Pakistan Box Office for The Magnificent Seven (2016)

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The Magnificent Seven
Theatrical Performance (US$)
Pakistan Box Office $41,725Details
Worldwide Box Office $162,122,642Details
Home Market Performance
North America DVD Sales $21,963,639 Details
North America Blu-ray Sales $19,532,629 Details
Total North America Video Sales $41,496,268
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

With the town of Rose Creek under the deadly control of industrialist Bartholomew Bogue, the desperate townspeople employ protection from seven outlaws, bounty hunters, gamblers and hired guns — Sam Chisolm, Josh Farraday, Goodnight Robicheaux, Jack Horne, Billy Rocks, Vasquez, and Red Harvest. As they prepare the town for the violent showdown that they know is coming, these seven mercenaries find themselves fighting for more than money.

Metrics

Movie Details

Production Budget:$90,000,000
Pakistan Releases: September 23rd, 2016 (Wide)
Video Release: December 6th, 2016 by Sony Pictures Home Entertainment
January 23rd, 2017 by Sony Pictures
MPAA Rating: PG-13 for extended and intense sequences of Western violence, and for historical smoking, some language and suggestive material.
(Rating bulletin 2426 (Cert #49887), 5/25/2016)
Running Time: 128 minutes
Keywords: Ensemble, Mercenaries, Death of a Spouse or Fiancée / Fiancé, Robber Baron, Remake, Foreign-Language Remake, IMAX: DMR, Revisionist Western
Source:Remake
Genre:Western
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Metro-Goldwyn-Mayer Pictures, Columbia Pictures, LStar Capital, Village Roadshow Productions, Pin High, Escape Artists
Production Countries: United States
Languages: English

Home Market Releases for December 20th, 2016

December 19th, 2016

Sully

It’s the final Tuesday before Christmas and there are a few big releases that are trying to become last minute gifts. Sully is the best of the big releases, but according to Amazon.com, Dolly Parton's Christmas of Many Colors: Circle of Love is the best-selling new release of the week. I guess a very recent Christmas TV special makes sense near the top, but appearing at the very top it is surprising. As for the Pick of the Week, it is a coin-toss between Sully and Hitchcock/Truffaut on DVD or Blu-ray. Sully won the coin-toss. More...

Home Market Releases for December 6th, 2016

December 5th, 2016

Don’t Think Twice

There are a few releases on this week’s list that are worth picking up. The Secret Life of Pets is by far the biggest release of the week. That said, Don’t Think Twice is the best and the Blu-ray is our Pick of the Week. More...

Weekend Wrap-Up: Only Girl isn’t a Train Wreck earning $24.54 million

October 11th, 2016

The Girl on the Train

Over the weekend was Columbus Day, or as it is known in more and more places, Indigenous People’s Day. It’s also Thanksgiving Day up here in Canada and it would make more sense for Americans to celebrate Canadian Thanksgiving than Columbus Day. Canadian Thanksgiving is where you give thanks to all the Canadians that make your life better. For example, both Ryan Gosling and Ryan Reynolds are Canadian. Anyhoo... The weekend box office numbers were not buoyed by the semi-holiday on Monday as none of the new releases matched expectations. The Girl on the Train led the way by a wide margin with $24.54 million compared to $15.14 million for Miss Peregrine’s Home for Peculiar Children. Neither The Birth of a Nation nor Middle School: The Worst Years of My Life made it into the top five. The overall box office fell 9.5% from last weekend dropping to $103 million. That was 13% lower than the same weekend last year. Year-to-date, 2016 has earned $8.64 billion, putting it 4.4% / $370 million ahead of 2015. A couple of more weeks like this and we will have reason to hit the panic button. More...

Weekend Wrap-Up: Miss Peregrine finds a Home at the top with $28.87 million

October 4th, 2016

Miss Peregrine’s Home for Peculiar Children

The overall box office was about as strong as expected, as Miss Peregrine’s Home for Peculiar Children beat expectations by the same amount as Deepwater Horizon missed expectations. This helped the overall box office grow 10% from last weekend to $114 million. However, this is still 24% lower than this weekend last year. Year-to-date, 2016 still has a lead over 2015, but that lead has shrunk to 4.9% or $390 million at $8.50 billion to $8.10 billion. If 2016’s lead falls below $325 million, then we will need to panic. Remember, last year ended with Star Wars: The Force Awakens, which earned $650 million before the end of the year. Rogue One isn’t expected to earn half of that, so 2016 is going to need a $325 million lead or it will need better depth in order to come out ahead. I would prefer the former. More...

