Lithuania Box Office for The Fate of the Furious (2017)

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The Fate of the Furious
Theatrical Performance (US$)
Lithuania Box Office $559,312Details
Worldwide Box Office $1,235,534,014Details
Home Market Performance
North America DVD Sales $22,694,190 Details
North America Blu-ray Sales $26,100,510 Details
Total North America Video Sales $48,794,700
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Now that Dom and Letty are on their honeymoon and Brian and Mia have retired from the game—and the rest of the crew has been exonerated—the globetrotting team has found a semblance of a normal life. But when a mysterious woman seduces Dom into the world of crime he can’t seem to escape and a betrayal of those closest to him, they will face trials that will test them as never before. From the shores of Cuba and the streets of New York City to the icy plains of the arctic Barents Sea, our elite force will crisscross the globe to stop an anarchist from unleashing chaos on the worlds stage…and to bring home the man who made them a family

Metrics

Movie Details

Production Budget:$250,000,000
Lithuania Releases: April 14th, 2017 (Wide)
Video Release: June 27th, 2017 by Universal Home Entertainment
MPAA Rating: PG-13 for prolonged sequences of violence and destruction, suggestive content, and language.
(Rating bulletin 2464 (Cert #50924), 2/22/2017)
Running Time: 136 minutes
Franchise: Fast and the Furious
Keywords: Sequels Without Their Original Stars, Friends turned Enemies, Car Chase, Terrorism, Enemies Forced to Work Together, Betrayal, Prison, Prison Riot, Ensemble, 3-D, 3-D - Post-production Conversion, IMAX: DMR, Action Thriller
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Universal Pictures, Original Film, One Race Films
Production Countries: United States
Languages: English

Home Market Releases for July 18th, 2017

July 18th, 2017

Stalker

Last week, The Fate of the Furious scared away all of the competition. This week, the competition is still scared, as there’s very little in the way of top notch releases. Kong: Skull Island is by far the biggest new release of the week, while the next two biggest are The Promise and Free Fire. As for the best releases of the week, The Expanse: Season Two is a contender, but ultimately the Pick of the Week goes to the Stalker Criterion Collection Blu-ray. More...

Home Market Releases for July 11th, 2017

July 11th, 2017

Underground: Season Two

This week, the home market is led by The Fate of the Furious, which is the number one film both in terms of worldwide box office and alphabetically. It earned well over $1 billion worldwide, but it is losing the charm the franchise thrived on during the past few installments. As for the Pick of the Week, I’m going with Underground, Season Two, or the Two-Season box set. More...

Home Market Releases for June 27th, 2017

June 27th, 2017

T2 Trainspotting

It’s a really slow week on the home market. (Next week is even worse. ) The Fate of the Furious is the biggest release of the week, but it is only coming out on Video on Demand, so I would wait. The biggest release of the week is Power Rangers, but it feels like a pilot to a TV show and not a self-contained movie. The best new release of the week is T2: Trainspotting and the Blu-ray Combo Pack. That said, if you don’t have Home Movies yet, then buy the Complete Series right now. More...

International Box Office: Pirates Sail International Waters with $208.4 million

June 1st, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

Pirates of the Caribbean: Dead Men Tell No Tales dominated the international box office earning five times more than the rest of the top five combined. The film pulled in $208.4 million in 54 markets and had $271.4 million worldwide by the end of its first weekend. Its biggest single market was China, where it earned $68.55 million over the weekend. This is bigger than its domestic opening. While this is impressive, it is only the third biggest opening in China for a Disney film, behind Avengers: Age of Ultron and Captain America: Civil War. On the other hand, the film had a big opening in Russia with $19.10 million, which is the biggest opening weekend in that market of all time. However, it wasn’t all good news, as the only market left to open in is Japan, so it will have to rely on long legs to continue its run. More...

Weekend Estimates: Time for Pirates to Sail into the Sunset?

May 28th, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

Pirates of the Caribbean: Dead Men Tell No Tales is dominating proceedings at the box office this weekend, with Disney projecting an opening of $62.2 million for three days, and $76.6 million over the complete Memorial Day holiday weekend. As I’ve said a few times this year, any other studio would kill for numbers like those, but this marks the third straight decline in the franchise’s fortunes. Dead Man’s Chest had the best opening for any Pirates film, with $135.6 million in 2006; At World’s End did $114.7 million over Memorial Day weekend in 2007; and then On Stranger Tides delivered a $90.2-million debut, also over Memorial Day weekend in 2011. With this kind of start, Dead Men will struggle to deliver $200 million domestically, although its international performance will help make up the numbers. More...

