Czech Republic Box Office for Kořist (2019)

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Crawl
Theatrical Performance (US$)
Czech Republic Box Office $94,499Details
Worldwide Box Office $91,720,490Details
Home Market Performance
North America DVD Sales $4,030,757 Details
North America Blu-ray Sales $2,321,629 Details
Total North America Video Sales $6,352,386
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

When a massive hurricane hits her Florida hometown, Haley ignores evacuation orders to search for her missing father. Finding him gravely injured in the crawl space of their family home, the two become trapped by quickly encroaching floodwaters. As time runs out to escape the strengthening storm, Haley and her father discover that the rising water level is the least of their fears.

Metrics

Movie Details

Production Budget:$17,000,000
Czech Republic Releases: July 12th, 2019 (Wide), released as Kořist
Video Release: September 24th, 2019 by Paramount Home Video
MPAA Rating: R for bloody creature violence, and brief language.
(Rating bulletin 2579 (Cert #51915), 5/22/2019)
Running Time: 87 minutes
Keywords: Nature Horror, Extreme Weather, Set in Florida, Animals Gone Bad, Trapped, Rescue, Dysfunctional Family
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Paramount Pictures, Raimi Productions, Fire Axe Pictures
Production Countries: United States
Languages: English

2019 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets

November 27th, 2019

Avengers: Endgame

It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This year, Thanksgiving is as late as it could have been, which means there’s no way to squeeze in four weeks of regular installments of the gift guide, as well as the December monthly preview, etc. So we are going to have a condensed list this year. That said, there weren’t a ton of first-run releases that would have made this list regardless. More...

Home Market Releases for October 15th, 2019

October 17th, 2019

Crawl

It’s a really slow week with Crawl being the biggest release of the week, and it wasn’t a monster hit at the box office. Fortunately, it is also the best DVD / Blu-ray release of the week and was the only real contender for Pick of the Week. More...

Featured Blu-ray and DVD Review: Crawl

October 14th, 2019

Crawl

Crawl is the latest horror film from director Alexandre Aja. It’s a Nature Horror film, a subgenre that usually features killer animals or extreme weather. This one has both. Can the film mix these two threats in an effective way? Or is it just get silly trying to combine the two? More...

Weekend Wrap-Up: Once Upon a Time has a Fairy Tale Start

July 30th, 2019

The Lion King

It was a mixed weekend at the box office with Once Upon a Time…in Hollywood becoming Quentin Tarantino’s biggest opening film in his career, but The Lion King falling much faster than expected. The overall box office was down 38% from last weekend, hitting $162 million. However, this was 4.1% more than the same weekend last year and that’s a much more important result. 2019 is still behind 2018 by a 6.4% or $460 million margin at $6.73 billion to $7.19 billion, but at this point, I will celebrate any victory, no matter how small. More...

Weekend Estimates: Hollywood Can’t Tame Lion King

July 28th, 2019

The Lion King

As expected, The Lion King is easily topping the box office chart this weekend. Unfortunately, it is doing so despite falling much faster than expected, down 61% to an estimated $75.52 million during its third weekend of release for a running tally of $350.78 million. Fortunately, it could still be on pace to reach $500 million domestically, while it earned $142.8 million internationally for totals of $611.9 million internationally and $962.7 million worldwide. It will reach $1 billion shortly, making it yet another profitable disappointment. We’ve had too many of those this year, but I guess it is better than having these films lose money. More...

Friday Estimates: The Lion King Plummets, Hollywood Celebrates

July 27th, 2019

Once Upon a Time…in Hollywood

The Lion King had a decidedly un-family-friendly fall on Friday, earning $22.30 million. This is 71% lower than the film’s opening Friday and this is a terrible result for a family film. The movie will bounce back over the rest of the weekend, but a 60% decline to about $76 million is much lower than our prediction. Granted, the movie will still make more than enough money to break even, but it will be yet another profitable disappointment. We’ve had far too many of those and not enough films matching their potential at the box office this year. More...

Weekend Predictions: Once Upon a Time at the Box Office

July 25th, 2019

Once Upon a Time…in Hollywood

Once Upon a Time…in Hollywood is Quentin Tarantino’s first film in four years and it is generating a ton of buzz. However, it is going up against The Lion King, which set records last weekend and has a slim chance at $100 million this weekend. Fortunately, the two films don’t share much of their respective target audiences, so they shouldn’t cannibalize each other at the box office too much. As a result, 2019 should easily beat the same weekend last year in the year-over-year competition. It is too soon to get excited about a potential comeback, but any victory is worth celebrating when you are this far behind. More...

Weekend Wrap-Up: The Lion King Reigns Over July Record Book

July 23rd, 2019

The Lion King

The Lion King finished on the very high end of expectations opening with $191.77 million topping the previous July weekend record by well over $20 million. It also made more than the rest of the weekend box office combined, as the total weekend haul was $263 million. In fact, The Lion King made more than the entire box office made last weekend ($126 million) and this weekend last year ($172 million). Needless to say, there was strong growth both week-over-week at 109% and year-over-year at 53%. Granted, 2019 is still well back from 2018’s pace, down 7.1% or $490 million at $6.44 billion compared to $6.93 billion, but at least that gap is down significantly from where it was last week. More...