Weekend Predictions: Will September end on a Disastrous Note?

September 29th, 2016

Deepwater Horizon

Three wide releases come out this week: Deepwater Horizon, Miss Peregrine’s Home for Peculiar Children, and Masterminds. Deepwater Horizon’s reviews are better than expected and that should help it at the box office. Miss Peregrine’s reviews are on the razor’s edge of the overall positive level. Meanwhile, there are not enough reviews to really judge Masterminds, but the early signs don’t look good. This weekend last year was the first weekend of October. The Martian nearly broke the record for biggest October weekend. There’s a chance all three wide releases this week won’t match The Martian’s opening weekend. Add in last year’s depth and there’s almost no chance 2016 will come out ahead on the year-over-year comparison. More...

International Box Office: Bridget Jones Celebrates Second Weekend on Top with $22.1 million

September 29th, 2016

Bridget Jones’s Baby

Bridget Jones’s Baby remained in first place with $22.1 million on 5,092 screens in 47 markets for totals of $67.42 million internationally and $84.01 million worldwide. At this pace, the film will have no trouble getting to $100 million internationally and perhaps $150 million worldwide. That's enough to pay for its $35 million production budget and perhaps all of its advertising budget as well. The film’s best new opening of the week was Italy, where it managed second place with $1.9 million on 421 screens. Its biggest market overall was the U.K. where it remained in first place with $8.39 million in 648 theaters for a two-week total of $27.59 million. It is now the biggest September release of all time in that market, topping Calendar Girls’ 13-year old record. More...

Contest: Magnificent Prizes: Winning Announcement

September 29th, 2016

The Magnificent Seven

The winners of our Magnificent Prizes contest were determined and the entrants with the closest predictions for The Magnificent Seven opening weekend were... More...

Theater Averages: The Week’s Best Average Money can Buy is $9,511

September 28th, 2016

The Best Democracy Money Can Buy

Like last week, no films joined the $10,000 club this past weekend. Two came close though. Firstly, The Best Democracy Money Can Buy earned $9,511 in its lone theater. That’s excellent for a documentary and hopefully this start will help it be seen by more. The number one overall film, The Magnificent Seven, was close behind with an average of $9,446. More...

Weekend Wrap-Up: Magnificent Wins Weekend with $34.70 million, but Box Office Slump Continues

September 27th, 2016

The Magnificent Seven

Is it time to panic? Not yet, but we are definitely getting concerned. The overall box office was soft due to the weaker than expected openings of The Magnificent Seven and Storks. Neither bombed exactly, but they weren’t particular strong either. The overall box office rose 16% from last weekend, but was down 25% from this weekend last year. Ouch. You usually only see that large a change in the year-over-year comparison when there is a misalignment in holidays. Year-to-date, 2016’s lead over 2015 dropped to 6.3% or $490 million at $8.35 billion to $7.86 billion. More...

Weekend Estimates: Magnificent Seven Rides to $35 Million Opening

September 25th, 2016

Sully

The Magnificent Seven will almost exactly match Sully’s debut two weeks ago by posting a $35 million opening, according to Sony’s Sunday projection. To us, it looks as though the film will fall fractionally short of that number, but it should still have the sixth-best September opening of all time (not adjusted for inflation). Those two films alone have given the box office enough of a boost that the industry will wrap up the month in fairly healthy condition. More...

Friday Estimates: Magnificent was Merely Okay with $12.7 million

September 24th, 2016

Storks

The Friday box office was not particularly good, as The Magnificent Seven led the way with just $12.7 million. This isn’t terrible. In fact, it is nearly the record for biggest opening day in September for a non-sequel. (Sweet Home Alabama still holds that record.) However, this is far below the nearly $20 million a lot were expecting. There are some positive signs going forward. The film’s reviews are good and it did earn an A- from CinemaScore, so that should help its legs. Likewise, Denzel Washington’s films do tend to have long legs. A $35 million opening weekend is likely on the cards and that could be enough to get to the century mark domestically. I’m not saying $100 million is likely, but I also wouldn’t bet against it. More...

