Uruguay Box Office for The Divergent Series: Allegiant (2016)

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Allegiant poster
Theatrical Performance (US$)
Uruguay Box Office $101,121Details
Worldwide Box Office $172,022,517Details
Home Market Performance
North America DVD Sales $12,320,803 Details
North America Blu-ray Sales $10,057,521 Details
Total North America Video Sales $22,378,324
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

After the revelations of Insurgent, Tris must escape with Four and go beyond the wall enclosing Chicago. For the first time, they will leave the only city and family they have ever known in order to find a peaceful solution for their embroiled city. Once outside, old discoveries are quickly rendered meaningless with the revelation of shocking new truths. Tris and Four must quickly decide who they can trust as a ruthless battle ignites beyond the walls of Chicago which threatens all of humanity. In order to survive, Tris will be forced to make impossible choices about courage, allegiance, sacrifice and love.

Metrics

Movie Details

Production Budget:$110,000,000
Uruguay Releases: March 10th, 2016 (Wide)
Video Release: June 21st, 2016 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for intense violence and action, thematic elements, and some partial nudity.
(Rating bulletin 2411 (Cert #50157), 2/10/2016)
Running Time: 120 minutes
Franchise: The Divergent Series
Keywords: Dystopia, Young Adult Book Adaptation, 3-D, 3-D - Post-production Conversion, IMAX: DMR, Action Adventure
Source:Based on Fiction Book/Short Story
Genre:Action
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Summit Entertainment, Red Wagon Entertainment
Production Countries: United States
Languages: English

Home Market Releases for July 12th, 2016

July 12th, 2016

Green Room

It is a very slow week for the home market. The biggest release of the week is The Divergent: Series Allegiant, which is a movie most people should avoid. (Looking at its box office numbers, most people did avoid it.) As for the best releases, Belladonna Of Sadness is amazing, but the screener arrived late and I don’t like handing out that title when I haven’t had a chance to check out the full release. Fortunately, we do have a backup contender, Everybody Wants Some on Blu-ray Combo Pack. More...

Home Market Releases for June 21st, 2016

June 20th, 2016

Fantastic Planet

There are two wide releases coming out this week, My Big Fat Greek Wedding 2 and The Divergent Series: Allegiant, although the latter is only coming out on Video on Demand. Neither of these are big releases and it only gets much worse from there. There wasn't a lot of competition for Pick of the Week, but I went with Fantastic Planet: Criterion Collection. It's a classic, but it is also a French Surrealist animated film, so that will limit its target audience. More...

International Box Office: Apocalypse Leaves World Intact with $103.2 million

May 25th, 2016

X-Men: Apocalypse

X-Men: Apocalypse started its international run in first place with $103.2 million. At first glance, that's a good start. On the other hand, the film is playing in 75 markets, so it doesn't have a lot of markets left to open in. Back to the original hand, one of the markets it has yet to open in is China. The film's biggest single market was the U.K., where it opened in first place with $10.99 million in 598 theaters. This is nearly 30% less than Days of Future Past earned and with weaker reviews, it will likely have weaker legs. The movie-to-movie decline was even steeper in Russia, where it was down 38% to $6.41 million on 1,208 screens, and in Australia, where it was down 39% with $4.68 million on 574. On the other hand, it was down a mere 6.4% in Mexico to $8.8 million and actually rose 22% in the Philippines to $4.9 million. If it can get to $600 million worldwide, then the film will break even some time during its home market run. More...

International Box Office: BvS Tops International Chart with $254 million, but There are Signs of Weakness

March 31st, 2016

Batman v Superman: Dawn of Justice

Batman v Superman: Dawn of Justice destroyed the competition earning one of the best international opening weekends of all time at $254 million in 66 markets. Worldwide, the film made $420.01 million during its opening weekend, which was the fourth biggest opening weekend of all time. That's the good news. The bad news is the film's legs. Like its domestic run, the film started out amazingly, but saw its fortunes fall as the weekend went on. China is a good example of this. The film started out as well as expected, but by the end it pulled in $56.27 million during its four-day opening weekend. I read that the studio was expecting close to $80 million there. The film also dominated the chart in the U.K. with $21.85 million in 612 theaters. At first look, that's a large number; however, its barely more than Deadpool opened with earlier this year. The film also cracked $10 million in Mexico ($12.43 million) and in Brazil ($10.61 million), while it came close in Australia ($9.54 million). More...