Weekend Estimates: Lion King is Deadly to the Competition, and the Record Book

July 21st, 2019

The Lion King

The Lion King is setting records this weekend with a projected opening of $185.0 million, destroying the previous July weekend record of $169.19 million, set by Harry Potter and the Deathly Hallows, Part II. This is also the biggest opening for an animated film and biggest opening of any of Disney’s “live-action” remakes. Additionally, not only is the film getting off to a faster than expected start, it should have good legs. Granted, its reviews are mixed, but it is a family film and it did earn an A from CinemaScore, so that should help its longevity. Additionally, the next family film is Dora and the Lost City of Gold, which has only about a 50/50 chance of reaching $100 million in total. As for the film’s international numbers, it added $269.4 million in 52 markets to its early international total, which now sits at $346.0 million, while its worldwide total is already $531.0 million. The film didn’t set many records internationally, but it is earning the second-biggest opening weekend in Brazil with $17.9 million and in Russia at $16.7 million. This would have looked a lot more impressive had Endgame hadn’t set so many records earlier this year, but more on that in a bit. More...

Friday Estimates: Lion King Stampedes the Box Office with $78 million

July 20th, 2019

The Lion King

The Lion King was widely expected to be a monster hit; however, this year there have been countless potential monster hits that have missed expectations. There have been so many that I deemed it wise to be a little more pessimistic in my predictions to prevent being disappointed yet again. Turns out I didn’t need to worry, as the film earned $78 million on Friday. It wasn’t able to match the record for biggest July day; however, Harry Potter and the Deathly Hallows, Part II was the epitome of a Fanboy Film and had very short legs in theaters. The Lion King should have longer legs. Granted, its reviews won’t help, but it did earn an A from CinemaScore, so it is clear its target audience are a lot happier with the film. I still don’t think the legs will be great, but it should top the July weekend record with around $180 million. The industry needed this good news, and it doesn’t end there, as every other film in the top five either matched or exceeded expectations. More...

Weekend Predictions: Will Lion King Live Up to the Hype?

July 18th, 2019

The Lion King

The Lion King has the weekend to itself and it is widely expected to have one of the biggest openings of the year. This is true, despite its mixed reviews. In fact, it should earn more during its opening day than the rest of the top five will earn combined over the full weekend. It should also easily earn more than the top five earned this weekend last year, giving 2019 a rare win in the year-over-year competition. More...

Weekend Wrap-Up: Spider-Man Repeats on Top, but 2019 Takes Another Hit

July 16th, 2019

Spider-Man: Far From Home

It was a mixed weekend at the box office. On the one hand, nearly every film in the top five topped expectations, albeit by small margins in most cases. This includes Spider-Man: Far From Home, which led the way with $45.35 million over the weekend. On the other hand, we still saw a serious decline with the overall box office down 31% from last weekend to $126 million. Worse still, this was 24% lower than the same weekend last year and this left 2019 further behind last year’s pace. It is now behind 2018 by 8.6% or $570 million at $6.10 billion to $6.67 billion. More...

Weekend Estimates: Spider-Man Leads the Way, But Lion King Roars

July 14th, 2019

Stuber

As expected, Spider-Man: Far From Home is going to remain in first place at the box office this weekend. Fortunately for the box office as a whole, it is beating expectations in terms of dollars with an estimated haul of $45.3 million, which would give is a two-week total of $274.5 million. Internationally, the film is earning $100 million in 67 markets for totals of $573 million internationally and $847 million worldwide. It opened in first place in Italy over the weekend with $6.1 million. This is the film’s final market, but even coasting on holdovers won’t stop it from reaching $1 billion worldwide. More...

Friday Estimates: Spider-Man’s Place on Top is not in Jeopardy

July 13th, 2019

Spider-Man: Far From Home

Spider-Man: Far From Home will have no competition for top spot on this weekend’s chart, which was expected. Fortunately, it beat expectations at the box office with $13.65 million on Friday and Sony is projecting a $43.35 million sophomore stint. Its reviews and its A from CinemaScore obviously has had a positive effect on the film’s word-of-mouth and the film will have no trouble steaming past $300 million soon. More...

Thursday Night Previews: Crawl Stands Tall

July 12th, 2019

Stuber

Crawl looks poised to top expectations after earning $1 million during its previews. It looks likely to grab third place, possibly with $12 million for the weekend. It depends a lot on if audiences like it as much as critics did. That’s a big if, because horror fans tend to be very fickle. More...

Weekend Predictions: Can the New Releases Crawl to the Top?

