than the entire box office made last weekend ($126 million) and this weekend last year ($172 million). Needless to say, there was strong growth both week-over-week at 109% and year-over-year at 53%. Granted, 2019 is still well back from 2018’s pace, down 7.1% or $490 million at $6.44 billion compared to $6.93 billion, but at least that gap is down significantly from where it was last week.
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July 21st, 2019
The Lion King is setting records this weekend with a projected opening of $185.0 million, destroying the previous July weekend record of $169.19 million, set by Harry Potter and the Deathly Hallows, Part II. This is also the biggest opening for an animated film and biggest opening of any of Disney’s “live-action” remakes. Additionally, not only is the film getting off to a faster than expected start, it should have good legs. Granted, its reviews are mixed, but it is a family film and it did earn an A from CinemaScore, so that should help its longevity. Additionally, the next family film is Dora and the Lost City of Gold, which has only about a 50/50 chance of reaching $100 million in total. As for the film’s international numbers, it added $269.4 million in 52 markets to its early international total, which now sits at $346.0 million, while its worldwide total is already $531.0 million. The film didn’t set many records internationally, but it is earning the second-biggest opening weekend in Brazil with $17.9 million and in Russia at $16.7 million. This would have looked a lot more impressive had Endgame hadn’t set so many records earlier this year, but more on that in a bit.
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July 20th, 2019
The Lion King was widely expected to be a monster hit; however, this year there have been countless potential monster hits that have missed expectations. There have been so many that I deemed it wise to be a little more pessimistic in my predictions to prevent being disappointed yet again. Turns out I didn’t need to worry, as the film earned $78 million on Friday. It wasn’t able to match the record for biggest July day; however, Harry Potter and the Deathly Hallows, Part II was the epitome of a Fanboy Film and had very short legs in theaters. The Lion King should have longer legs. Granted, its reviews won’t help, but it did earn an A from CinemaScore, so it is clear its target audience are a lot happier with the film. I still don’t think the legs will be great, but it should top the July weekend record with around $180 million. The industry needed this good news, and it doesn’t end there, as every other film in the top five either matched or exceeded expectations.
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July 18th, 2019
The Lion King has the weekend to itself and it is widely expected to have one of the biggest openings of the year. This is true, despite its mixed reviews. In fact, it should earn more during its opening day than the rest of the top five will earn combined over the full weekend. It should also easily earn more than the top five earned this weekend last year, giving 2019 a rare win in the year-over-year competition.
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July 18th, 2019
Spider-Man: Far from Home ended its international run by opening in Italy this past weekend and this helped it remain in top spot on the international chart. Overall, the film pulled in $97.50 million on 30,559 screens in 86 markets for totals of $569.88 million internationally and $844.47 million worldwide. The film earned first place in Italy with $4.38 million on 829 screens over the weekend for a four-day opening of $6.08 million. If we compare just the three-day weekend, which is unfair to Far From Home, this result is still 45% more than Homecoming’s debut in that market. The film’s top holdover was South Korea, where it remained in first place with $9.80 million on 1,708 screens over the weekend for a two-week total of $48.97 million. China wasn’t too far behind with $9.61 million over the weekend for a three-week total of $192.18 million. The film has very likely overtaken Homecoming at the global box office by the time you read this and could top $1 billion this weekend, assuming The Lion King doesn’t take too big a bite out of Far from Home’s box office numbers.
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July 16th, 2019
It was a mixed weekend at the box office. On the one hand, nearly every film in the top five topped expectations, albeit by small margins in most cases. This includes Spider-Man: Far From Home, which led the way with $45.35 million over the weekend. On the other hand, we still saw a serious decline with the overall box office down 31% from last weekend to $126 million. Worse still, this was 24% lower than the same weekend last year and this left 2019 further behind last year’s pace. It is now behind 2018 by 8.6% or $570 million at $6.10 billion to $6.67 billion.
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July 14th, 2019
As expected, Spider-Man: Far From Home is going to remain in first place at the box office this weekend. Fortunately for the box office as a whole, it is beating expectations in terms of dollars with an estimated haul of $45.3 million, which would give is a two-week total of $274.5 million. Internationally, the film is earning $100 million in 67 markets for totals of $573 million internationally and $847 million worldwide. It opened in first place in Italy over the weekend with $6.1 million. This is the film’s final market, but even coasting on holdovers won’t stop it from reaching $1 billion worldwide.