International Box Office: Dangal Dominates China in Groundbreaking Run

May 25th, 2017

Dangal

Dangal became the first Indian film to have its biggest single market not be India. It earned first place in China with $34.22 million over the weekend for totals of $113.55 million in China, $185.6 million internationally, and $198.0 million worldwide. It will shortly become the second Indian film to earn more than $200 million worldwide. More...

Weekend Wrap-Up: Aliens Crash, but Still Top Chart with $36.16 million

May 23rd, 2017

Alien: Covenant

As expected, Alien: Covenant earned first place on the weekend box office chart. However, it had a strange journey there. Everything, Everything earned more during its opening weekend than it cost to make, which is great news for the studio. On the other hand, Diary of a Wimpy Kid: The Long Haul will be the last entry in this franchise for a long time. Meanwhile, Guardians of the Galaxy Vol 2 became only the second film released in 2017 to hit $300 million domestically. Unfortunately, the good news didn’t outweigh the bad news and the overall box office fell 10% from last weekend to $122 million. Compared to last year, the weekend box office was 11% lower. Fortunately, 2017 still has a $130 million lead over 2016 at $4.23 billion to $4.10 billion, so there’s no reason to panic. More...

Weekend Wrap-Up: Guardians Matches Original’s Hold Earning $65.26 million

May 16th, 2017

Guardians of the Galaxy Vol 2

As expected, Guardians of the Galaxy Vol 2 crushed the competition this weekend earning more than Snatched and King Arthur: Legend of the Sword’s combined openings. However, it held on better than expected down 55% to $65.26 million. The overall box office still fell by 30% from last weekend to $136 million. This is 3.8% higher than the same weekend last year. Guardians of the Galaxy Vol 2 held on better than Captain America: Civil War did during its sophomore stint, but it was strong depth that helped 2017 win the year-over-year comparison. It didn’t win by much, so the overall lead still shrunk to 3.4% at $4.07 billion to $3.93 billion, but any lead is good news. More...

Weekend Predictions: Can the New Releases Snatch Victory Away from Guardians?

May 11th, 2017

Snatched

There are two wide releases coming out this week, King Arthur: Legend of the Sword and Snatched. However, Guardians of the Galaxy Vol 2 will likely destroy them at the box office. The real question is whether or not the top three films this year will out-earn the three films from this weekend last year. At the beginning of the month, I thought that would happen, but now I’m not so sure. Guardians of the Galaxy Vol 2 missed expectations last weekend and King Arthur: Legend of the Sword and Snatched haven’t seen their buzz grow like most new releases do. I don’t think 2017 will get crushed like it did last weekend, but I also don’t think it will end its mini-losing streak either. More...

International Box Office: Guardians Protect the Globe for Another Weekend with $123.8 million

May 11th, 2017

Guardians of the Galaxy Vol 2

Guardians of the Galaxy Vol 2 remained in first place on the international chart with $123.8 million in 55 markets for totals of $282.6 million internationally and $429.1 million worldwide. The film is already ahead of the worldwide totals of a couple of MCU alumni, The Incredible Hulk and Captain America: The First Avenger. The film opened in first place in a trio of major markets this past weekend: China, South Korea, and Russia. Its biggest opening came in China, no surprise there, where it earned $48.56 million over the weekend for a total opening of $49.47 million, including limited previews. It earned $12.79 million in 1,370 screens over the weekend in Russia. The film earned $6.92 million on 1,218 screens in South Korea over the weekend for a total opening of $13.20 million. In each of these markets, Vol 2 showed strong growth compared to the original Guardians of the Galaxy. In fact, Vol 2 earned more during its opening weekend than the original earned in total ($11.0 million). At this pace, the film will have no trouble matching the original worldwide and its legs will determine if it can reach $1 billion. More...

Weekend Wrap-Up: Galaxy gets the Summer Going with $146.51 million

May 8th, 2017

Guardians of the Galaxy Vol 2

For the eighth year in a row, a Marvel movie started the summer blockbuster season. This time around, it was Guardians of the Galaxy Vol 2, which earned $146.51 million, or roughly 75% of the total weekend box office of $194 million. That figure is nearly double the box office from last week, an increase of 97%, to be more precise. Unfortunately, this is also 19% lower than the same weekend last year when Captain America: Civil War dominated the chart. 2017 is still ahead of 2016, but the gap has narrowed to 4.5% at $3.88 billion to $3.71 billion. More...