Thursday Night Previews: Magnificent Can’t Live Up to Name, but still Starts well with $1.75 million - Updated with Storks' Start

September 23rd, 2016

The Magnificent Seven

The Magnificent Seven earned $1.75 million during Thursday’s previews. This is not terrible; it is better than the $1.5 million The Equalizer made in 2014 and the $1.35 million Sully made two weeks ago. However, it is not as strong as most were expecting. Perhaps it will still match predictions, if the audience reaction is significantly better than its reviews. I wouldn’t bet on it. It will still likely earn first place, but now just under $40 million looks more likely than $50 million. More...

Weekend Predictions: Will the New Releases be Magnificent?

September 22nd, 2016

The Magnificent Seven

It is a perfect weekend at the box office, as there are only two wide releases and there are almost no crossover audiences between them. The Magnificent Seven is a remake of a remake and its solid, but not spectacular. Storks is a digitally animated kids movie that is earning mixed reviews, but that’s fine for a kids movie. Those two movies will likely earn more than the rest of the box office combined pulls in. This is both good news and bad news, as it is a combination of their strength and the rest of the box office’s weakness that is the cause. This weekend last year, Hotel Transylvania 2 debuted with $48 million, which is the record for a September weekend. I think The Magnificent Seven will top that, while Storks will double the second place film, The Intern. Unfortunately, last year there were three other films that earned more than $10 million, while this year there will be only one. 2016 is better on top, but 2015 had better depth. Perhaps 2016 will still come out ahead in the year-over-year comparison, but I don't think it will quite make it. More...

Contest: Bewitching Prizes: Winning Announcement

September 22nd, 2016

Blair Witch

The winners of our Bewitching Prizes contest were determined and the entrants with the closest predictions for Blair Witch opening weekend were... More...

Contest: Magnificent Prizes

September 16th, 2016

Twin Peaks

There are a pair of wide releases coming out next week, The Magnificent Seven and Storks. Both films have a shot at $100 million domestically, but because Storks is a family film, The Magnificent Seven should get off to a faster start. Therefore, The Magnificent Seven is the better choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The Magnificent Seven.


Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Twin Peaks: The Original Series, Fire Walk With Me & The Missing Pieces on Blu-ray. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a previously reviewed TV on DVD release. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a previously reviewed TV on DVD release.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: September