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July 13th, 2019
Spider-Man: Far From Home will have no competition for top spot on this weekend’s chart, which was expected. Fortunately, it beat expectations at the box office with $13.65 million on Friday and Sony is projecting a $43.35 million sophomore stint. Its reviews and its A from CinemaScore obviously has had a positive effect on the film’s word-of-mouth and the film will have no trouble steaming past $300 million soon.
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July 11th, 2019
Last weekend, Spider-Man: Far From Home was the first pleasant surprise at the box office since Aladdin came out in May. This weekend, we have two new releases hoping to continue the pleasant surprises. Unfortunately, neither Stuber nor Crawl are expected to be big hits. In fact, they likely won’t match Far From Home’s sophomore stint combined. Worse still, this weekend last year, both Hotel Transylvania 3: Summer Vacation and Skyscraper opened with more than Stuber and Crawl are expected to open combined, meaning 2019 will lose once again in the year-over-year competition.
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July 11th, 2019
Spider-Man: Far From Home led the way on the theater average chart with an average of $19,978. This is even more impressive, because it was a Tuesday opening. It earned a theater average of nearly $40,000 over its six day debut. The only other film to reach the $10,000 club was Marianne & Leonard: Words of Love with an average of $11,235 in four theaters.
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July 11th, 2019
Spider-Man: Far from Home expanded nearly worldwide over the weekend, and earned $236.74 million on 53,120 screens in 85 markets for a still early international total of $393.37 million, and $578.43 million worldwide. The film’s biggest new market was South Korea, where it earned $24.55 million on 2,173 screens over the weekend for a total opening of $33.45 million. Far From Home also cracked $10 million in the U.K. with $10.53 million on 979 screens over the weekend for a total opening of $17.77 million and in Mexico with $10.39 million on 3,806 screens over the weekend for a total opening of $13.42 million. The film earned a total opening of $12.11 million in Australia, including $7.26 million on 332 screens over the weekend. The film’s biggest holdover was China, where it earned $29.88 million over the weekend for a two-week total of $166.63 million. Italy was the only market the film wasn’t playing in over the weekend, but that changed on Wednesday and we will have those numbers next week.
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July 9th, 2019
Spider-Man: Far From Home really brightened up the box office earning $92.58 million over the three-day weekend for a six-day opening of $185.06 million. This is one of the biggest positive surprises of the year and we desperately needed some good news after June. Toy Story 4 and Aladdin held on better than expected and the overall box office surged growing 21% from last weekend to $183 million. This is still lower than this weekend last year, but by only 2.7% and at this point, I’m willing to call that a victory. Year-to-date, 2019 did manage to close ground with 2018, thanks mostly to Far From Home’s strength before the weekend. However, this year is still 8.4% or $540 million behind last year at $5.88 billion to $6.42 billion.
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July 7th, 2019
Spider-Man: Far From Home is getting off to a fantastic start with a three-day weekend haul of $93.6 million giving it a six-day debut of $185.1 million. This is more than it cost to make and it means the film is nearly guaranteed a healthy profit before it reaches the home market, even if it has soft legs. Additionally, its reviews are outstanding and it earned an A from CinemaScore, so its legs should be long for a blockbuster film. Internationally, the film pulled in $238 million on 52,800 screens in 66 markets for totals of $395 million internationally and $580 million worldwide. This was led by a six-day, $33.8 million first place debut in South Korea, while it earned $30.6 million during its second weekend in China for a two-week total of $167.4 million there.
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July 6th, 2019
Spider-Man: Far From Home got off to a record-breaking performance and it has since shown better-than-expected legs by earning $32.5 million on Friday for a four-day running tally of $124 million. Because it opened on Tuesday and not Friday, the film should have a better than average internal multiplier, giving it a better than 50/50 chance of cracking $90 million over the three-day weekend. The film cost $160 million to make and it will match that domestically on Sunday. Additionally, its reviews suggest strong word-of-mouth (The CinemaScore still hasn’t been released. I blame the Fourth of July holidays.) and with no direct competition for the rest of the month, it should have a long stay in theaters. It is yet another success story for the M.C.U. and enough to lift 2019 to a rare win over 2018 in the year-over-year competition. This could be a good omen going forward and perhaps we will look back at this weekend as the weekend that 2019 turned things around.
