September 22nd, 2010
It took just two weeks for Resident Evil: Afterlife to become the first film in the franchise to reach $100 million on the international scene. It earned $39.61 million on 6235 screens in 47 markets for a total of $103.58 million internationally and $147.48 million worldwide. Its biggest opening came in Germany where it earned $5.38 million on 434 screens over the weekend for a total opening of $5.85 million. It also took top spot in Mexico with $4.38 million on 658 screens, in South Korea with $3.88 million on 367, and in Brazil with $2.96 million on 298. It did fall 62% during its second weekend in Japan, which is tragic for that market; however, it still managed $5.00 million on 634 screens over the weekend for a total of $27.71 million after two. With debuts in France, Australia, and other markets still ahead of it, this film will have no trouble getting to $200 million worldwide, while $200 million internationally is a solid goal.
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September 21st, 2010
There were just two films to reach the $10,000 mark on the per theater chart, but one of them, Never Let Me Go, was pegged as a potential Awards Season player. With an opening average of $27,934, it should expand and that can only help. (The first challenge in earning awards is being seen by enough voters.) Second place went to Catfish with an average of $21,440 in 12 theaters.
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September 14th, 2010
There were just a ton of films to reach the $10,000 mark on the per theater chart over the weekend, led by The Romantics with an average of $22,764 in two theaters. However, with its reviews, it probably won't last long. Heartbreak opened in second place with an average of $17,543 in three theaters, but it will likely have better legs. Ahead of Time and My Dog Tulip were neck-and-neck with $12,790 and $12,648 respectively. Finally, Dabangg opened with more than $600,000 in 62 theaters for an average of $10,131.
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Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
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Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.