September 1st, 2016

The Magnificent Seven

August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/09/23 - $14,326   22 $651   $14,326 1
2016/09/30 - $8,671 -39% 7 $1,239   $32,549 2
2016/10/07 - $3,546 -59% 4 $887   $38,737 3
2016/10/14 - $1,596 -55% 1 $1,596   $41,725 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/22/2016 $294,636 110 110 205 $670,160 11/30/2018
Aruba 9/22/2016 $4,429 2 3 11 $21,993 12/31/2018
Australia 9/23/2016 $174,778 116 371 1458 $6,066,648 10/20/2022
Austria 9/23/2016 $172,398 79 79 330 $617,462 11/14/2016
Belgium 9/28/2016 $213,664 47 47 205 $563,059 11/14/2016
Bolivia 9/29/2016 $21,725 15 15 29 $54,843 12/31/2018
Brazil 9/22/2016 $1,167,998 252 252 759 $2,997,144 11/29/2016
Bulgaria 9/23/2016 $55,640 0 0 0 $173,376 2/26/2019
Cambodia 9/22/2016 $12,478 24 24 24 $14,941 12/31/2018
Central America 9/22/2016 $189,537 125 125 235 $375,801 10/18/2016
Chile 9/22/2016 $112,082 46 48 111 $260,323 12/31/2018
Colombia 9/22/2016 $275,273 180 180 335 $560,425 12/31/2018
Croatia 9/22/2016 $34,550 35 35 106 $103,991 12/31/2018
Curacao 9/22/2016 $6,073 4 4 10 $18,478 12/31/2018
Czech Republic 9/23/2016 $54,009 78 78 146 $135,578 12/31/2018
Dominican Republic 9/22/2016 $38,999 18 25 43 $63,519 12/31/2018
East Africa 9/30/2016 $0 0 1 2 $5,271 10/18/2016
Ecuador 9/23/2016 $54,406 40 40 106 $160,313 12/31/2018
Estonia 9/23/2016 $23,264 17 17 45 $70,419 10/25/2016
France 9/28/2016 $1,863,752 400 400 1712 $5,062,649 11/8/2016
Germany 9/22/2016 $1,270,898 494 549 2322 $4,809,894 11/29/2016
Ghana 9/23/2016 $0 0 3 15 $20,636 12/31/2018
Greece 9/22/2016 $133,114 92 92 182 $391,566 11/1/2016
Hong Kong 10/13/2016 $237,940 70 70 125 $448,358 11/1/2016
India 9/23/2016 $365,716 482 482 562 $607,575 10/25/2016
Indonesia 9/21/2016 $739,570 260 260 573 $1,285,646 12/31/2018
Italy 9/22/2016 $705,432 363 363 901 $1,924,842 10/25/2016
Jamaica 9/21/2016 $28,470 5 5 19 $79,459 12/31/2018
Japan 1/27/2017 $737,582 291 291 1188 $2,659,550 3/14/2017
Kenya 9/23/2016 $19,841 14 14 30 $53,063 12/31/2018
Latvia 9/23/2016 $13,196 8 8 15 $36,095 12/31/2018
Lithuania 9/23/2016 $20,276 101 101 142 $42,449 10/13/2016
Malaysia 9/22/2016 $504,820 279 279 670 $1,138,903 11/8/2016
Mexico 9/23/2016 $321,655 187 187 626 $1,039,402 12/13/2016
Mongolia 10/14/2016 $9,260 5 5 12 $26,650 12/31/2018
Netherlands 9/22/2016 $436,020 104 104 521 $1,655,577 11/14/2016
New Zealand 9/23/2016 $35,415 25 76 398 $1,047,576 12/6/2016
Nigeria 9/23/2016 $26,551 26 27 83 $129,104 12/31/2018
North America 9/23/2016 $34,703,397 3,674 3,696 19,075 $93,432,655 2/22/2018
Pakistan 9/23/2016 $14,326 22 22 34 $41,725 12/31/2018
Peru 9/22/2016 $86,601 57 57 68 $172,349 12/31/2018
Philippines 9/21/2016 $452,437 185 185 300 $740,955 12/31/2018
Poland 9/23/2016 $193,653 0 0 0 $611,785 11/18/2018
Portugal 9/23/2016 $179,905 82 82 272 $467,511 11/10/2016
Russia (CIS) 9/22/2016 $1,858,587 1028 1028 2720 $3,441,114 12/31/2018
Serbia and Montenegro 9/22/2016 $11,432 25 25 59 $39,268 12/31/2018
Singapore 9/22/2016 $352,013 39 39 107 $710,985 11/1/2016
Slovakia 9/23/2016 $37,310 73 73 121 $75,912 10/19/2016
Slovenia 9/22/2016 $10,579 21 21 54 $37,455 10/25/2016
South Africa 9/23/2016 $130,864 67 72 317 $520,788 12/6/2016
South Korea 9/14/2016 $2,937,889 579 579 1201 $6,684,317 2/8/2018
Spain 9/23/2016 $1,162,394 449 449 1661 $3,538,440 12/13/2016
Suriname 9/22/2016 $934 1 1 4 $3,302 12/31/2018
Switzerland 9/22/2016 $199,032 60 88 261 $693,507 11/14/2016
Taiwan 10/7/2016 $215,618 63 63 118 $437,348 11/1/2016
Thailand 10/13/2016 $134,221 109 109 226 $428,833 11/8/2016
Trinidad 9/21/2016 $74,838 20 20 62 $189,766 12/31/2018
Turkey 9/23/2016 $159,934 164 164 437 $470,419 2/26/2019
Ukraine 9/22/2016 $215,727 227 227 598 $447,114 12/31/2018
United Kingdom 9/23/2016 $2,763,521 543 543 2002 $7,921,183 12/13/2016
Uruguay 9/22/2016 $17,492 12 12 28 $34,032 12/31/2018
Venezuela 9/23/2016 $20,702 45 45 131 $83,036 11/8/2016
Vietnam 9/23/2016 $139,128 98 98 204 $334,014 12/31/2018
 
Rest of World $5,172,091
 
Worldwide Total$162,122,642 10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Denzel Washington    Chisolm
Chris Pratt    Josh Faraday
Ethan Hawke    Goodnight Robicheaux
Vincent D'Onofrio    Jack Horne
Byung-hun Lee    Billy Rocks
Manuel Garcia Rulfo    Vasquez
Martin Sensmeier    Red Harvest