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July 3rd, 2019
It has been a long time since we’ve had a pleasant surprise at the box office. In fact, the last film to really beat expectations and earn first place was Aladdin, which came out in May. However, it appears that streak is over, as Spider-Man: Far From Home broke the record for biggest Tuesday with $39.26 million. Additionally, Midsommar earned $1.1 million during its previews, which means July should get off to a faster than expected start. Additionally, there should be some strong holds in the top five as well, with Toy Story 4, Annabelle Comes Home, and Yesterday all looking to earn more than $10 million over the three-day weekend. This weekend last year, Ant-Man and the Wasp opened with $75.81 million. Spider-Man: Far From Home could top that after its record-breaking start and the overall box office does look a little healthier as a result.
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July 3rd, 2019
Spider-Man: Far from Home made its international debut the weekend before its domestic start earning $111.20 million on 35,187 screens in three markets. Those three markets where led by China, where it earned $97.72 million on 34,300 screens. It was also very potent in Japan with $9.36 million on 465 screens and in Hong Kong with $4.12 million on 422.
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July 2nd, 2019
June ended with shrug, as the weekend was neither a success nor a disaster. Toy Story 4 was the top draw, but it fell faster than most family films do, down 51% to $59.70 million. Annabelle Comes Home had the weakest opening in the franchise, while Yesterday did well as counter-programming, but that’s all. The overall box office fell 26% from last weekend and, more importantly, 15% from the same weekend last year. Year-to-date, 2019 has fallen behind 2018’s pace by a margin of 9.5% or $580 million at $5.52 billion to $6.10 billion. At the beginning of June, I thought 2019 would have cut into 2018’s lead by $100 million, but that clearly didn’t happen.
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July 1st, 2019
June was a disaster, with no pleasant surprises for the entire month, and a boatload of disappointments. In fact, one could argue Aladdin was the biggest hit of the month, despite it opening in May. Toy Story 4 is the biggest hit released in June, but it still missed expectations by a huge margin. In fact, so many films missed expectations by huge margins I’m rethinking my predictions for July. I still think there will be monster hits and I seriously doubt Spider-Man: Far from Home and The Lion King will bomb, but I also don’t think they will reach the heights some of the tracking data suggests they will. The only other film that has a shot at $100 million is Once Upon a Time in Hollywood, but the overall box office is so weak that I’m no longer sure it will get there. Meanwhile, last July wasn’t as strong on top with just two films topping $200 million, Mission: Impossible - Fallout and Ant-Man and the Wasp, neither of which came close to $300 million. However, last year had a lot better depth and I think that could result in 2019 merely breaking even in the year-over-year competition.
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June 30th, 2019
Toy Story 4 is earning first place over the weekend with $57.92 million. A few weeks ago, a 52% sophomore stint drop-off by a family film would have been a really bad sign; however, June was so bad that this result matches expectations, more or less. The film now has $236.92 million domestically and should race past $300 million here before it is done. This is a monster hit and more than enough to be profitable, but still disappointing. This film is having a better weekend internationally, earning $80.6 million in 45 markets for totals of $259.6 million internationally and $496.5 million worldwide. This includes a $7.0 million opening in France, which is the best in the franchise.
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June 29th, 2019
It looks like June won’t end on a high note, as Toy Story 4 is falling faster than hoped for. The film earned $17.04 million on Friday, which is almost as much as the rest of the top five earned in total. However, and more importantly, it is 64% lower than the film’s opening Friday and that’s a sharper decline that I was anticipating. Granted, its $196.03 million running tally is in line with budget expectations, so it will break even, even if it doesn’t match expectations. A profitable disappointment.
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May 6th, 2019
Super hero adventure starring Tom Holland and Jake Gyllenhaal opens July 2 ... Full Movie Details.