Friday Estimates: Galaxy Doesn’t Shine as Bright, but Still Earns $56.26 million

May 6th, 2017

Guardians of the Galaxy Vol 2

As expected, Guardians of the Galaxy Vol 2 dominated the box office chart on Friday. However, it didn’t do quite as well as we predicted with $56.26 million. It would have needed north of $60 million to get to $156 million over the weekend. Its reviews are fantastic, the best in the top ten by quite a margin, while it earned an A from CinemaScore, so it should have solid legs over the weekend. On the other hand, it is a sequel and those tend to be more front-loaded, so look for $138 million over the weekend. It is still very early, but the film appears to be on pace for $350 million domestically and close to $900 million worldwide. This is clearly a monster hit, even if it is not quite as large as anticipated. To put it in perspective, it is the sixth best May opening of all time, so there's plenty of reasons to celebrate this debut. On a side note, four of the five films ahead of Guardians of the Galaxy Vol 2 on that list are from the MCU. The lone exception is Spider-Man 3. Marvel owns May. More...

Weekend Predictions: Guarding the Box Office against Civil War

May 4th, 2017

Guardians of the Galaxy Vol 2

The summer blockbuster season unofficially begins this weekend with the release of Guardians of the Galaxy Vol 2. There are no other films opening wide this week, so it will dominate the chart like few films are able to. In fact, the film’s only real competition is Captain America: Civil War, which opened this weekend last year. There’s very little chance Vol 2 will start as fast as Civil War started, but it could have better legs. I think 2017 will lose the year-over-year comparison this weekend, but the rest of the month should be better. More...

International Box Office: Guardians Have a Nearly Galaxy-Wide Opening with $101.2 million

May 3rd, 2017

Guardians of the Galaxy Vol 2

Guardians of the Galaxy Vol 2 started its international run in first place with $101.2 million in 37 markets. The film’s biggest single market was the U.K., where it dominated the market with a 67% market share and $16.94 million in 632 theaters. This is 86% above the opening the original opened with in that market and the second best opening in that market this year. It also cracked $10 million in Australia earning $6.44 million on 705 screens over the weekend for a total opening of $11.72 million. This is more than half of the total weekend box office and an improvement of 27% from the original film; however, the Wednesday opening reduced its weekend haul. Other major markets include Germany ($8.3 million); Mexico ($8.13 million); France ($7.9 million); and Brazil ($6.9 million). Given this start, the film should be able to reach $500 million internationally, maybe even $600 million, depending on its legs. That would give it a realistic shot at $1 billion worldwide. More...

Weekend Wrap-Up: April’s Conclusion was a Wild Weekend

May 1st, 2017

Baahubali 2: The Conclusion

The weekend box office was a wild one with two limited releases in the top five, How to be a Latin Lover and Baahubali 2: The Conclusion. The Fate of the Furious remained in first place with $19.94 million, which is better than expected. Unfortunately, the overall box office was still weak down 8.3% from last weekend to just $99 million. Worse still, this is 8.9% lower than the same weekend last year. 2017’s lead over 2016 took a bit of a hit, but still has a 5.1% or $180 million lead, $3.66 billion to $3.48 billion. More...

Weekend Estimates: Niche Audiences to the Fore at Home, Guardians Big Overseas

April 30th, 2017

How to Be a Latin Lover

The last weekend before the Summer season is generally a quiet one, but two breakout hits aimed at niche audiences are making this one interesting. How to Be a Latin Lover will post a shade over $12 million from just 1,118 theaters, according to Lionsgate’s weekend estimate. That would be the news of the weekend if it wasn’t for Baahubali 2: The Conclusion earning the best weekend for a Bollywood movie in history with a stellar $10.1 million from just 425 locations. Those two films couldn’t knock The Fate of the Furious off top spot though, as the action blockbuster added another $19.4 million, to take its domestic total to $192.7 million. More...

Friday Estimates: Audiences are still in Love with Furious

April 29th, 2017

How to be a Latin Lover

The top five this weekend looks a little different than anticipated. Okay, “a little” might be an understatement. The Fate of the Furious dominated Friday’s box office with $5.1 million, which puts it on pace for $18.5 million for the weekend. This is almost exactly as expected. Some of the new releases were a little more surprising. More...

Weekend Predictions: April Circles the Drain

April 27th, 2017

The Circle

The last weekend in April is usually a terrible weekend and this year is no different. There is only one truly wide release this week, The Circle, although How to be a Latin Lover has a shot at the top five. There are also two films opening in approximately 500 theaters hoping to sneak into the top ten: Sleight and Baahubali 2: The Conclusion. However, while it seems like a busy week for new releases, The Fate of the Furious will easily remain in first place. In fact, the top five this week could be nearly identical to the top five last week, with The Circle being the only nearly guaranteed new addition. This weekend last year, The Jungle Book led the way with $44 million, while the biggest new release was Keanu with just under $10 million. The new releases might be stronger this time around, but there’s almost no way 2017 will be able to compete with The Jungle Book. More...

