Brazil Box Office for Miss Peregrine’s Home for Peculiar Children (2016)

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Miss Peregrine’s Home for Peculiar Children
Theatrical Performance (US$)
Brazil Box Office $9,826,599Details
Worldwide Box Office $295,986,876Details
Home Market Performance
North America DVD Sales $12,208,863 Details
North America Blu-ray Sales $12,308,017 Details
Total North America Video Sales $24,516,880
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

When Jake discovers clues to a mystery that spans alternate realities and times, he uncovers a secret refuge known as Miss Peregrine's Home for Peculiar Children. As he learns about the residents and their unusual abilities, Jake realizes that safety is an illusion, and danger lurks in the form of powerful, hidden enemies. Jake must figure out who is real, who can be trusted, and who he really is.

Metrics

Movie Details

Production Budget:$110,000,000
Brazil Releases: September 30th, 2016 (Wide)
Video Release: December 13th, 2016 by Fox Home Entertainment
MPAA Rating: PG-13 for intense sequences of fantasy action/violence and peril.
(Rating bulletin 2438 (Cert #50310), 8/17/2016)
Running Time: 126 minutes
Keywords: Young Adult Book Adaptation, Boarding School, Orphanage, Mutants, Prophetic Dreams, Good vs. Evil, Monster, Motion Capture Performance, 3-D, 3-D - Post-production Conversion, Family Adventure
Source:Based on Fiction Book/Short Story
Genre:Adventure
Production Method:Animation/Live Action
Creative Type:Fantasy
Production/Financing Companies: Twentieth Century Fox, Chernin Entertainment, Big Screen Prods, TSG Entertainment
Production Countries: United States
Languages: English

Home Market Releases for December 13th, 2016

December 12th, 2016

The Twilight Zone

This is a strange week on the home market. We have one of the biggest domestic hits of the year, Suicide Squad, but it is one of the worst movies I’ve seen this year. (Granted, I’ve done fewer reviews this year and skipped a lot of terrible looking movies, like Independence Day: Resurgence, Warcraft, Gods of Egypt, Allegiant... Ben Hur, The Huntsman, The Legend of Tarzan. I could keep going. Wow! It was a bad year for $100 million movies.) After Suicide Squad, the next biggest release according to Amazon is the Chicago Cubs 2016 World Series Collector's Edition Blu-ray. That’s a huge drop in sales. As far as quality is concerned, I have to give a shout out to that World Series Blu-ray. Real fans want full games and this one provides them. On the other hand, I personally find baseball boring to watch. Unfortunately, there’s no one release that stands out as an obvious Pick of the Week, but instead we have a lot of releases that are close, but wouldn’t be close enough during a good week. The Twilight Zone: The Complete Series on Blu-ray is the best, assuming you didn’t grab the individual seasons when they came out. More...

International Box Office: Jack Reaches for the Top earning $31.5 million

October 27th, 2016

Jack Reacher: Never Go Back

Jack Reacher: Never Go Back opened in first place internationally with $31.5 million in 31 markets. Its biggest market was China, where it earned $5.56 million, including previews. The film’s second biggest market was in the U.K. where it earned $3.28 million in 519 theaters. This is lower than it opened here, given the relative size of the two markets, and much lower than the $5.75 million the first film opened with. Granted, that film opened in the U.K. right around Christmas, but overall Never Go Back is underperforming. This is really bad news for Paramount Pictures, as they’ve had a bad year with a number of high-profile, high-cost movies failing to break even and really can’t afford another misstep. More...

International Box Office: Inferno Burns Bright with $49.75 million

October 19th, 2016

Inferno

Inferno started its international run in first place with $49.75 million on 12,293 screens in 64 markets. However, its individual markets are a bit of a mess. On the low end, the film only managed second place in the U.K. with $3.62 million on 591 screens, while it also had to settle for second place in Australia with $1.73 million on 266. Given the size of those two markets, this is like opening with just under $20 million here. On the other hand, the film earned first place in Italy ($5.07 million on 679 screens); Russia ($4.81 million on 2,032); and Germany ($4.09 million on 768). Those markets suggest a $40 million to $50 million opening here. Sadly, I think the lower end is more likely here. More...

