Italy Box Office for Hurricane - Allerta uragano (2018)

← Go to main The Hurricane Heist page

The Hurricane Heist
Theatrical Performance (US$)
Italy Box Office $311,950Details
Worldwide Box Office $33,222,314Details
Home Market Performance
North America DVD Sales $1,496,446 Details
North America Blu-ray Sales $1,326,493 Details
Total North America Video Sales $2,822,939
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A crew of thieves plans the ultimate heist, to steal $600 million from the U.S. treasury facility located on the Gulf Coast of Alabama using a hurricane as their cover. When the storm blows up into a lethal CATEGORY 5 and their well-made plans go awry, they find themselves needing a vault code known only by one female Treasury Agent, a need that turns murderous. But the Treasury agent has picked up an unlikely ally, a meteorologist terrified of hurricanes but determined to save his estranged brother kidnapped by the thieves. He uses his knowledge of the storm as a weapon to defeat the bad guys in this non-stop action/thriller.

Metrics

Movie Details

Production Budget:$40,000,000
Italy Releases: June 27th, 2018 (Wide), released as Hurricane - Allerta uragano
Video Release: May 29th, 2018 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for sequences of gun violence, action, destruction, language and some suggestive material.
(Rating bulletin 2500 (Cert #51161), 11/1/2017)
Running Time: 103 minutes
Keywords: Heist, Extreme Weather, Hackers, Same Role, Multiple Actors, Action Thriller, Prologue, 1990s
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Foresight Unlimited, Parkside Pictures, Windfall Productions, Signature Pictures, RSVP Entertainment, Head Gear Films, Metrol Technology, Lipsync Productions, Double Negative Films
Production Countries: United States
Languages: English

Home Market Releases for June 5th, 2018

June 4th, 2018

Thoroughbreds

This is a busier week than usual on the home market, but that’s only because there are a higher than usual number of box office flops coming out the same week. The biggest box office hit of the week is A Wrinkle in Time, which did okay here, but bombed internationally. I’m still waiting for a screener to see if it is at least worth a rental. As for Pick of the Week contenders, there’s My Hero Academia: Season Two, Part Two and Thoroughbreds on Blu-ray. In the end, I went with Thoroughbreds, but both are worth owning. More...

Home Market Releases for May 29th, 2018

May 29th, 2018

Annihilation

This is one of the shortest lists I can remember. Not only are there only 8 releases in the main section, many of them would be secondary releases, at best, during a normal week. That’s not to say there are no releases worth checking out. This list is led by Annihilation on Blu-ray Combo Pack, while the second best new release is ... probably a secondary VOD title? More...

Weekend Wrap-Up

March 20th, 2018

Black Panther

As predicted, Black Panther remained in first place on the weekend chart. Tomb Raider had an okay opening in second place, while I Can Only Imagine was the biggest positive surprise of the weekend. Love, Simon had a solid opening, especially compared to its production budget. The less said about 7 Days in Entebbe, the better. Overall, the weekend box office was down 4.8% from last weekend to just $132 million. This is 49% lower than this weekend last year. A 49% decline usually only happens when there is a misalignment in holidays, but in this case it’s due to Beauty and the Beast’s debut. 2018 is still ahead of 2017, albeit by a fraction of last week’s lead at just $66 million or 2.8%. In fact, with a margin of just $2.46 billion to $2.39 billion, it is very likely 2018 will lose its lead before the next weekend begins. More...

Weekend Wrap-Up: Black Panther and Wrinkle in Time have Record-Breaking Weekend

March 13th, 2018

Black Panther

For the first time ever, the top two films at the weekend box office were both directed by African-American directors. That’s amazing and should be the big story. Unfortunately for A Wrinkle in Time, the big story is Black Panther’s continued box office dominance, as that film earned first place over Wrinkle with $40.82 million to $33.12 million. Disney should be happy with both results. The only other new release that didn’t bomb was The Strangers: Prey at Night, which earned third place with $10.40 million, which is excellent for a low-budget horror movie. The less said about The Hurricane Heist and Gringo, the better. Overall, the box office fell 8.3% from last weekend to $138 million. Compared to this weekend last year, the box office fell 16%. Year-to-date, 2018 has earned $2.27 billion, which is still 8.3% or $170 million ahead of 2017’s pace. That lead could be cut in half by this time next week. More...

Weekend Estimates: Black Panther Bests Wrinkle in Time, in Disney vs. Disney Battle

March 11th, 2018

A Wrinkle in Time

A Wrinkle in Time got out the gate a little more slowly than hoped for this weekend, and Disney is projecting an opening weekend of $33.3 million, as of Sunday morning. That’s actually in line with our prediction on Thursday of just under $35 million, but well below what pre-release interest in the film would have made seem possible. That relatively subdued debut left the door open for Black Panther, which will pick up another $41.1 million this weekend to top the chart, and continues breaking records. More...

Friday Estimates: Wrinkle Tops Panther for a Limited Time

March 10th, 2018

A Wrinkle in Time

A Wrinkle in Time earned first place on Friday with $10.21 million, which was enough for first place over Black Panther by a small margin. Unfortunately, this lead likely won’t last long, as the film’s reviews are only 42% positive and it only managed a B from CinemaScore. This is the best scores among the new releases this weekend, but not good for a family film and will hurt its legs. Look for a $33 million opening weekend. More...

Thursday Night Previews: Timely Start for Wrinkle

March 9th, 2018

A Wrinkle in Time

A Wrinkle in Time opened with $1.3 million during its previews. This might seem like a low amount; however, it is a live action family film and those tend to struggle during previews, but bounce back during the weekend. For example, Paddington 2 only managed $325,000 during its previews, but it went on to make $11 million during its opening weekend. A Wrinkle in Time won’t have the same legs, because its reviews are mixed. That said, it has a shot at first place with $35 million or more, which is in line with what we predicted. More...