Weekend Wrap-Up: Batman v Superman: Boom v Bust at $166.01 million

March 28th, 2016

Batman v Superman: Dawn of Justice

As expected, Batman v Superman: Dawn of Justice dominated the box office earning $166.01 million over the weekend. However, this is lower than anticipated and lower than Saturday's calculation or Sunday's estimates. (Our model turned out to be closer.) Most of the rest of the films in the top five had reason to be happy, as did the overall box office, which was an amazing $252 million. This is 92% higher than last weekend and 68% more than this weekend last year. This kind of year-over-year growth usually only happens when there's a misalignment in holidays, which is exactly what happened this weekend. Last year, Easter didn't happen until April 5th. Year-to-date, 2016 doubled its lead over 2015 at $2.63 billion to $2.27 billion. A $370 million, 16% lead is certainly impressive, but I suspect it will shrink dramatically next month. Hopefully it isn't completely gone by May. More...

Weekend Estimates: Batman v Superman hits March record $170 milion

March 27th, 2016

Batman v Superman: Dawn of Justice

Batman and Superman not only had to fight each other this weekend, but also mediocre reviews. They have come through in some style, however, posting a record for March of $170.1 million, according to Warner Bros.’ Sunday morning estimate. Our model has the film coming a little below that mark, at $165 million or so, which might mean it won’t quite top Harry Potter and the Deathly Hallows, Part II’s $169 million, which is currently the studio’s best ever weekend. But the fact that we’re comparing the movie to the Harry Potter franchise is nothing but good news for them. More...

Weekend Predictions: Batman v Superman v Deadpool v Avengers

March 24th, 2016

Batman v Superman: Dawn of Justice

Batman v Superman: Dawn of Justice opens this weekend and should become the biggest film of the year. It has to become the biggest hit of the year. It is the first of ten upcoming films in the DC Extended Universe and it is rumored that Warner Bros. spent $400 million getting this movie to theaters. To be fair, $100 million of this could be described as pre-pre-production for the rest of the DCEU. The other wide release is My Big Fat Greek Wedding 2, which is a delayed sequel that I'm not sure many people are really excited to see. It likely didn't cost a lot, so it should break even sooner rather than later. This weekend last year, Home earned first place with $52.11 million. Batman v Superman: Dawn of Justice should earn more than that during its opening day. More...

International Box Office: Zootopia Remains Tops with International Haul of $64.8 million

March 23rd, 2016

Zootopia

Zootopia remained in first place with $64.8 million in 49 markets for totals of $389.9 million internationally and $590.8 million worldwide. The film's biggest opening was in Australia, where it earned first place with $3.08 million on 479 screens over the weekend for a total opening of $3.48 million including previews. It also topped the charts during its opening weekend in Brazil with $2.57 million on 774 screens. The film's biggest market overall was China, where it remained in first place with $37.24 million over the weekend for a three-week total of $172.79 million. This blows past Kung Fu Panda 3's record for an animated film and it will soon become the first such film to reach the $200 million mark in that market. More...

Contest: Play the Game: Winning Announcement

March 23rd, 2016

The Divergent Series: Allegiant

The winners of our Play the Game contest were determined and the entrants with the closest predictions for Allegiant opening weekend were... More...

Weekend Wrap-Up: Zootopia Leads the Way with $37.16 million, while The Divergent Series Collapses

March 22nd, 2016

Zootopia

At the beginning of the month, it was widely accepted that The Divergent Series: Allegiant would open in first place. However, two things happened to prevent that. Firstly, Zootopia not only opened faster, but its legs were much longer. Secondly, Allegiant failed to match even lowered expectations. This left Zootopia with an easy first place win over the weekend. However, it wasn't the only pleasant surprise, as Miracles from Heaven opened faster than expected. The overall box office slipped 3.3% from last weekend to $131 million. It was also 0.3% lower than the same weekend last year. Year-to-date, 2016 is still ahead of 2015 by an 8.4% margin at $2.33 billion to $2.15 billion. More...