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January 15th, 2019
Super hero adventure starring Tom Holland and Jake Gyllenhaal opens on July 5 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/07/05 | 1 | $21,399,424 | 2,141 | $9,995 | $33,224,276 | 1 | |
2019/07/12 | 1 | $9,781,617 | -54% | 1,708 | $5,727 | $48,852,736 | 2 |
2019/07/19 | 3 | $3,334,531 | -66% | 872 | $3,824 | $54,839,580 | 3 |
2019/07/26 | 4 | $1,478,577 | -56% | 688 | $2,149 | $731,509 | 4 |
2019/08/02 | 7 | $207,743 | -86% | 176 | $1,180 | $56,654,720 | 5 |
2019/08/09 | 12 | $43,757 | -79% | 58 | $754 | $56,762,600 | 6 |
2019/08/16 | - | $7,287 | -83% | 14 | $521 | $57,355,448 | 7 |
2019/08/23 | - | $3,735 | -49% | 8 | $467 | $56,796,388 | 8 |
2019/08/30 | - | $1,165 | -69% | 3 | $388 | $58,998,320 | 9 |
2019/09/06 | - | $894 | -23% | 3 | $298 | $58,999,344 | 10 |
2020/03/20 | - | $865 | 14 | $62 | $56,062,976 | 38 | |
2020/04/03 | - | $7,716 | 43 | $179 | $56,579,176 | 40 | |
2020/07/24 | - | $1,693 | 2 | $847 | $57,818,108 | 56 |
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 7/4/2019 | $1,627,700 | 417 | 417 | 1411 | $5,895,682 | 1/3/2020 |
Aruba | 7/4/2019 | $31,643 | 12 | 12 | 26 | $94,377 | 7/31/2019 |
Australia | 6/28/2019 | $0 | 0 | 731 | 3455 | $26,686,542 | 10/20/2022 |
Austria | 7/5/2019 | $680,242 | 136 | 136 | 718 | $2,900,488 | 10/22/2019 |
Bahrain | 7/4/2019 | $388,653 | 22 | 22 | 63 | $1,011,144 | 8/27/2019 |
Belgium | 7/3/2019 | $940,237 | 181 | 181 | 980 | $3,509,237 | 10/1/2019 |
Bolivia | 7/4/2019 | $365,420 | 60 | 60 | 210 | $1,261,551 | 9/11/2019 |
Brazil | 7/4/2019 | $8,091,037 | 1610 | 1610 | 5809 | $28,317,380 | 7/31/2020 |
Bulgaria | 7/5/2019 | $119,280 | 0 | 75 | 76 | $469,021 | 9/17/2019 |
Cambodia | 7/5/2019 | $181,346 | 134 | 134 | 357 | $379,790 | 8/20/2019 |
Central America | 7/4/2019 | $2,858,740 | 542 | 542 | 1415 | $5,826,421 | 8/27/2019 |
Chile | 7/4/2019 | $1,607,648 | 216 | 216 | 793 | $5,575,886 | 10/19/2022 |
China | 6/27/2019 | $94,920,000 | 191688 | 191688 | 359836 | $205,442,096 | 8/27/2019 |
Colombia | 7/4/2019 | $2,156,308 | 567 | 567 | 1563 | $5,550,012 | 9/4/2019 |
Croatia | 7/4/2019 | $208,092 | 109 | 109 | 345 | $754,087 | 9/17/2019 |
Curacao | 7/4/2019 | $22,955 | 11 | 11 | 37 | $81,471 | 8/14/2019 |
Czech Republic | 7/3/2019 | $697,627 | 138 | 138 | 656 | $2,629,835 | 10/19/2022 |
Denmark | 7/2/2019 | $850,862 | 114 | 114 | 611 | $3,880,704 | 11/5/2019 |
Dominican Republic | 7/4/2019 | $260,637 | 80 | 81 | 334 | $855,984 | 10/15/2019 |
East Africa | 7/4/2019 | $24,780 | 9 | 11 | 59 | $66,214 | 8/14/2019 |
Ecuador | 7/5/2019 | $998,169 | 147 | 147 | 512 | $3,122,585 | 10/15/2019 |
Egypt | 7/4/2019 | $296,728 | 102 | 105 | 270 | $1,035,409 | 8/21/2019 |
Estonia | 7/5/2019 | $90,004 | 35 | 35 | 146 | $395,958 | 8/28/2019 |
Finland | 7/3/2019 | $393,877 | 171 | 171 | 670 | $1,898,839 | 10/8/2019 |
France | 7/3/2019 | $8,270,495 | 833 | 833 | 5161 | $26,194,848 | 9/24/2019 |
Germany | 7/4/2019 | $5,125,891 | 1368 | 1368 | 7995 | $19,415,724 | 11/19/2019 |
Ghana | 7/5/2019 | $16,954 | 4 | 6 | 28 | $64,789 | 9/4/2019 |