July 11th, 2019

Stuber

Last weekend, Spider-Man: Far From Home was the first pleasant surprise at the box office since Aladdin came out in May. This weekend, we have two new releases hoping to continue the pleasant surprises. Unfortunately, neither Stuber nor Crawl are expected to be big hits. In fact, they likely won’t match Far From Home’s sophomore stint combined. Worse still, this weekend last year, both Hotel Transylvania 3: Summer Vacation and Skyscraper opened with more than Stuber and Crawl are expected to open combined, meaning 2019 will lose once again in the year-over-year competition. More...

2019 Preview: July

July 1st, 2019

The Lion King

June was a disaster, with no pleasant surprises for the entire month, and a boatload of disappointments. In fact, one could argue Aladdin was the biggest hit of the month, despite it opening in May. Toy Story 4 is the biggest hit released in June, but it still missed expectations by a huge margin. In fact, so many films missed expectations by huge margins I’m rethinking my predictions for July. I still think there will be monster hits and I seriously doubt Spider-Man: Far from Home and The Lion King will bomb, but I also don’t think they will reach the heights some of the tracking data suggests they will. The only other film that has a shot at $100 million is Once Upon a Time in Hollywood, but the overall box office is so weak that I’m no longer sure it will get there. Meanwhile, last July wasn’t as strong on top with just two films topping $200 million, Mission: Impossible - Fallout and Ant-Man and the Wasp, neither of which came close to $300 million. However, last year had a lot better depth and I think that could result in 2019 merely breaking even in the year-over-year competition. More...

Crawl Trailer

May 3rd, 2019

Horror movie starring Kaya Scodelario and Barry Pepper opens July 12 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/07/12 7 $47,216   80 $590   $47,216 1
2019/07/19 10 $15,817 -67% 50 $316   $81,851 2
2019/07/26 15 $6,188 -61% 24 $258   $94,499 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 7/26/2019 $211,000 0 87 154 $361,268 9/8/2019
Australia 7/12/2019 $421,001 183 185 659 $1,002,863 9/5/2019
Brazil 9/26/2019 $424,000 0 79 79 $740,403 10/11/2019
China 9/12/2019 $4,610,000 23150 23150 35374 $10,474,807 10/20/2019
Czech Republic 7/12/2019 $47,216 80 80 154 $94,499 10/19/2022
France 7/26/2019 $1,300,000 0 447 1049 $3,697,918 8/31/2019
Germany 8/23/2019 $295,000 0 0 0 $295,000 8/27/2019
Hong Kong 8/30/2019 $314,000 0 0 0 $314,000 10/19/2022
Indonesia 7/12/2019 $832,000 0 0 0 $1,600,000 7/22/2019
Italy 8/15/2019 $341,454 317 317 317 $916,588 10/19/2022
Malaysia 7/12/2019 $1,000,000 0 0 0 $3,200,000 10/19/2022
Mexico 8/9/2019 $1,372,216 0 0 0 $3,272,169 10/19/2022
Middle East Region 7/12/2019 $1,400,000 0 0 0 $4,300,000 8/5/2019
Netherlands 7/12/2019 $215,889 74 74 256 $512,118 8/7/2019
New Zealand 7/11/2019 $0 0 5 13 $153,526 9/5/2019
North America 7/12/2019 $12,005,210 3,170 3,170 12,335 $39,014,193 3/7/2022
Portugal 7/12/2019 $41,335 31 31 98 $140,394 10/19/2022
Romania 7/26/2019 $0 0 15 35 $197,346 7/12/2022
Russia (CIS) 8/23/2019 $1,177,774 1475 1484 3508 $2,482,231 10/19/2022
Slovakia 7/12/2019 $20,817 59 59 80 $34,915 7/24/2019
Slovenia 7/19/2019 $0 0 4 7 $31,086 9/11/2019
South Korea 11/27/2019 $502,358 612 612 704 $931,109 12/11/2019
Spain 8/23/2019 $491,145 293 294 1034 $1,638,659 9/26/2019
Taiwan 7/12/2019 $0 0 0 0 $746,000 10/19/2022
Turkey 7/12/2019 $85,552 250 250 667 $331,206 10/19/2022
United Arab Emirates 7/12/2019 $0 0 0 0 $1,100,000 7/29/2019
United Kingdom 8/23/2019 $562,526 483 483 923 $1,300,000 10/19/2022
Vietnam 8/16/2019 $0 0 0 0 $1,500,000 8/27/2019
 
Rest of World $11,338,192
 
Worldwide Total$91,720,490 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Barry Pepper    Dave Keller
Kaya Scodelario    Haley Keller

Supporting Cast

Ross Anderson    Wayne Taylor
Anson Boon    Stan
Jose Palma    Pete
George Somner    Marv
Morfydd Clark    Beth
Ami Metcalf    Lee

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Alexandre Aja    Director
Michael Rasmussen    Screenwriter
Shawn Rasmussen    Screenwriter
Craig J. Flores    Producer
Sam Raimi    Producer
Alexandre Aja    Producer
Justin Bursch    Executive Producer
Lauren Selig    Executive Producer
Gregory Levasseur    Executive Producer
Elliot Greenberg    Editor
Maxime Alexandre    Director of Photography