Weekend Wrap-Up: Accountant Wins with $24.71 million, but 2016 Goes Further in Debt

October 18th, 2016

The Accountant

The weekend box office was not good. The Accountant did beat expectations with $24.71 million, but the other wide releases missed expectations. As a result, the box office fell 6% from last weekend to $97 million. The weekend box office should never be below $100 million, outside of a few dead zones during the year. We’ve been below that mark too frequently this year. Worse still, this is 18% lower than the same weekend last year. Year-to-date, 2016 still has a substantial lead over 2015 at $8.78 billion to $8.43 billion. However, we are nearing the $325 million mark where we have reason to panic. Remember, The Force Awakens earned $650 million during 2015 and Rogue One is only expected to earn half that much this year. We need to maintain a lead that large, or else 2016 will likely lose in the year-over-year comparison in the end. More...

Weekend Predictions: Can Accountant be Counted On?

October 13th, 2016

The Accountant

Three wide releases are coming out this week, which is one more than expected. The Accountant is clearly the biggest of the three, but its reviews are falling into the danger zone. Kevin Hart: What Now? is hoping to be the biggest stand-up comedy movie since Eddie Murphy’s Raw. Finally there’s Max Steel, which I didn’t think was going to open truly wide. Then again, its theater count is 2,034, so it is opening barely wide. This weekend last year, Goosebumps led the way with $23.62 million. I really thought The Accountant would top that, but I no longer think that will be likely. Worse still, there were five films that earned more than $10 million last year, but there will only be three of them this week. 2016’s slump will continue. More...

International Box Office: Peregrine Takes Down its Prey with $42.5 million

October 12th, 2016

Miss Peregrine’s Home for Peculiar Children

Miss Peregrine’s Home for Peculiar Children remained the top draw internationally with $42.5 million in 75 markets for totals of $94.0 million internationally and $145.2 million worldwide. The film took top spot in Russia with an opening weekend of $6.63 million on 1,185 screens. It also earned first place in France with $5.5 million. Its biggest market overall is South Korea, where it as pulled in $14.38 million, including $4.94 million on 899 screens this past weekend. More...

Weekend Wrap-Up: Only Girl isn’t a Train Wreck earning $24.54 million

October 11th, 2016

The Girl on the Train

Over the weekend was Columbus Day, or as it is known in more and more places, Indigenous People’s Day. It’s also Thanksgiving Day up here in Canada and it would make more sense for Americans to celebrate Canadian Thanksgiving than Columbus Day. Canadian Thanksgiving is where you give thanks to all the Canadians that make your life better. For example, both Ryan Gosling and Ryan Reynolds are Canadian. Anyhoo... The weekend box office numbers were not buoyed by the semi-holiday on Monday as none of the new releases matched expectations. The Girl on the Train led the way by a wide margin with $24.54 million compared to $15.14 million for Miss Peregrine’s Home for Peculiar Children. Neither The Birth of a Nation nor Middle School: The Worst Years of My Life made it into the top five. The overall box office fell 9.5% from last weekend dropping to $103 million. That was 13% lower than the same weekend last year. Year-to-date, 2016 has earned $8.64 billion, putting it 4.4% / $370 million ahead of 2015. A couple of more weeks like this and we will have reason to hit the panic button. More...

Friday Estimates: The Girl on the Train Schools the Competition with $9.35 million

October 8th, 2016

Middle School: The Worst Years of My Life

As expected, The Girl on the Train led the way on Friday, albeit with a slightly smaller-than-expected figure of $9.35 million. This is a little more disappointing after the film’s previews, especially since films aimed at more mature women tend to have longer than average legs. We knew the reviews were not good and that wouldn’t help the film; however, the audience reaction was even worse, as the film earned a B- from CinemaScore. Anything below a B+ usually results in weak legs, and we are already seeing The Girl on the Train struggle in that regard. We originally predicted $27 million, but I think $26 million is now more likely. That’s not a bad opening weekend for a movie that cost $45 million to make, so Universal should still be happy. We also can’t be sure how much effect Hurricane Matthew had on the opening day, so business could yet pick up as the storm passes. More...