Greece | 7/3/2019 | $461,155 | 193 | 193 | 528 | $1,677,145 | 9/4/2019 |
Hong Kong | 6/28/2019 | $4,054,372 | 422 | 422 | 1123 | $11,572,556 | 10/8/2019 |
Hungary | 7/4/2019 | $546,246 | 83 | 83 | 393 | $1,875,896 | 10/19/2022 |
Iceland | 7/3/2019 | $73,264 | 14 | 14 | 49 | $368,936 | 9/11/2019 |
India | 7/4/2019 | $6,544,355 | 1968 | 1968 | 3852 | $14,881,822 | 8/21/2019 |
Indonesia | 7/3/2019 | $9,798,342 | 1889 | 1889 | 4321 | $17,183,896 | 8/27/2019 |
Iraq | 7/4/2019 | $75,969 | 15 | 15 | 57 | $245,482 | 8/14/2019 |
Israel | 7/4/2019 | $828,739 | 62 | 62 | 300 | $3,151,675 | 10/19/2022 |
Italy | 7/10/2019 | $4,271,363 | 0 | 20 | 35 | $13,498,204 | 10/19/2022 |
Jamaica | 7/3/2019 | $74,223 | 6 | 6 | 26 | $317,697 | 9/11/2019 |
Japan | 6/28/2019 | $6,477,158 | 465 | 465 | 2801 | $28,137,054 | 10/17/2019 |
Jordan | 7/4/2019 | $129,142 | 6 | 10 | 29 | $384,177 | 8/20/2019 |
Kenya | 7/3/2019 | $56,474 | 28 | 28 | 126 | $237,597 | 10/1/2019 |
Kuwait | 7/4/2019 | $1,016,453 | 39 | 39 | 113 | $2,363,570 | 9/11/2019 |
Latvia | 7/5/2019 | $69,654 | 16 | 16 | 84 | $278,832 | 9/24/2019 |
Lebanon | 7/4/2019 | $227,502 | 39 | 52 | 158 | $728,148 | 8/20/2019 |
Lithuania | 7/5/2019 | $112,012 | 157 | 157 | 424 | $352,990 | 8/21/2019 |
Malaysia | 7/3/2019 | $3,679,010 | 831 | 831 | 2521 | $8,688,888 | 9/11/2019 |
Mexico | 7/4/2019 | $10,345,734 | 0 | 49 | 69 | $32,298,318 | 9/11/2019 |
Middle East Region | 7/4/2019 | $758,260 | 11 | 12 | 56 | $2,991,462 | 9/11/2019 |
Mongolia | 7/5/2019 | $40,957 | 8 | 8 | 48 | $168,832 | 9/4/2019 |
Netherlands | 7/5/2019 | $1,789,981 | 118 | 120 | 986 | $7,316,863 | 10/19/2022 |
New Zealand | 7/3/2019 | $1,077,795 | 108 | 108 | 630 | $3,785,772 | 10/19/2020 |
Nigeria | 7/5/2019 | $100,839 | 43 | 77 | 342 | $444,647 | 10/1/2019 |
North America | 7/2/2019 | $92,579,212 | 4,634 | 4,634 | 33,183 | $391,362,492 | |
Norway | 7/3/2019 | $741,361 | 201 | 201 | 765 | $3,649,837 | 11/5/2019 |
Oman | 7/4/2019 | $282,118 | 41 | 41 | 115 | $581,684 | 8/5/2019 |
Pakistan | 7/5/2019 | $252,988 | 64 | 64 | 211 | $665,852 | 9/4/2019 |
Paraguay | 7/4/2019 | $122,589 | 37 | 37 | 131 | $361,575 | 9/11/2019 |
Peru | 7/4/2019 | $1,745,820 | 392 | 392 | 1102 | $5,366,523 | 8/27/2019 |
Philippines | 7/3/2019 | $5,719,954 | 727 | 727 | 1610 | $10,578,935 | 8/5/2019 |
Poland | 7/5/2019 | $1,297,637 | 269 | 270 | 1237 | $4,485,734 | 10/19/2022 |
Portugal | 7/4/2019 | $609,786 | 108 | 108 | 515 | $2,084,945 | 9/10/2019 |
Qatar | 7/4/2019 | $760,966 | 31 | 31 | 111 | $1,592,526 | 8/27/2019 |
Romania | 7/5/2019 | $328,184 | 100 | 100 | 465 | $1,311,282 | 10/29/2019 |
Russia (CIS) | 7/4/2019 | $9,737,355 | 1553 | 1727 | 7106 | $21,370,916 | 10/19/2022 |
Serbia and Montenegro | 7/4/2019 | $75,839 | 53 | 53 | 253 | $321,479 | 10/8/2019 |
Singapore | 7/2/2019 | $2,681,145 | 182 | 182 | 656 | $6,951,063 | 11/5/2019 |
Slovakia | 7/3/2019 | $283,181 | 78 | 78 | 247 | $900,895 | 9/17/2019 |
Slovenia | 7/4/2019 | $62,151 | 28 | 28 | 104 | $243,620 | 9/24/2019 |
South Africa | 7/3/2019 | $723,642 | 136 | 136 | 843 | $2,450,478 | 9/24/2019 |