Weekend Estimates: Zootopia tops Allegiant

March 20th, 2016

Zootopia

Zootopia is set to win a third straight race and pass $200 million at the domestic box office in the process, but the real story of this weekend is the weak debut by The Divergent Series: Allegiant. More...

Friday Estimates: Allegiant’s $11.9 million Haul Gives it Top Spot, Barely

March 19th, 2016

Allegiant

As expected, The Divergent Series: Allegiant opened in first place on Friday. However, it only managed $11.9 million, which is barely more than half of what Divergent and Insurgent made during their opening days. That’s bad, but it gets worse. You have to take into account the reviews, which are stuck at a mere 10% positive. Its CinemaScore is better, but even that's only a B, which is a full letter grade below what Divergent and Insurgent earned. $30 million over the weekend is probably out of the question, although it should come close. If the reports are correct and it cost $110 million to make, then there’s very little hope it will break even any time soon. If the final film in the franchise, Ascendant, suffers a similar decline, then the franchise might end up costing Lionsgate money. More...

Thursday Night Previews: Allegiant Falls Behind Predecessors

March 18th, 2016

Allegiant

The Divergent Series: Allegiant was the only film to have Thursday previews, but it wasn't able to take advantage of the lack of competition. It started its box office run with $2.35 million over the weekend. This is well below the $4.9 million and the $4.1 million earned by Divergent and Insurgent respectively. This is such a large drop-off that I think our prediction might be a little too generous. We will know more tomorrow when the Friday estimates are in. More...

Weekend Predictions: Is Zootopia Headed for a Threepeat?

March 18th, 2016

Allegiant

There are three wide releases coming out this week. This includes The Divergent Series: Allegiant, which, at the beginning of the month, was widely expected to earn first place during its debut. However, Zootopia's success at the box office combined with Allegiant's failure with critics will likely result in Zootopia in earning first place, again. Miracles from Heaven is the latest faith-based film to hit theaters. It might struggle simply because there is too much recent competition for this still niche-market. Finally there's The Bronze, which is opening in just over 1,000 theaters. If it can avoid the Mendoza Line, or at least come close, then it will reach the top ten. That should be doable, maybe. This weekend last year, Insurgent earned first place with just over $52 million, while Cinderella earned second place with close to $35 million. I think Zootopia will come close to Cinderella, but Allegiant will fall far short of Insurgent and that will result in 2016 losing in the year-over-year comparison. More...

International Box Office: Zootopia Goes Global with $83.1 million

March 17th, 2016

Zootopia

Zootopia rose to first place with $83.1 million in 45 markets over the weekend for totals of $288.7 million internationally and $432.7 million worldwide. The film's biggest market was China, where it grew to $59.44 million over the weekend for a ten-day total of $112.83 million. It became only the second animated film to earn $100 million in China and should top Kung Fu Panda 3's record-breaking run of $151.74 million. The film opens in Brazil this weekend and the U.K. next weekend, so its run is far from over. More...

Contest: 10 Outta 10: Winning Announcement

March 17th, 2016

10 Cloverfield Lane

The winners of our 10 Outta 10 contest were determined and the entrants with the closest predictions for 10 Cloverfield Lane opening weekend were... More...

Contest: Play the Game

March 11th, 2016

The Divergent Series: Allegiant

Of the three wide releases coming out next week, only The Divergent Series: Allegiant has a real shot at box office success. Although, very few people think it will match Insurgent at the box office, especially if its early reviews are any indication. Regardless of its critical scorn, the film should have no trouble earning first place and so it is the only real choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The Divergent Series: Allegiant

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Game of Thrones: Season Five on DVD. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of a full-season TV on DVD release. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of a full-season TV on DVD release. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: March

March 1st, 2016

Zootopia

It's March 1st, which is not only the beginning of the month, but also Super Tuesday. If you are not American and don't pay attention to American politics, Super Tuesday is sort of like the Oscar night of the primary season. I was going to write about my predictions, but it looks like the race is about to be over. On the Republicans side, if Trump gets more than 50% of the delegates, then he has won. It will be too late to stop him. If he gets less than 40%, then it becomes a real race again. If the polling is correct, then he will get closer to 50% than 40%. On the Democratic side, Sanders needs at least 45% of the delegates, or it is over for him. Anything less than that and Hillary Clinton will have too big a lead to overcome. If the South Carolina result is an indicator, Hillary Clinton could get two-thirds of the delegates awarded tonight.