International Box Office: Furious Fast Start Leads to a Quick Fall with $158.1 million

April 26th, 2017

The Fate of the Furious

The Fate of the Furious is living fast, but plummeting just as fast down 64% to $158.1 million on 19,757 screens in 65 territories for totals of $745.03 million internationally and $908.34 million worldwide. The film is now the biggest hit of 2017 on the international chart and is behind only Beauty and the Beast on the 2017 worldwide chart. The film’s biggest opening of the past weekend came in Poland where it earned $2.7 million on 187 screens, which is the best opening for the Fast and the Furious franchise in that market. Its biggest market overall continues to be China, where it added $55.28 million over the weekend for a two-week total of $321.65 million. The is the second biggest box office for a Hollywood release in China, behind only Furious 7, which earned $390.87 million there. More...

Weekend Wrap-Up: Furious Slows and New Releases Stall, Leaving Box Office short by $60 million

April 25th, 2017

The Fate of the Furious

As expected, The Fate of the Furious dominated the weekend box office chart. It held up a little better than expected with $38.41 million over the weekend; however, this was still over 60% lower than its opening weekend and the overall weekend fell over $60 million or 36% from last weekend for a total of $107 million. A lot of the blame can be pushed onto the new releases, as none of them earned a spot in the top five. Born in China was the best of the new releases earning sixth place with $4.79 million. Year-over-year, 2017 was 16% lower than 2016, but fortunately, 2017 still has an impressive $200 million lead over 2016 at $3.53 billion to $3.33 billion. More...

Weekend Estimates: Big Decline, Big Win for Fate of the Furious

April 23rd, 2017

The Fate of the Furious

A decline of 61% compared to its opening weekend still leaves The Fate of the Furious the big winner at the box office this weekend, with the five new wide releases combined making less than half the $38.7 million it will earn on its second weekend, according to Universal’s weekend estimate. The film’s domestic gross will end the weekend at about $163.6 million. As of last night, it has reached $636.3 million internationally, and it should end the weekend with $752.4 million overseas, for a global total of $916 million as of Sunday. $327.4 million of that will have come from China, where Fate is clocking up another $67 million this weekend. More...

Friday Estimates: Furious Falls 75%, Still Dominates Friday with $11.2 million

April 22nd, 2017

The Fate of the Furious

The Fate of the Furious dominated the box office chart on Friday with $11.2 million. This could be more than any other film will earn during the entire weekend. That’s the good news. The bad news is this still represents a decline of just over 75% from its opening Friday. This is not good by any stretch of the word, but it is also not unexpected. The film will rebound on Saturday, and earn about $35.5 million over the weekend, according to Universal, which is close to our prediction and will lift the film’s running tally to $160 million. This keeps The Fate of the Furious on pace for $200 million and the film should become the third film released in 2017 to get to that milestone. It might overtake Logan on the yearly chart, but Guardians of the Galaxy, Vol. 2 will probably get there first. More...

Weekend Predictions: New Releases are Very Forgettable

April 20th, 2017

Free Fire

Late April is one of the traditional dumping grounds and this week is truly living down to that reputation. There are five new releases that have at least a shot at the top ten, but none of them have a shot at becoming midlevel hits. Unforgettable is the widest new release of the week and will likely be the biggest hit, but it very likely won’t be the best. Free Fire and Born in China are in a close battle for the best reviews for the week. Meanwhile, The Promise and Phoenix Forgotten are just hoping to avoid opening below the Mendoza Line. I think earning a theater average above $2,000 is overly optimistic for either film. There’s a lot of competition, but nearly all of it is terrible, so The Fate of the Furious will have no trouble repeating in first place. Furthermore, both The Boss Baby and Beauty and the Beast will likely remain in the top five, meaning there’s not a lot of room for the other films. This weekend last year, The Jungle Book earned just over $60 million over the weekend, while The Huntsman: Winter’s War opened with close to $20 million. There’s no way 2017 will be able to match this one-two punch. More...

International Box Office: Furious Goes from Zero to $500 million in one Weekend

April 19th, 2017

The Fate of the Furious

The Fate of the Furious dominated in the international chart with $433.2 million in 63 markets. This is the biggest international weekend of all time, beating the previous record holder, Jurassic World, by over $100 million. Interestingly, both of these films were released by Universal. Furthermore, the film has already topped the international totals of all but the two more recent installments in the Fast and the Furious franchise. On the downside, the international opening weekend record isn’t the most prestigious record, because it depends a lot of how wide a release a film has. For instance, The Fate of the Furious opened in all but four markets this past weekend and of the remaining markets, only Japan is a significant market. The film has the number one overall international weekend, but only broke weekend records in 20 of the 63 individual markets and only one of those markets could be considered a major market. That one market was China. More...