South Korea | 7/1/2019 | $7,307 | 2 | 2141 | 5732 | $57,818,108 | 7/29/2020 |
Spain | 7/5/2019 | $4,484,185 | 423 | 434 | 2635 | $15,118,477 | 10/29/2019 |
Suriname | 7/4/2019 | $5,187 | 2 | 2 | 8 | $17,847 | 7/29/2019 |
Sweden | 7/3/2019 | $936,322 | 253 | 253 | 813 | $4,464,431 | 10/29/2019 |
Switzerland | 7/3/2019 | $824,463 | 169 | 169 | 784 | $2,787,985 | 11/26/2019 |
Syria | 7/4/2019 | $23,261 | 2 | 2 | 6 | $49,396 | 7/22/2019 |
Taiwan | 7/3/2019 | $3,796,252 | 405 | 405 | 1096 | $12,185,406 | 9/17/2019 |
Thailand | 7/3/2019 | $3,501,894 | 517 | 517 | 1161 | $11,293,121 | 9/17/2019 |
Trinidad | 7/3/2019 | $318,068 | 32 | 34 | 163 | $975,827 | 9/11/2019 |
Turkey | 7/5/2019 | $892,109 | 552 | 552 | 2364 | $2,978,065 | 10/19/2022 |
Ukraine | 7/4/2019 | $1,160,220 | 445 | 445 | 1388 | $2,777,064 | 10/1/2019 |
United Arab Emirates | 7/4/2019 | $3,158,673 | 142 | 142 | 443 | $6,438,280 | 10/15/2019 |
United Kingdom | 7/2/2019 | $17,694,627 | 635 | 647 | 5420 | $49,526,855 | 12/15/2021 |
Uruguay | 7/4/2019 | $242,216 | 38 | 38 | 128 | $602,876 | 9/4/2019 |
Venezuela | 7/5/2019 | $117,668 | 121 | 121 | 593 | $573,557 | 10/22/2019 |
Vietnam | 7/5/2019 | $1,578,669 | 579 | 579 | 1409 | $4,784,265 | 8/5/2019 |
Worldwide Total | $1,132,937,929 | 10/20/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Tom Holland | Peter Parker/Spider-Man | |
Samuel L. Jackson | Nick Fury | |
Zendaya | Michelle “MJ” Jones | |
Jake Gyllenhaal | Quentin Beck/Mysterio |
Cobie Smulders | Maria Hill | |
Jon Favreau | Harold “Happy” Hogan | |
Marisa Tomei | May Parker | |
J.B. Smoove | Mr. Dell | |
Jacob Batalon | Ned Leeds | |
Martin Starr | Mr. Harrington | |
Tony Revolori | Flash Thompson | |
Angourie Rice | Betty Brant | |
Remy Hii | Brad Davis | |
Numan Acar | Dimitri | |
Zach Barack | Zach | |
Zoha Rahman | Zoha | |
Yasmin Mwanza | Yasmin | |
Joshua Sinclair Evans | Josh | |
Tyler Luke Cunningham | Tyler | |
Sebastian Viveros | Sebastian | |
Toni Garrn | The Seamstress | |
Peter Billingsley | William Ginter Riva | |
Clare Dunne | Victoria | |
Nicholas Gleaves | Guterman | |
Claire Rushbrook | Janice | |
J.K. Simmons | J. Jonah Jameson | |
Dawn Michelle King | E.D.I.T.H. | |
Jeroen Van Koningsbrugge | Dutch Soccer Hooligan | |
Michael de Roos | Dutch Soccer Hooligan | |
Jan-Paul Buijs | Dutch Soccer Hooligan | |
Sergio Pieratini | Venetian Glassblower | |
Anjana Vasan | Queens Reporter | |
Brian Law | Queens Reporter | |
Evelyn Mok | Queens Reporter | |
Tatiana Lunardon | Italian TV Newsreader | |
Giada Benedetti | Italian Customs Officer | |
Lukas Bech | Helpful Dutch Man | |
Alessandro Giuggioli | Italian Street Vendor | |
Petr Opava | Opera Singer | |
Giuseppe Andriolo | Caricaturist |
Pat Kiernan | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Jon Watts | Director | |
Chris McKenna | Screenwriter | |
Erik Sommers | Screenwriter | |
Stan Lee | Story based on the MARVEL Comic book by | |
Steve Ditko | Story based on the MARVEL Comic book by | |
Kevin Feige | Producer | |
Amy Pascal | Producer | |
