Italy Box Office for Solace (2015)
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Theatrical Performance (US$) |
Italy Box Office |
$1,763,392 | Details |
Worldwide Box Office |
$23,549,031 | Details |
Home Market Performance |
North America DVD Sales |
$1,000,369 |
Details |
North America Blu-ray Sales |
$372,867 |
Details |
Total North America Video Sales |
$1,373,236 | |
Further financial details... |
- Summary
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- Full Financials
- Cast & Crew
- Trailer
Synopsis
When FBI Special Agent Joe Merriwether is unable to solve a series of homicides, he decides to enlist the help of his former colleague Dr. John Clancy, a retired physician with psychic powers. The reclusive Clancy, who shuttered his practice and retreated from the world following the death of his daughter and subsequent break-up of his marriage, wants nothing to do with the case. He soon changes his mind after seeing disturbingly violent visions of Joe’s partner, FBI Special Agent Katherine Cowles’s ultimate demise. When Clancy’s exceptional intuitive powers put him on the trail of a suspect, Charles Ambrose, the doctor soon realizes his abilities are no match against the extraordinary powers of this vicious murderer on a mission.
Metrics
Movie Details
Italy Releases: |
November 12th, 2015 (Wide) |
Video Release: |
March 14th, 2017 by Lionsgate Home Entertainment |
MPAA Rating: |
R for violence and bloody images throughout, sexuality, nudity and language. (Rating bulletin 2360, 2/11/2015) |
Running Time: |
102 minutes |
Keywords: |
FBI, Unsolved Murder, Psychics, Serial Killer, Retirement, Out of Retirement, One Last Job |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: |
Lionsgate Premiere, Grindstone Entertainment Group, Silver Reel Entertainment, Venture Forth, FilmNation Entertainment, FPC, Eden Rock Media |
Production Countries: |
United States |
Languages: |
English |
March 15th, 2017
There are a few Oscar-nominated films on this week’s list. However, it was still hard to come up with a Pick of the Week release. Most of them were like Elle with great reviews and weak extras. The DVD for Drunk History: Season Four has more than two hours of extras, but I admit it is an acquired taste. Fortunately, we do have a clear winner: The Love Witch on Blu-ray.
More...
December 16th, 2016
Rogue One: A Star Wars Story scared away most wide releases and limited releases. That’s not to say there is nothing on this week’s list worth checking out. In fact, Fences was bumped up a week before its wide expansion on Christmas day. That is the only film on this list likely to have any presence at the box office.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2015/11/13 |
6 |
$594,092 |
|
174 |
$3,414 |
$594,092 |
1 |
2015/11/20 |
8 |
$487,501 |
-18% |
176 |
$2,770 |
$1,365,554 |
2 |
2015/11/27 |
14 |
$181,621 |
-63% |
76 |
$2,390 |
$1,647,353 |
3 |
2015/12/04 |
22 |
$59,568 |
-67% |
32 |
$1,862 |
$1,740,807 |
4 |
2015/12/11 |
29 |
$9,708 |
-84% |
9 |
$1,079 |
$1,763,392 |
5 |
Box Office Summary Per Territory
Territory |
Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
Argentina |
1/28/2016 |
$136,670 |
56 |
56 |
100 |
$331,934 |
12/31/2018 |
Australia |
12/2/2016 |
$1,907 |
10 |
10 |
10 |
$1,907 |
12/8/2016 |
Austria |
12/31/2015 |
$120,716 |
24 |
24 |
94 |
$331,978 |
6/9/2016 |
Belgium |
9/16/2015 |
$129,418 |
28 |
28 |
134 |
$496,913 |
11/17/2015 |
Brazil |
2/25/2016 |
$144,664 |
84 |
84 |
163 |
$282,436 |
6/9/2016 |
Chile |
2/18/2016 |
$0 |
0 |
4 |
5 |
$42,154 |
12/31/2018 |
China |
1/14/2016 |
$2,230,000 |
15303 |
15303 |
15303 |
$5,374,145 |
10/2/2018 |
Colombia |
3/3/2016 |
$70,793 |
84 |
84 |
103 |
$110,539 |
12/31/2018 |
Croatia |
9/3/2015 |
$9,105 |
4 |
4 |
12 |
$26,705 |
12/30/2018 |
Ecuador |
3/25/2016 |
$18,551 |
14 |
14 |
35 |
$58,352 |
12/31/2018 |
France |
9/9/2015 |
$2,014,915 |
246 |
388 |
1617 |
$6,594,509 |
10/20/2015 |
Germany |
12/31/2015 |
$556,460 |
213 |
233 |
679 |
$1,256,477 |
6/9/2016 |
Greece |
9/3/2015 |
$0 |
0 |
19 |
45 |
$272,913 |
9/30/2015 |
Iraq |
3/17/2016 |
$1,371 |
3 |
3 |
3 |
$1,371 |
12/31/2018 |
Italy |
11/12/2015 |
$594,092 |
174 |
176 |
467 |
$1,763,392 |
12/16/2015 |
Kuwait |
3/17/2016 |
$70,860 |
12 |
12 |
18 |
$136,078 |
12/31/2018 |
Lebanon |
3/17/2016 |
$12,091 |
9 |
9 |
9 |
$12,091 |
12/31/2018 |
Mexico |
1/1/2016 |
$905,558 |
0 |
279 |
335 |
$2,905,274 |
9/8/2018 |
Netherlands |
11/26/2015 |
$31,433 |
15 |
30 |
70 |
$113,985 |
12/21/2015 |
North America |
12/16/2016 |
$0 |
0 |
0 |
0 |
$0 |
|
Oman |
3/17/2016 |
$12,421 |
5 |
6 |
14 |
$20,372 |
12/31/2018 |
Peru |
1/7/2016 |
$163,587 |
54 |
54 |
94 |
$453,036 |
12/31/2018 |
Portugal |
12/31/2015 |
$42,991 |
24 |
25 |
74 |
$115,819 |
6/9/2016 |
Russia (CIS) |
3/31/2016 |
$259,102 |
310 |
310 |
574 |
$490,446 |
12/31/2018 |
Spain |
7/15/2016 |
$222,294 |
151 |
151 |
472 |
$723,908 |
9/1/2016 |
Turkey |
10/23/2015 |
$98,585 |
87 |
87 |
222 |
$374,760 |
12/30/2018 |
United Arab Emirates |
3/17/2016 |
$59,736 |
25 |
25 |
39 |
$96,226 |
12/31/2018 |
United Kingdom |
9/25/2015 |
$516,670 |
332 |
332 |
636 |
$1,039,912 |
10/20/2015 |
Uruguay |
1/28/2016 |
$26,094 |
8 |
8 |
43 |
$121,399 |
12/31/2018 |
|
Worldwide Total | $23,549,031 |
12/31/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.