Contest: Leave it Up to Fate: Winning Announcement

April 19th, 2017

Sleepless

The winners of our Leave it Up to Fate contest were determined and the entrants with the closest predictions for The Fate of the Furious’s opening weekend were... More...

Theater Averages: Going From A to Zed with $27,544

April 19th, 2017

The Lost City of Z

The Lost City of Z led the way on the theater average chart with an average of $27,544 in four theaters. The film is expanding into several hundred more theaters this Friday, so this is a great start. The overall number one film, The Fate of the Furious, was next with an average of $22,920. Norman: The Moderate Rise and Tragic Fall of a New York Fixer opened with nearly $100,000 in five theaters for an average of $19,842. The final film in the $10,000 club was Chasing Trane with $16,626 in its lone theater. More...

Weekend Wrap-Up: Fate Falls to Great Expectations, Still Earns $98.79 million

April 18th, 2017

The Fate of the Furious

As expected, The Fate of the Furious dominated the box office this weekend, earning nearly a 60% share of the total box office. It did miss predictions, however, with “just” $98.79 million. This is the curse of great expectations. Overall, the box office rose 40% from last weekend, reaching $167 million. However, this was 5.1% lower than the same weekend last year. Had The Fate of the Furious matched expectations, then 2017 would have had a 5% lead over last year. Year-to-date, 2017 has pulled in $3.37 billion and has a 7.2% lead over 2016. That will shrink as last year’s The Jungle Book’s legs will undoubtedly be better than The Fate of the Furious’s legs, but I don’t think 2017 will fall behind 2016 any time soon. More...

Weekend Estimates: Fate’s $100 Million Stateside Dwarfed by Huge International Haul

April 16th, 2017

The Fate of the Furious

The Fate of the Furious is, as expected, posting great opening numbers domestically, with Universal projecting a $100.2 million opening weekend, but the real news this weekend is the record breaking in international markets. Helped by a gigantic $190 million in China—the biggest-ever three-day weekend in that territory—Fate is headed for an overseas debut of $432.2 million, according to the studio. That’s easily the biggest international weekend of all time, beating Jurassic World’s $316.7 million. It’s also ahead of the inflation-adjusted international opening for Harry Potter and the Deathly Hallows, Part II, which earned $314 million on its first weekend internationally, roughly equivalent to $375 million today. More...

Friday Estimates: Fate Set for All-Time Worldwide Weekend Record

April 15th, 2017

The Fate of the Furious

As expected, The Fate of the Furious dominated at the domestic box office on Friday, earning $45.6 million. This is not the best opening-day record for the franchiseFurious 7 owns that with $67.41 million—and it is almost a third lower than the previous installment, but if it manages the same legs, it will earn just under $100 million over the weekend. Universal is estimating an opening weekend of $103.8 million. Granted, this film’s reviews are 15 points lower than Furious 7’s, and that should hurt its legs. On the other hand, both films earned a solid A from CinemaScore. In fact, every film in the franchise since Fast Five has earned an A from CinemaScore. Consistency. A drop like this is troubling, but it is more than made up for by the film’s international performance… More...

Thursday Night Previews: Fate Not Quite Furious with $10.4 million in Previews

April 14th, 2017

The Fate of the Furious

The Fate of the Furious got off to a fast start with $10.4 million during previews last night; however, this wasn’t as fast as I was expecting. No one really thought it would match Furious 7’s $15.4 million from 2015, but it needed to come closer with $12 million if it’s going to get to our prediction of $116 million for the weekend. It is better than the $9.5 million in previews that Logan earned earlier this year. Coincidentally, both of those films has nearly identical opening weekend / previews multipliers and if The Fate of the Furious matches them, it will pull in just under $97 million over the weekend. Other tracking numbers have it still topping The Jungle Book’s $103.26 million opening weekend from last year. Splitting the difference gets us an opening weekend of almost exactly $100 million. It’s hard to complain when a film nearly gets to $100 million during its opening weekend, but this is the problem with great expectations. More...

Weekend Predictions: Furious is Fated to Outrace the Competition

April 13th, 2017

The Fate of the Furious

The headline isn’t 100% accurate, because let’s face it, there is no competition this week. The Fate of the Furious is the only wide release of the week (Spark was dropped to select cities.) and it will beat the nearest competition likely by over $100 million. It will likely earn more than the rest of the box office combined will earn. There could be a close race for second place between The Boss Baby and Beauty and the Beast, but for the most part, there will be no mystery at the box office this weekend. As for this weekend last year, it was also really one-sided. The Jungle Book opened with $103.26 million, while Barbershop: The Next Cut was a distant second with $20.24 million. The Fate of the Furious will need to match this one-two punch, or at least come close, for 2017 to continue building on its lead over 2016. I’m cautiously optimistic. More...