As for the box office, February was amazing, thanks to Deadpool's record-breaking opening and better than expected legs. The month ended with 2016 being nearly 4% higher than 2015's pace. Additionally, there are some big releases coming out this month with both Zootopia and Batman v Superman: Dawn of Justice looking to get more than $200 million, while Allegiant should hit $100 million. Last March, there were also three films that earned more than $100 million, but only one $200 million hit, Cinderella. It should be a really close race between 2016 and 2015. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/03/11 2 $32,520   13 $2,502   $32,520 1
2016/03/18 3 $20,676 -36% 10 $2,068   $58,667 2
2016/03/25 5 $14,684 -29% 6 $2,447   $86,843 3
2016/04/01 6 $7,525 -49% 3 $2,508   $95,858 4
2016/04/08 14 $1,738 -77% 2 $869   $99,377 5
2016/04/15 15 $1,152 -34% 1 $1,152   $101,121 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/10/2016 $422,627 118 118 203 $960,772 4/19/2016
Australia 4/15/2016 $1,611,252 247 250 993 $4,198,209 6/9/2016
Austria 3/17/2016 $132,573 52 52 215 $485,721 6/9/2016
Belgium 3/9/2016 $0 0 78 243 $1,925,326 6/9/2016
Bolivia 3/31/2016 $38,839 11 11 26 $100,254 12/31/2018
Brazil 3/10/2016 $2,698,341 746 746 2038 $7,183,521 6/9/2016
Bulgaria 3/11/2016 $33,186 40 40 134 $126,168 12/31/2018
Cambodia 3/17/2016 $0 0 5 5 $31,192 12/31/2018
Central America 3/17/2016 $65,746 118 118 189 $894,189 4/19/2016
Chile 3/10/2016 $0 0 32 66 $1,008,629 12/31/2018
China 5/19/2016 $9,810,000 41385 41385 62252 $18,676,216 8/27/2018
Colombia 3/10/2016 $413,574 259 259 416 $672,720 12/31/2018
Croatia 3/10/2016 $38,550 30 30 91 $102,526 12/31/2018
Czech Republic 3/10/2016 $124,969 103 103 221 $296,032 12/31/2018
Denmark 3/17/2016 $0 0 35 35 $727,451 6/9/2016
Ecuador 3/11/2016 $230,753 38 38 157 $678,184 12/31/2018
Egypt 3/9/2016 $4,924 1 1 1 $4,924 12/31/2018
Estonia 3/18/2016 $44,294 9 9 9 $44,294 6/9/2016
Finland 3/11/2016 $136,837 87 87 172 $365,401 6/9/2016
France 3/9/2016 $2,780,715 0 640 1892 $16,260,190 8/17/2018
Germany 3/17/2016 $1,081,487 481 483 1952 $3,563,376 6/9/2016
Greece 3/10/2016 $0 0 55 71 $291,585 6/9/2016
Hong Kong 3/10/2016 $399,712 77 77 132 $878,615 6/9/2016
Hungary 3/10/2016 $143,530 54 54 216 $411,373 12/31/2018
Iraq 3/10/2016 $6,152 3 3 6 $12,105 12/31/2018
Italy 3/9/2016 $1,596,021 420 420 934 $3,733,296 6/9/2016
Kuwait 3/10/2016 $16,574 2 2 8 $57,655 12/31/2018
Lebanon 3/10/2016 $27,547 12 13 31 $176,658 12/31/2018
Lithuania 3/18/2016 $50,865 128 284 523 $128,755 6/9/2016
Malaysia 3/17/2016 $0 0 82 125 $1,641,930 6/9/2016
Mexico 3/18/2016 $2,523,011 2221 2221 2221 $5,091,595 9/8/2018
Netherlands 3/10/2016 $439,674 106 106 557 $1,603,914 6/9/2016
New Zealand 4/15/2016 $297,943 90 90 315 $892,132 6/9/2016
North America 3/18/2016 $29,027,348 3,740 3,740 16,464 $66,184,051
Norway 3/16/2016 $0 0 59 99 $701,161 6/9/2016
Oman 3/10/2016 $23,358 13 13 18 $56,819 12/31/2018
Peru 3/17/2016 $455,120 167 167 180 $968,110 12/31/2018
Philippines 3/9/2016 $0 0 40 80 $2,055,889 12/31/2018
Poland 3/11/2016 $0 0 172 172 $900,517 12/31/2018
Portugal 3/10/2016 $196,977 74 74 281 $802,802 6/9/2016
Russia (CIS) 3/11/2016 $3,020,507 1642 1642 3950 $6,433,174 12/31/2018
Serbia and Montenegro 3/10/2016 $12,466 18 18 38 $35,536 12/31/2018
Singapore 3/17/2016 $649,146 50 50 117 $1,201,139 6/9/2016
Slovakia 3/11/2016 $15,326 14 72 135 $192,824 6/9/2016
Slovenia 3/10/2016 $12,400 13 13 42 $37,482 6/9/2016
South Africa 3/18/2016 $0 0 81 81 $627,201 6/9/2016
South Korea 5/12/2016 $419,424 392 392 415 $695,661 9/10/2018
Spain 3/11/2016 $1,609,531 583 583 1810 $5,308,973 11/17/2018
Sweden 3/9/2016 $282,716 160 160 329 $1,142,790 6/9/2016
Thailand 3/10/2016 $673,875 211 211 492 $1,457,607 6/9/2016
Turkey 3/11/2016 $320,768 235 241 714 $945,818 2/26/2019
Ukraine 3/10/2016 $0 0 81 126 $314,977 12/31/2018
United Arab Emirates 3/10/2016 $688,435 77 77 147 $1,425,914 12/31/2018
United Kingdom 3/11/2016 $2,651,499 526 532 1800 $6,903,684 6/9/2016
Uruguay 3/10/2016 $32,520 13 13 35 $101,121 12/31/2018
Venezuela 3/11/2016 $28,843 42 42 161 $304,359 6/9/2016
 
