| Theatrical Performance (US$) | ||
| New Zealand Box Office | $3,761 | Details |
| Worldwide Box Office | $211,637 | Details |
| Further financial details... | ||
| New Zealand Releases: | December 16th, 2016 (Wide) |
| MPAA Rating: | Not Rated |
| Running Time: | 77 minutes |
| Keywords: | Coming of Age, Novel or Other Work Adapted by Author, Surprise Party, Australia, Dysfunctional Family, Screenplay Written By the Star, 1970s, Dream Sequence |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | Australia |
| Languages: | English |
September 28th, 2016
Like last week, no films joined the $10,000 club this past weekend. Two came close though. Firstly, The Best Democracy Money Can Buy earned $9,511 in its lone theater. That’s excellent for a documentary and hopefully this start will help it be seen by more. The number one overall film, The Magnificent Seven, was close behind with an average of $9,446.
More...
September 23rd, 2016
Like last week, approximately 30 films open in limited release this week. That is far too many and all but ensures most will not find an audience. Furthermore, it means I have to be a little more liberal when it comes to pruning releases that don’t have enough buzz to talk about. There are lots of films that still made the cut, including a few highlights: The Age of Shadows, Audrie & Daisy, The Dressmaker, The Lovers And The Despot, My Blind Brother, and Queen of Katwe. Some of these are playing on VOD, so they will go nowhere in theaters. Several are aiming for Oscars, including Queen of Katwe, which will expand semi-wide next week.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/12/16 | 22 | $1,879 | 9 | $209 | $1,879 | 1 | |
| 2016/12/23 | - | $793 | -58% | 11 | $72 | $3,761 | 2 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 9/2/2016 | $9,043 | 2 | 27 | 153 | $147,587 | 10/31/2016 |
| New Zealand | 12/16/2016 | $1,879 | 9 | 11 | 20 | $3,761 | 12/28/2016 |
| North America | 9/23/2016 | $2,700 | 1 | 24 | 42 | $60,289 | |
| Worldwide Total | $211,637 | 12/28/2016 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Bethany Whitmore | Greta Driscoll |
| Harrison Feldman | Elliott | |
| Matthew Whittet | Conrad / Abject Man |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Rosemary Myers | Director | |
| Jo Dyer | Producer | |
| Matthew Whittet | Screenwriter |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