Contest: Smurf to the Smurf: Winning Announcement

April 13th, 2017

Smurfs: The Lost Village

The winners of our Smurf to the Smurf contest were determined and the entrants with the closest predictions for Smurfs: The Lost Village’s opening weekend were... More...

Weekend Wrap-Up: Baby and Beast Dominate Box Office with $26.36 million and $23.65 million

April 11th, 2017

The Boss Baby

It was a good weekend at the box office, considering the time of year, but this was almost entirely due to holdovers. The Boss Baby earned $26.36 million, which was within a rounding of our prediction, while Beauty and the Beast was relatively close behind. This meant the best new release, Smurfs: The Lost Village, only managed third place. Furthermore, it wasn’t even close to second place. Overall, the box office fell 30% from last weekend. More importantly, it was 14% higher than the same weekend last year. Year-to-date, 2017 has pulled in $3.15 billion becoming the fastest year to reach $3 billion. It is also 6.4% or $190 million ahead of last year’s pace. It is still early, but 2017 is starting to build up a lead that will act as a cushion when it inevitably hits a soft patch. More...

Contest: Leave it up to Fate

April 6th, 2017

Sleepless

It is an easy week to pick the target film for the Box Office Prediction contest, as there is only one wide release next week: The Fate of the Furious. (Spark: A Space Tail was supposed to open wide, but it is now opening in only a few hundred theaters.) Because of this, The Fate of the Furious is the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for The Fate of the Furious.

Our April Fools contests continue this week. Two of our winners will win Sleepless on Blu-ray Combo Pack, which comes out on April 18th, although it is available on VOD right now. Meanwhile one will be chosen at random to be the fool and receive an HD-DVD release.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a potential winner of Sleepless on Blu-ray Combo Pack, or the winner of the Fool’s Prize. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a potential winner, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final potential winner.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: April

April 1st, 2017

The Fate of the Furious

March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016. More...