Weekend Predictions: Will Girl be the Rebirth of the Box Office?

October 6th, 2016

The Girl on the Train

October begins with a trio of wide releases, led by The Girl on the Train. The film’s reviews are mixed, which is not ideal, but also not fatal. The Birth of a Nation was looking to become an Awards Season player, but its reviews are not quite at that level. Finally there’s Middle School: The Worst Years of My Life. There are still no reviews and the buzz is as quiet as you can get for a wide release. This weekend last year, the only wide release was Pan and it bombed hard. However, The Martian remained on top with $37.01 million over the weekend. There’s almost no way The Girl on the Train will match that and last year had better depth as well. 2016’s slump will continue. More...

International Box Office: Peculiar Powers Its Way to the Top with $37.4 million

October 5th, 2016

Miss Peregrine’s Home for Peculiar Children

Miss Peregrine’s Home for Peculiar Children debuted in first place internationally with $37.4 million in 59 markets. The film’s biggest market was South Korea, where it earned second place with $4.43 million on 810 screens over the weekend for a total of $5.30 million. It also earned $4.43 million in 558 theaters in the U.K., which was also enough for second place in that market. The film had nearly identical results in both Mexico ($3.61 million) and in Australia ($3.07 million). The film cost $110 million to make, so it will need to make about $250 million internationally to have any real chance of breaking even in the short term. It is too soon to tell if that will happen. We will need to see more results from other markets, and more importantly, we will need to see the film’s legs as well. More...

Weekend Wrap-Up: Miss Peregrine finds a Home at the top with $28.87 million

October 4th, 2016

Miss Peregrine’s Home for Peculiar Children

The overall box office was about as strong as expected, as Miss Peregrine’s Home for Peculiar Children beat expectations by the same amount as Deepwater Horizon missed expectations. This helped the overall box office grow 10% from last weekend to $114 million. However, this is still 24% lower than this weekend last year. Year-to-date, 2016 still has a lead over 2015, but that lead has shrunk to 4.9% or $390 million at $8.50 billion to $8.10 billion. If 2016’s lead falls below $325 million, then we will need to panic. Remember, last year ended with Star Wars: The Force Awakens, which earned $650 million before the end of the year. Rogue One isn’t expected to earn half of that, so 2016 is going to need a $325 million lead or it will need better depth in order to come out ahead. I would prefer the former. More...

Friday Estimates: Peregrine Soars on Friday with $9.0 million

October 1st, 2016

Miss Peregrine’s Home for Peculiar Children

Miss Peregrine’s Home for Peculiar Children took first place on Friday with $9.0 million. This is a little better than predicted and fine for a September release. The film’s reviews ticked up a couple of percentage points and now sit at 64% positive, while it earned a CinemaScore of B+. This is about on par with The Maze Runner. If the two films have the same internal multiplier, then Miss Peregrine’s Home for Peculiar Children will open with about $26 million over the weekend. More...

Thursday Night Previews: Peregrine Gets a Head Start on Maze Runner with $1.2 million - Update with Masterminds previews

September 30th, 2016

Miss Peregrine’s Home for Peculiar Children

Miss Peregrine’s Home for Peculiar Children earned $1.2 million during its Thursday previews, which is just ahead of the $1.1 million earned by The Maze Runner back in 2014. Unfortunately, there’s a question whether we should treat this as a young adult book adaptation, or whether we should treat it as a more gonzo Tim Burton offering. If we go that route, there are no really good comparisons. Dark Shadows earned $550,000, but that was just over four years ago when midnight screenings weren’t standard and far fewer people went overall. Regardless, this is a better start than expected and an opening weekend of $30 million is more likely than it was before. More...

Weekend Predictions: Will September end on a Disastrous Note?

