Russia (CIS) Box Office for Экстремальная работа (2019)

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Geukhanjikeob
Theatrical Performance (US$)
Russia (CIS) Box Office $89,447Details
Worldwide Box Office $116,127,561Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A Groundbreaking investigation you’ve never tasted before! A team of narcotics detectives goes undercover in a fried chicken joint to stake out an organized crime gang. But things take an unexpected turn when the detectives’ chicken recipe suddenly transforms the rundown restaurant into the hottest eatery in town.

Metrics

Movie Details

Russia (CIS) Releases: October 15th, 2020 (Wide), released as Экстремальная работа
MPAA Rating: Not Rated
Running Time: 111 minutes
Keywords: Undercover, Narcotics, Crime Boss, Food, Restaurants, Action Comedy
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: CJ Entertainment, Hartbeat Productions
Production Countries: Republic of Korea
Languages: Korean

International Box Office: Dragon is No Longer Hidden

February 5th, 2019

How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World roared into first place on the international chart with $40.8 million in 40 markets for a still early international total of $85.5 million. It was buoyed by a quartet of major market openings, led by Mexico, where it earned first place with $7.56 million in 891 theaters. This is 20% more than the previous film in the franchise opened with in that market. It also opened in first place in the U.K. ($6.95 million in 556 theaters) and in Italy ($3.67 million in 467). On the other hand, it had to settle for third place in South Korea with $3.30 million on 971 screens over the weekend for a total opening of $4.61 million. The film opens in France and Germany this weekend, but doesn’t finish its box office run until August, when it finally opens in Japan. More...

International Box Office: Some of the Shine Comes off for Glass

January 31st, 2019

Glass

Glass remained in first place with $23.6 million in 55 markets for a two-week total of $89.1 million. It has no new markets this past weekend. In fact, it only has one major market left in its run, China. The film’s biggest market was the U.K. where it remained in first place with $2.55 million over the weekend for a two-week total of $9.06 million. In Russia, t fell 60% to just $2.08 million on 1,381 over the weekend for a two-week total of $8.68 million. The film opened faster than Split did, but it has shorter legs, so it may or may not overtake its predecessor in the end. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/10/16 13 $52,918   388 $136   $52,918 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 2/8/2019 $97,626 11 15 53 $282,373 3/19/2019
North America 1/25/2019 $0 0 2 0 $1,565,885
Russia (CIS) 10/15/2020 $52,918 388 388 594 $89,447 10/19/2022
South Korea 1/23/2019 $19,385,492 1977 1977 9435 $114,189,856 4/28/2020
 
Worldwide Total$116,127,561 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Ryu Seung-yong   
Lee Hanee   
Jin Sun-kyu   
Lee Dong-hwi   
Gong-myeong   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Byeong-Hun Lee    Director
Bae Se-yeong    Screenwriter