Louis D’Esposito | Executive Producer | |
Victoria Alonso | Executive Producer | |
Thomas M. Hammel | Executive Producer | |
Eric Hauserman Carroll | Executive Producer | |
Rachel O’Connor | Executive Producer | |
Stan Lee | Executive Producer | |
Avi Arad | Executive Producer | |
Matt Tolmach | Executive Producer | |
Matthew J. Lloyd | Director of Photography | |
Claude Pare | Production Designer | |
Dan Lebental | Editor | |
Leigh Folsom-Boyd | Editor | |
Michael Giacchino | Composer | |
Sarah Halley Finn | Casting Director | |
Dave Jordan | Music Supervisor | |
Janek Sirrs | Visual Effects Supervisor | |
Cyndi Ochs | Visual Effects Producer | |
Anna B. Sheppard | Costume Designer | |
Steve Durkee | Music Editor | |
George Cottle | Second Unit Director | |
George Cottle | Stunt Coordinator | |
Elena Zokas | Unit Production Manager | |
Thomas M. Hammel | Unit Production Manager | |
Josh Robertson | First Assistant Director | |
Douglas Plasse | First Assistant Director | |
Tom Brewster | Second Assistant Director | |
Chris Buongiorno | Associate Producer | |
Jennifer Teves | Production Supervisor | |
Polly Hope | Production Supervisor | |
Grant Armstrong | Supervising Art Director | |
Joanne Ridler | Art Director | |
Joe Howard | Art Director | |
James Lewis | Art Director | |
Gary Jopling | Art Director | |
Nigel Evans | Art Director | |
Tina Jones | Set Decorator | |
Jo Beckett | Script Supervisor | |
Danielle Daly | Post-Production Supervisor | |
Dawn Michelle King | First Assistant Editor | |
Craig Smith | First Assistant Editor | |
Laurence Johnson | First Assistant Editor | |
Kevin O'Connell | Re-recording Mixer | |
Tony Lamberti | Re-recording Mixer | |
Steven Ticknor | Supervising Sound Editor | |
Tony Lamberti | Supervising Sound Editor | |
Steven Ticknor | Sound Designer | |
Tony Lamberti | Sound Designer | |
Daryl Bristow | Costume Supervisor | |
Graham Churchyard | Costume Supervisor | |
Peter Swords King | Make up | |
Paula Price | Hairstylist | |
Andy Williams | Special Effects Supervisor | |
David Pinnington | Supervising Location Manager | |
Lee Robertson | Location Manager | |
Richard Hill | Location Manager | |
Andrew Ryland | Location Manager | |
Jojo Warne | Location Manager | |
David Seaton | Location Manager | |
Eleri Coulten | Location Manager | |
Matt Clarke | Location Manager | |
Andy Sisul | Sound Designer | |
Chris Diebold | Sound Designer | |
Ken McGill | Sound Effects Editor | |
Karen Triest | Sound Effects Editor | |
Dan Kenyon | Sound Effects Editor | |
Casey Genton | Sound Effects Editor | |
Vanessa Lapato | Supervising ADR and Dialogue Editor | |
James Morioka | Dialogue Editor | |
Sang Kim | Dialogue Editor | |
Martin Jacob Lopez | Foley Editor | |
Kyle Rochlin | Foley Mixer | |
Steve Durkee | Score Supervisor | |
Stephen M. Davis | Music Editor | |
Tanya Noel Hill | Music Editor | |
Anele Onyekwere | Music Editor | |
Peter Cobbin | Score Recordist | |
Kirsty Whalley | Score Recordist | |
Kirsty Whalley | Score Mixer | |
Peter Cobbin | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.