Supporting Cast

Peter Sarsgaard    Bartholomew Bogue
Haley Bennett    Emma Cullen
Luke Grimes    Teddy Q
Matt Bomer    Matthew Cullen
Jonathan Joss    Denali
Cam Gigandet    McCann
Emil Beheshti    Maxwell
Mark Ashworth    Preacher
Billy Slaughter    Josiah
Dodge Prince    Anthony
Matthew Posey    Hank Stoner
Carrie Lazar    Leni Frankel
Jody Mullins    Caleb Frankel
Clint James    Fenton
Dane Rhodes    Sheriff Harp
Ritchie Montgomery    Gavin David
Sean Bridgers    Fanning
William Lee Scott    Moody
David Kallaway    Turner/Blacksmith
Griff Furst    Phillips
Alix Angelis    Clara Winthrop (Teacher)
Sean Boyd    Topper
Rob Mello    Mine Paymaster
Walker Babington    Dicky
Thomas Blake, Jr.    Earl
Ryan Brown    Ken Pigeon
Derek Lacasa    Len Pigeon
John Wylie    Station Master
Chad Randall    Bartender/Powder Dan
Kevin Wayne    Monday Durant
Wally Welch    Sheriff
Ed Lowry    Stablemaster
David Manzanares    Referee/Eddy
Dylan Kenin    Cowboy
Kevin Wiggins    Another Cowboy
Jackson Beals    One Eyed Lucas
Miles Doleac    Faraday Card Game #2
Heath Lemme    Heath
Charles Bickham    Rose Creek Boy
Gregory Chase Williams    Undertaker's Assistant
Fionn Camp    Rose Creek Girl

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Antoine Fuqua    Director
Roger Birnbaum    Producer
Todd Black    Producer
Nic Pizzolatto    Screenwriter
Richard Wenk    Screenwriter
Walter Miresch    Executive Producer
Antoine Fuqua    Executive Producer
Bruce Berman    Executive Producer
Ben Waisbren    Executive Producer
Mauro Fiore    Director of Photography
Derek R. Hill    Production Designer
John Refoua    Editor
Sharen Davis    Costume Designer
James Horner    Composer
Simon Franglen    Composer
Sean Devereaux    Visual Effects Supervisor
Kat Samick    Co-Producer
Mary Vernieu    Casting Director
Lindsay Graham    Casting Director
Udi Nedivi    Unit Production Manager
Wendy S. Williams    Unit Production Manager
David Valdes    Unit Production Manager
Joe Camp III    First Assistant Director
Kevin Lum    Second Assistant Director
Leslie McDonald    Art Director
Sean Ryan Jennings    Art Director
Merissa Lombardo    Set Decorator
Bradford Johnson    Set Decorator
John Berger    Set Designer
Al Hobbs    Set Designer
Karl Martin    Set Designer
Molly Mikula    Set Designer
Heidi Anna Erl    Production Supervisor
Ed Novick    Sound Mixer
Robert Q. Mathews    Costume Supervisor
Liz Bernstrom    Make up
Carla Chao Brenholtz    Make up
Mary Mastro    Hairstylist
Donna Spahn-Jones    Hairstylist
Dawn Gilliam    Script Supervisor
Ed Lipscomb    Location Manager
Jeff Dashnaw    Second Unit Director
Lukasz Jogalla    Second Unit Director of Photography
Leslie Rodier    Post-Production Supervisor
William Paley    Additional Editor
Joe E. Rand    Music Editor
Jim Henrikson    Music Editor
Rowan Maher    Assistant Editor
Bart Breve    Assistant Editor
Jamal McLemore    Assistant Editor
Matt Evans    Assistant Editor
Scott Shapiro    Visual Effects Producer
Steve Pederson    Re-recording Mixer
Daniel J. Leahy    Re-recording Mixer
Mandell Winter    Supervising Sound Editor
David Esparza    Supervising Sound Editor
Ryan Collins    Sound Effects Editor
Julie Feiner    Dialogue Editor
Russell Farmarco    Dialogue Editor
Christopher T. Welch    Dialogue Editor
Henry Auerbach    Dialogue Editor
James Ashwill    Foley Mixer
Richard Duarte    Foley Mixer
Simon Rhodes    Additional Music
Kevin Globerman    Recordist
Jeff Dashnaw    Stunt Coordinator
Chad Dashnaw    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.