The Fate of the Furious Trailer

December 12th, 2016

The latest edition of the world’s favorite vehicular action movie opens April 14 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/04/14 1 $158,694   181 $877   $194,257 1
2017/04/21 1 $88,024 -45% 204 $431   $399,575 2
2017/04/28 3 $40,795 -54% 114 $358   $492,740 3
2017/05/05 4 $10,806 -74% 83 $130   $524,518 4
2017/05/12 7 $6,416 -41% 48 $134   $539,456 5
2017/05/19 10 $1,816 -72% 23 $79   $558,442 6
2017/05/26 15 $219 -88% 3 $73   $559,312 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/14/2017 $8,831,404 205 210 1109 $18,239,438 1/1/2019
Australia 4/7/2017 $0 0 697 2375 $19,198,539 5/15/2023
Austria 4/14/2017 $1,717,490 76 78 482 $4,161,021 6/30/2017
Belgium 4/12/2017 $2,339,476 108 108 656 $5,422,882 7/20/2017
Brazil 4/14/2017 $13,042,917 632 642 3754 $41,851,228 8/28/2020
Bulgaria 4/12/2017 $454,754 0 0 0 $1,424,403 2/26/2019
Chile 4/13/2017 $2,585,082 63 64 438 $6,975,272 12/21/2018
China 4/13/2017 $191,300,000 178324 178324 374902 $392,100,000 7/11/2017
Colombia 4/14/2017 $1,110,770 196 196 1210 $12,727,712 1/1/2019
Croatia 4/13/2017 $214,973 38 38 136 $613,432 1/1/2019
Czech Republic 4/13/2017 $665,302 131 131 358 $1,552,453 1/1/2019
Denmark 4/13/2017 $1,889,793 89 89 465 $4,037,588 6/22/2017
Finland 4/14/2017 $958,450 115 115 512 $2,208,510 7/27/2017
France 4/14/2017 $9,179,762 651 651 2886 $29,908,975 6/30/2017
Germany 4/14/2017 $13,675,153 666 696 4468 $32,482,295 8/23/2017
Greece 4/13/2017 $377,163 187 187 579 $2,071,075 6/15/2017
Hong Kong 4/13/2017 $3,104,426 52 52 194 $6,662,279 6/1/2017
Hungary 4/13/2017 $667,815 60 67 294 $1,662,191 1/1/2019
India 4/14/2017 $10,700,000 0 0 0 $19,800,000 7/11/2017
Indonesia 4/14/2017 $8,500,000 0 245 850 $19,300,000 1/1/2019
Israel 4/13/2017 $2,885,584 31 31 258 $6,189,167 12/20/2018
Italy 4/14/2017 $6,540,973 0 354 412 $15,765,877 6/1/2017
Japan 4/28/2017 $7,749,101 356 710 3927 $36,034,145 7/20/2017
Lithuania 4/14/2017 $158,694 181 204 656 $559,312 6/1/2017
Malaysia 4/14/2017 $6,255,637 143 144 811 $12,162,313 8/23/2017
Mexico 4/14/2017 $12,202,296 0 479 533 $36,309,142 6/15/2017
Middle East Region 4/14/2017 $9,900,000 0 0 0 $23,000,000 7/11/2017
Netherlands 4/13/2017 $2,272,521 118 121 1061 $8,227,125 7/13/2017
New Zealand 4/14/2017 $1,336,495 144 144 637 $3,556,104 6/16/2021
North America 4/14/2017 $98,786,705 4,310 4,329 24,612 $225,764,765
Norway 4/14/2017 $1,992,931 128 139 547 $3,903,536 7/13/2017
Panama 4/14/2017 $4,614,485 134 146 869 $11,571,115 1/1/2019
Peru 4/13/2017 $3,286,432 93 93 463 $7,224,787 1/1/2019
Philippines 4/15/2017 $2,215,822 175 175 742 $7,675,535 1/1/2019
Poland 4/21/2017 $2,665,194 187 198 1015 $5,733,905 1/1/2019
Portugal 4/14/2017 $1,497,106 168 168 829 $5,719,062 6/29/2017
Romania 4/21/2017 $1,700,000 69 69 69 $1,700,000 1/1/2019
Russia (CIS) 4/14/2017 $14,261,033 1470 1480 5839 $29,152,162 1/1/2019
Serbia and Montenegro 4/21/2017 $265,000 40 40 40 $265,000 1/1/2019
Singapore 4/13/2017 $2,841,217 124 124 358 $5,525,721 6/8/2017
Slovakia 4/14/2017 $337,718 65 65 224 $783,233 6/12/2017
Slovenia 4/13/2017 $220,752 23 23 92 $561,998 6/30/2017
South Africa 4/14/2017 $1,688,058 134 135 938 $5,956,200 7/13/2017
South Korea 4/11/2017 $8,006,282 1469 1469 4155 $24,564,688 4/28/2020
Spain 4/14/2017 $4,323,492 640 720 3315 $14,510,560 8/3/2017
Sweden 4/14/2017 $2,019,409 152 152 586 $4,155,804 6/22/2017
Switzerland 4/12/2017 $2,594,185 99 99 439 $6,135,467 8/23/2017
Taiwan 4/14/2017 $9,280,598 183 183 791 $21,431,904 8/23/2017
Thailand 4/14/2017 $4,905,585 175 175 605 $9,368,489 5/25/2017
Turkey 4/14/2017 $2,740,759 556 710 2925 $8,985,108 2/26/2019
United Kingdom 4/14/2017 $17,576,818 572 578 3275 $37,543,333 6/30/2017
Venezuela 4/14/2017 $1,121,296 73 73 662 $4,003,436 7/13/2017
 
Rest of World $29,095,728
 
Worldwide Total$1,235,534,014 5/15/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Vin Diesel    Dominic Toretto
Dwayne Johnson    Hobbs
Jason Statham    Deckard Shaw
Michelle Rodriguez    Lettie “Ortiz” Toretto
Tyrese Gibson    Roman Pearce
Chris ‘Ludacris’ Bridges    Tej Parker
Charlize Theron    Cipher
Nathalie Emmanuel    Ramsey