Weekend Predictions: Is It Time for Panther to Relinquish Top Spot?

March 8th, 2018

A Wrinkle in Time

There are four wide releases coming out this week, but only one of them, A Wrinkle in Time, has a shot at dethroning Black Panther. Only one other, The Strangers: Prey at Night, has a shot at the top five. The other two, Gringo and The Hurricane Heist, are just hoping to not embarrass themselves. This weekend last year, the top two movies earned nearly $100 million. This year, the top five likely won’t earn that much. 2018 will lose the year-over-year comparison, but hopefully it will be close. More...

2018 Preview: March

March 1st, 2018

Ready Player One

February was an amazing month, thanks mainly to Black Panther, but Fifty Shades Freed and Peter Rabbit were also significant hits and overall the month was a massive improvement over last February. Looking forward, there’s nothing opening in March that will earn as much in total as Black Panther did during its opening weekend. That said, A Wrinkle in Time and Ready Player One should have no trouble getting to $100 million, while Tomb Raider has a 50/50 chance of getting there. Unfortunately, compared to last March, this is still a pittance. There’s a chance that no film opening this March will earn as much in total as Beauty and the Beast opened with last march. We will need Black Panther to have good legs to keep 2018 ahead of 2017 by the end of the month. More...

The Hurricane Heist Trailer

February 1st, 2018

Action movie starring Toby Kebbell and Maggie Grace, opens March 9 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/06/29 5 $153,769   0     $180,009 1
2018/07/06 10 $61,932 -60% 0     $311,950 2

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/8/2018 $0 0 0 0 $434,728 1/1/2019
Brazil 6/8/2018 $412,407 0 0 0 $746,227 6/25/2018
Bulgaria 3/9/2018 $18,583 0 0 0 $63,466 2/26/2019
China 11/2/2018 $7,030,000 47806 47806 57448 $13,655,054 12/6/2018
France 3/2/2018 $958,849 0 0 0 $1,628,209 6/13/2018
Hong Kong 3/16/2018 00$0
Italy 6/27/2018 $153,769 0 0 0 $311,950 7/10/2018
Lithuania 3/9/2018 $18,584 65 65 99 $33,559 4/4/2018
Mexico 4/6/2018 $1,423,973 0 0 0 $3,046,013 4/23/2018
Netherlands 4/6/2018 $175,878 87 87 242 $458,079 4/23/2018
North America 3/9/2018 $3,024,399 2,402 2,402 4,878 $6,115,824 2/11/2021
Poland 4/13/2018 $37,675 0 0 0 $37,675 1/1/2019
Portugal 3/9/2018 $105,204 57 57 155 $233,919 4/11/2018
Romania 12/4/2020 $0 0 3 3 $159,746 2/3/2021
Russia (CIS) 3/8/2018 $503,688 658 658 1108 $679,800 2/26/2019
South Korea 3/8/2018 $0 0 544 831 $1,612,524 4/27/2018
Spain 5/11/2018 $162,703 203 203 487 $331,830 6/7/2018
Turkey 6/1/2018 $74,611 218 218 434 $199,052 2/26/2019
United Kingdom 4/6/2018 $32,894 57 57 57 $32,894 4/11/2018
 
Rest of World $3,441,765
 
Worldwide Total$33,222,314 2/11/2021

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Toby Kebbell    Will
Maggie Grace    Casey

Supporting Cast

Ryan Kwanten    Breeze
Ralph Ineson    Perkins
Melissa Bolona    Sasha
James Cutler*    Clement Rice
Ben Cross    Dixon
James Barriscale    Deputy Michaels
Mark 'Rhino' Smith    Deputy Baldwin
Natacha Karam    Cassie
Jimmy Walker    Xander Rice
Leonardo Dickens    Young Will
Luke Judy    Young Will
Stuart McQuarrie    Niles
Christian Contreras    Moreno
Ed Birch    Frears

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Rob Cohen    Director
Jeff Dixon    Screenwriter
Scott Windhauser    Screenwriter
Anthony Fingleton    Story by
Carlos Davis    Story by
Karen Baldwin    Producer
Moshe Diamant    Producer
Christopher Milburn    Producer
Danny Roth    Producer
William J. Immerman    Producer
Rob Cohen    Producer
Mark Damon    Producer
Michael Tadross, Jr.    Producer
Damiano Tucci    Producer
Byron Allen    Executive Producer
Carolyn Folks    Executive Producer
Jennifer Lucas    Executive Producer
Terence Hill    Executive Producer
Mark Borde    Executive Producer
Chris Charalambous    Executive Producer
Mark Devitre    Executive Producer
Carlos Davis    Executive Producer
Anthony Fingleton    Executive Producer
Alastair Burlingham    Executive Producer
Charlie Dombek    Executive Producer
Tamara Birkemoe    Executive Producer
Jenna Sanz-Agero    Executive Producer
Christopher Conover*    Executive Producer
Norman Merry    Executive Producer
Peter Hampden    Executive Producer
Namit Malhotra    Executive Producer
Greg Gavanski    Executive Producer
Phil Hunt    Executive Producer
Compton Ross    Executive Producer
Gabriel Georgiev    Line Producer
Shelly Johnson    Director of Photography
Kess Bonnett    Production Designer
Niven Howie    Editor
Irina Kotcheva    Costume Designer
Lorne Balfe    Composer
Nancy Foy    Casting Director
Kate Dowd    Casting Director