September 29th, 2016

Deepwater Horizon

Three wide releases come out this week: Deepwater Horizon, Miss Peregrine’s Home for Peculiar Children, and Masterminds. Deepwater Horizon’s reviews are better than expected and that should help it at the box office. Miss Peregrine’s reviews are on the razor’s edge of the overall positive level. Meanwhile, there are not enough reviews to really judge Masterminds, but the early signs don’t look good. This weekend last year was the first weekend of October. The Martian nearly broke the record for biggest October weekend. There’s a chance all three wide releases this week won’t match The Martian’s opening weekend. Add in last year’s depth and there’s almost no chance 2016 will come out ahead on the year-over-year comparison. More...

Contest: Dark Urges

September 23rd, 2016

The Purge: Election Year

Three wide releases are coming out next week. Of the three, Masterminds is by far the weakest and has no real shot at first place. In fact, if it opens above fifth place, I will be surprised. Miss Peregrine’s Home for Peculiar Children is the widest, but the early reviews for Deepwater Horizon are excellent and I think that will give it the edge at the box office. Because of this, it is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Deepwater Horizon.

We have copies of The Purge: The Election as prizes. While the film hit VOD this past Tuesday, we have copies on Blu-ray Combo Pack as prizes.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of The Purge: The Election on Blu-ray Combo Pack. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win win a copy of The Purge: The Election on Blu-ray Combo Pack. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win The Purge: The Election on Blu-ray Combo Pack.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: September

September 1st, 2016

The Magnificent Seven

August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/10/14 - $1,500,000   0     $8,300,000 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/7/2016 $665,000 0 242 673 $2,298,021 11/30/2018
Australia 9/30/2016 $3,072,733 380 380 1802 $8,356,772 12/12/2016
Brazil 9/30/2016 $2,674,490 756 756 2555 $9,826,599 11/16/2018
Bulgaria 9/30/2016 $49,658 0 0 0 $251,262 2/26/2019
China 12/2/2016 $10,040,000 39280 39280 47515 $17,017,610 8/27/2018
Czech Republic 9/30/2016 $301,525 125 125 498 $1,123,677 12/31/2018
France 10/7/2016 $5,500,000 0 0 0 $20,123,260 8/17/2018
Germany 10/7/2016 $2,700,000 0 0 0 $9,263,623 8/19/2018
Italy 12/9/2016 $172,029 0 0 0 $6,879,286 1/19/2017
Japan 2/3/2017 $2,300,000 0 0 0 $10,142,573 6/30/2018
Lithuania 9/30/2016 $29,599 106 106 326 $110,921 11/30/2016
Mexico 9/30/2016 $3,612,293 0 0 0 $10,182,666 11/2/2016
Netherlands 9/29/2016 $399,749 104 107 671 $1,765,211 11/22/2016
New Zealand 9/30/2016 $390,604 109 109 584 $1,325,192 12/5/2016
North America 9/30/2016 $28,871,140 3,522 3,835 21,544 $87,242,834
Poland 10/7/2016 $316,850 0 0 0 $1,200,635 12/31/2018
Portugal 9/30/2016 $148,646 47 52 228 $535,670 11/24/2016
Russia (CIS) 10/7/2016 $6,669,947 1185 1185 4487 $15,320,980 12/31/2018
Slovakia 9/30/2016 $102,968 67 67 211 $285,172 11/24/2016
Slovenia 9/30/2016 $13,846 9 12 51 $57,027 12/6/2016
South Korea 9/21/2016 $0 0 899 3060 $18,626,425 11/28/2016
Spain 9/30/2016 $2,027,828 438 438 2140 $6,770,403 12/22/2016
Turkey 9/30/2016 $241,496 190 191 693 $932,581 2/26/2019
United Kingdom 9/30/2016 $4,521,386 558 572 3399 $15,362,342 2/1/2017
 
Rest of World $50,986,134
 
Worldwide Total$295,986,876 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Eva Green    Miss Peregrine
Asa Butterfield    Jake
Chris O'Dowd    Frank
Allison Janney    Dr. Golan
Rupert Everett    Ornithologist
Terence Stamp    Abe
Ella Purnell    Emma
Judi Dench    Miss Avocet
Samuel L. Jackson    Barron