Supporting Cast

Kurt Russell    Frank Petty
Elsa Pataky    Elena Neves
Tego Calderon    Tego Leo
Don Omar    Rico Santos
Kristofer Hivju    Rhodes
Scott Eastwood    Law Enforcement Agent
Lucas Black    Sean Boswell
Helen Mirren    Magdalene Shaw
Luke Evans    Owen
Janmarco Santiago    Fernando
Luke Hawx    Miller
Patrick St. Esprit    DS Allan
Corey Maher    Tac Team Leader
Olek Krupa    Russian Minister of Defense
Alexander Babara    Russian Aide
Andre Pushkin    Russian Lead Driver
Robert Jekabson    Russian MMV Driver
Nick Gracer    Russian MMV Soldier
Eden Estrella    Sam
Gary Weeks    Super Jet Pilot
Matthew Cornwell    Super Jet Tech
Jeremy Anderson    Lead Guard
Jason Ryhmer    Prison Guard
Peter Hansen    God’s Eye Tech
Friday Chamberlain    Zombie Car Tech
Sam Hadid    EMP Tech
Michael Walter Broomer    Big Mike
Jordan Baumer    Pink Butterfly Soccer Player
Scott Proctor    Control Tower Soldier
Todd Cole    Naval Commander
Carrie Lee Consolino    Haka Performer
Madalyn Defler    Haka Performer
Taylor Donaldson    Haka Performer
Isabel Downing    Haka Performer
Anna Duvall    Haka Performer
Jaci Grace Edwards    Haka Performer
Reese Edwards    Haka Performer
Caylin Ingram    Haka Performer
Caroline Kimmel    Haka Performer
Katherine Kimmel    Haka Performer
Jordan Price    Haka Performer
Anna Mackenzie Rogers    Haka Performer
Marina Lyn Serra    Haka Performer
Olivia Shaw    Haka Performer
Celestino Cornielle    Raldo
Alejandro Bosch    Plymouth Owner
Lisandra Delgado    Sexy Race Starter
Santiago Solis Chavez    Plymouth Owner’s Dad
Joyvan Guevara    DJ Tuneup Party
Brenda Nunez Lopez    Little Girl Finish Line—Cuba

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

F. Gary Gray    Director
Chris Morgan    Screenwriter
Neal H. Moritz    Producer
Vin Diesel    Producer
Michael Fottrell    Producer
Chris Morgan    Producer
Gary Scott Thompson    Character Creator
Amanda Lewis    Executive Producer
Samantha Vincent    Executive Producer
Stephen F. Windon    Director of Photography
Bill Brzeski    Production Designer
Christian Wagner    Editor
Paul Rubell    Editor
Michael J. Wassel    Visual Effects Supervisor
Marlene Stewart    Costume Designer
Brian Tyler    Composer
John Papsidera    Casting Director
Ricardo Del Rio Galnares    Line Producer
Michael Fottrell    Unit Production Manager
Carla Raij    Unit Production Manager
Cliff Lanning    First Assistant Director
Hilbert Hakim    Second Assistant Director
Rhys Summerhayes    Second Assistant Director
Kelvin McIlwain    Visual Effects Supervisor
Jay Barton    Visual Effects Supervisor
Garv Thorp    Visual Effects Producer
Cliff Lanning    Co-Producer
Desma Murphy    Art Director
Jay Pelissier    Art Director
Andrew Max Cahn    Art Director
Jon Carlos    Art Director
Brian Stultz    Art Director
Michael Gowen    Assistant Art Director
Danielle Berman    Set Decorator
Tim Earls    Lead Set Designer
Timothy Croshaw    Set Designer
Chris Arnold    Set Designer
Mayumi Konishi-Valentine    Set Designer
Alex McCarroll    Set Designer
Andrea Onorato    Set Designer
Pam Singer    Set Designer
Whit Norris    Sound Mixer
Eric Hooge    Location Manager
James Mackinnon    Make up
Jacqueline Fernandez    Make up
Autumn Butler    Make up
Linda Flowers    Hairstylist
Jennifer Santiago    Hairstylist
Richard Schoen    Costume Supervisor
Kim Berner    Script Supervisor
J.D. Schwalm    Special Effects Supervisor
Eric Cook    Special Effects Coordinator
Deanna Brigidi-Stewart    Casting Associate
Chris Gray    Extras Casting
Matt Kennedy    Still Photographer
Jon Taylor    Re-recording Mixer
Frank A. Montano    Re-recording Mixer
Dylan Highsmith    Additional Editor
David Kern    Additional Editor
Richard Conkling    First Assistant Editor
Leslie Webb    First Assistant Editor
James Andrykowski    First Assistant Editor
Adoma Ananeh Firempong    Assistant Editor
Matt Willard    Assistant Editor
Steve Trapani    Assistant Editor
Stephen P. Robinson    Sound Designer
Harry Cohen    Sound Designer
Alan Rankin    Sound Effects Editor
Hector Gika    Sound Effects Editor
Scott Wolfs    Sound Effects Editor
David V. Butler    Dialogue Editor
Glynna Grimala    Dialogue Editor
Jim Ashwell    Foley Mixer
Roberto Alegria    Foley Mixer
Jack Cucci    Foley Mixer
Randy Singer    Foley Mixer
Paul Rabjohns    Supervising Music Editor
Robb Boyd    Music Editor
Matthew Llewellyn    Music Editor
Kyle Clausen    Music Editor
Spiro Razatos    Second Unit Director
Andrew Gill*    Stunt Coordinator-Second Unit
Jack Gill    Second Unit Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.