Worldwide Total$172,022,517 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Shailene Woodley    Beatrice "Tris" Prior
Theo James    Four

Supporting Cast

Jeff Daniels    David
Miles Teller    Peter
Ansel Elgort    Caleb Prior
Zoë Kravitz    Christina
Maggie Q    Tori
Ray Stevenson    Marcus Eaton
Bill Skarsgård    Matthew
Octavia Spencer    Johanna
Naomi Watts    Evelyn
Mekhi Phifer    Max
Daniel Dae Kim    Jack Kang
Keiynan Lonsdale    Uriah
Jonny Weston    Edgar
Nadia Hiker    Nita
Andy Bean    Romit
Joseph David Jones    Hollis
Ashley Judd    Natalie
Josh Duvendeck    Young David
Xander Berkeley    Phillip
Parisa Johnston    Regina
Rebecca Pidgeon    Sarah
Billy 4 Johnston*    Fringe Child
Michael Christopher Rodney    Bureau Soldier
Thomas Blake, Jr.    Fringe Father
Konrad Howard    Jasper
Theo Howard    Eulis
Lucella Costa    Laura
Ben Levin    Checkpoint Guard
Nicky Javon McNeil    Factionless Guard
Kyle Clements    Factionless Guard
Maria Howell    Council Member
Amy Parrish    Zoe
Ken Dubois    Tom
Janet McTeer    Edith Prior
Courtney Hope    Factionless Dissenter
Andrew Farmer    Factionless Dissenter
Joe Knezevich    Factionless Dissenter
Dwayne Boyd    Factionless Supporter
Kara Cantrell    Factionless Supporter
Garrett Graham    Trial Amity Allegiant Member
Scott Poythress    Trial Amity Allegiant Member
Blake Webb    Trial Candor Allegiant Member
Rachel Hendrix    Trial Dauntless Allegiant Member
Annie Humphrey    Trial Erudite Allegiant Member
Leonardo Santaiti    Leo
Emily Grace Dunn    Natalie's Friend
Danielle Lyn    Natalie's Friend
Alana Cavanaugh    Natalie's Friend
Abigail Weissert    Natalie's Friend
John Gabriel    Bureau Soldier/Team Leader
Morgan Henard    Erudite Prisoner (Trial)
Nick Madrick    Caleb's Guard
Allie McCulloch    Bureau Staff
Candace B. Harris*    Bureau Staff
Deja Dee    Trial Candor Member
Ryan Ashton    Trial Erudite Member
Julianna Stasio    Trial Dauntless Member
Shane Callahan    Trial Factionless Member
Al Vicente    Trial Factionless Member
Derek Roberts    Most Scared Factionless
Zeeko Zaki    Factionless Squad Leader
Mark Hicks    One Last Factionless
Louis Alexander    Fringer
Eric Mendenhall    Fringer
Julie Ivey    Fringe Parent
Suehyla El-Attar    Fringe Parent
Erin Elizabeth Burns    Fringe Parent
Alan D'Antoni    Startled Factionless (Erudite Corridor)
David An    Factionless Soldier
James McGrady    Factionless Soldier
Adin Steckler    Crush Girl
Hannah Alligood    Crush Girl
Rebecca Ray    Hot Teacher
Ian Belgard    Young Four
Gary Weeks    Perfexia Father
Greer Howard    Perfexia Mother
Malachi Faddis    Perfexia Child
David Kronawitter    Perfexia Doctor
Tara Ochs    Perfexia Nurse
Jamie Renell    Perfexia Medical Technician
Jose Miguel Vasquez    Perfexia Patient
Kaleka    Perfexia Grandma
Michael Beasley    Perfexia Uncle
Anthony K. Hyatt    Perfexia Son in Law
Pam Smith    Perfexia Daughter
Cache Thornton    Perfexia Grandson
Legacy Brielle Phillips    Perfexia Granddaughter
Anniston Price    Perfexia Toddler
Hyla Venable    Perfexia Toddler