Supporting Cast

Finlay Macmillan    Enoch
Lauren McCrostie    Olive
Hayden Keeler Stone    Horace
Georgia Pemberton    Fiona
Milo Parker    Hugh
Raffiella Chapman    Claire
Pixie Davies    Bronwyn
Joseph Odwell    Twin #1
Thomas Odwell    Twin #2
Cameron King    Millard
Louis Davison    Victor
Kim Dickens    Jake's Mom
O-Lan Jones    Shelley
Aiden Flowers    10 Year Old Jake
Nicholas Oteri    6 Year Old Jake
Helen Day    Miss Edwards
Philip Philmar    Mr. Archer
Jack Brady    Mr. Clark
Scott Handy    Mr. Gleeson
Jennifer Jarackas    Aunt Susie
George Vricos    Uncle Bobby
Brooke Jaye Taylor    Aunt Judy
Cameron Greco    Prettiest Teen Boy
Ella Wahlestedt    Prettiest Teen Girl
Andrew Fibkins    Cousin Twin #1
Jack Fibkins    Cousin Twin #2
Nicholas Amer    Oggie
Ioan Hefin    Kev
Shaun Thomas    Dylan
Justin Davies    Worm
Nicholas McGaughey    40's Bartender
Lynn Hunter    40's First Woman
Ben Roberts    40's First Old Man
Dafydd Hywel    Isle — Farmer
Sophia Tailor    Little Girl
Harry Taylor    Ride Operator
Dan Mersh    2016 Policeman #1
James Kermack    2016 Policeman #2
Steve Money    Burley Bloke
Christine Dalby    Uneasy Woman
Badria Timimi    Police Woman
Willow Nash    Additional Voice
Redd Pepper    Additional Voice
James Daniel Wilson    Additional Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tim Burton    Director
Jane Goldman    Screenwriter
Ransom Riggs    Based on the novel 'Miss Peregrine's Home for Peculiar Children' by
Peter Chernin    Producer
Jenno Topping    Producer
Derek Frey    Executive Producer
Katterli Frauenfelder    Executive Producer
Nigel Gostelow    Executive Producer
Ivana Lombardi    Executive Producer
Bruno Delbonnel    Director of Photography
Gavin Bocquet    Production Designer
Chris Lebenzon    Editor
Colleen Atwood    Costume Designer
Mike Higham    Composer
Matthew Margeson    Composer
Rowley Irlam    Stunt Coordinator
Paul Gooch    Make-up and Hair Designer
David Pinnington    Supervising Location Manager
Katie Reynolds    Post-Production Supervisor
Jessie Thiele Schroeder    Post-Production Supervisor
Tony Dawe    Sound Mixer
Elli Griff    Set Decorator
Nikki Clapp    Script Supervisor
Lizzie Pritchard    Script Supervisor
Neil Corbould    Special Effects Consulting Supervisor
Hayley Williams    Co-Special Effects Supervisor
Peter Russell    Supervising Art Director
Phil Harvey    Art Director
Roderick McLean    Art Director
Mark Scruton    Art Director
Monica Alberte    Art Director
Monica Alberte    Set Decorator
Stewart Hamilton    Second Assistant Director (Floor)
Nick Laurence    Second Assistant Director (Crowd)
Keith Mason    First Assistant Editor
Nick Davis    Assistant Editor
Bjorn Ole Schroeder    Supervising Sound Editor
Michael Semanick    Re-recording Mixer
Juan Peralta    Re-recording Mixer
Cheryl Beasley Blackwell    Costume Supervisor
Samir Foco    Sound Designer/FX Editor
Nick Adams    Sound Designer/FX Editor
Tim Nielsen    Sound Designer/FX Editor
Robert Killick    Dialogue/ADR Editor
Glen Gathard    Foley Mixer
Peter Clarke    Music Editor
Andrew Lockley    Visual Effects Supervisor
Ollie Rankin    Visual Effects Supervisor
Jelmer Boskma    Visual Effects Supervisor
Oliver Money    Visual Effects Producer
Marcus Goodwin    Visual Effects Producer
Janet Yale    Visual Effects Producer
Robyn Luckham    Animation Supervisor
Stephen Enticott    Animation Supervisor
Dominic Parker    Visual Effects Supervisor
Rachael Penfold    Visual Effects Executive Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.