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Robert Schwentke    Director
Noah Oppenheim    Screenwriter
Adam Cooper    Screenwriter
Bill Collage    Screenwriter
Veronica Roth    Based on the novel by
Douglas Wick*    Producer
Lucy Fisher    Producer
Pouya Shahbazian    Producer
Todd Lieberman    Executive Producer
David Hoberman    Executive Producer
Barry Waldman    Executive Producer
Neil Burger    Executive Producer
Alec Hammond    Production Designer
Stuart Levy    Editor
Joseph Trapanese    Composer
Florian Ballhaus    Director of Photography
Barry Waldman    Unit Production Manager
John Wildermuth    First Assistant Director
Christina Fong    Second Assistant Director
Donna Sloan    Executive in Charge of Production
Chris O’ Hara    Stunt Coordinator
Jackie Burch    Casting Director-Southeast Casting
Debbi Bossi    Associate Producer
Julia T. Enescu    Associate Producer
Erika McKee    Visual Effects Producer
Mika Saito    Production Supervisor
James Madigan    Second Unit Director
Alan Hook    Supervising Art Director
Scott Dougan    Art Director
Alex McCarroll    Art Director
Kathy Lucas    Set Decorator
David Massachi    Additional Editor
Tony Bacigalupi    First Assistant Editor
Michael Goldberg    Assistant Editor
Dov Samuel    Assistant Editor
Alicia Accardo    Script Supervisor
Peter J. Devlin    Sound Mixer
C. Scott Baker    Set Designer
Timothy Croshaw    Set Designer
Sarah Forrest    Set Designer
Mayumi Konishi-Valentine    Set Designer
Stella Vaccaro    Set Designer
Jane Wuu    Set Designer
Eric Frazier    Special Effects Supervisor
David Amborn    Special Effects Coordinator
Richard Schoen    Costume Supervisor
Edouard F. Henriques III    Make up
Diane Heller    Make up
Yolanda Toussieng    Hairstylist
Cheryl A. Daniels*    Hairstylist
Michael Minkler    Re-recording Mixer
Gary A. Rizzo    Re-recording Mixer
Beau Borders    Re-recording Mixer
Matthew Wood    Supervising Sound Editor
Steve Boeddeker    Sound Designer
David Hughes    Sound Effects Editor
Robert Shoup    Sound Effects Editor
James Spencer    Dialogue Editor
Paul Butterworth    Visual Effects Supervisor
Kirsty Millar    Visual Effects Supervisor
Jason Bath    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.