Portugal Box Office for The Conjuring 2: The Enfield Poltergeist (2016)

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The Conjuring 2: The Enfield Poltergeist poster
Theatrical Performance (US$)
Portugal Box Office $719,946Details
Worldwide Box Office $310,196,332Details
Home Market Performance
North America DVD Sales $5,358,210 Details
North America Blu-ray Sales $3,861,014 Details
Total North America Video Sales $9,219,224
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Lorraine and Ed Warren, who, in one of their most terrifying paranormal investigations, travel to north London to help a single mother raising four children alone in a house plagued by malicious spirits.

Metrics

Movie Details

Production Budget:$40,000,000
Portugal Releases: June 10th, 2016 (Wide)
Video Release: August 30th, 2016 by Warner Home Video
MPAA Rating: R for terror and horror violence.
(Rating bulletin 2422 (Cert #50358), 4/27/2016)
Running Time: 133 minutes
Franchise: The Conjuring
Keywords: Haunting, Based on an UNTRUE Story, Haunted House, Set in London, Supernatural Horror
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Fantasy
Production/Financing Companies: New Line Cinema, The Safran Company, Atomic Monster, RatPac Entertainment, Dune Vision
Production Countries: United States
Languages: English

2016 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets

November 22nd, 2016

Finding Dory

It’s Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases, as well as franchise box sets, although there aren’t many of the latter to talk about. In fact, the best movie box set of the year includes more TV shows than movies in its running time and I’ve decided to include it in our second part, which deals with TV on DVD releases. There are still a number of big first-run releases this year that are definitely worthy gifts. We are going to start with the biggest domestic hit of the year... More...

Home Market Releases for September 13th, 2016

September 12th, 2016

The Transformers: The Movie

This week, the biggest hit of the year so far, Captain America: Civil War, comes out. It is also one of the best and the Blu-ray is a contender for Pick of the Week. Unfortunately, the screener is late and I don’t like awarding Pick of the Week to a release where I’m still waiting on the Blu-ray. The rest of the contenders are smaller films, including The Bloodstained Butterfly, which arrived late. Part of me wants to give the title to The Transformers: The Movie, but while I plan to buy the Blu-ray, I understand that Nostalgia has a lot to with that. ... Oh what the hell, doing it. The Transformers: The Movie is the Pick of the Week. More...

Home Market Releases for August 30th, 2016

August 29th, 2016

The Commitments

We are in the heart of TV on DVD season with a dozen such releases on this week’s list. Unfortunately, while there are a few that are worth picking up, none of them have the extras needed to be Pick of the Week contenders. The biggest release of the week is The Jungle Book, which is one of the biggest hits of the year. I got a chance to review it, so you can compare my opinion to the critics. As for the best of the best, there weren’t a lot to choose from. In the end, I went with The Commitments, which is making its Blu-ray debut this week. More...

Thursday Night Previews: Ghosts have a Chance with $3.4 million in Previews

July 15th, 2016

Ghostbusters

Ghostbusters earned $3.4 million in previews last night, which is ... a number. Unfortunately, there hasn’t been a film like Ghostbusters to come out this summer, so it is hard to judge that figure. For example, The Conjuring 2: The Enfield Poltergeist also pulled in $3.4 million during its previews and just over $40 million during its opening weekend. However, there’s not a lot of crossover between the two films, outside of the ghosts. Perhaps a better comparison is Central Intelligence which is an action / comedy and the “/ comedy” matters. That film earned $1.84 million during its previews and if Ghostbusters has the same multiplier, it will make $66 million. Ghostbusters did have louder buzz, even if a lot of that buzz was the “Feminists ruin everything” crowd whining, but it also has better reviews. On the other hand, Ghostbusters is part of a franchise, which is going to be more front-loaded. How about Independence Day: Resurgence? It’s a long-delayed sequel, so it has that in common. It earned $4 million on debut night, so if Ghostbusters has the same legs, it will make $35 million over the weekend, although the word-of-mouth is much better here. So we have a range of $35 million to $66 million, or almost exactly what we had for our prediction. We have learned nothing. Fortunately, we will have a much better picture this time tomorrow when Friday’s estimates are in. More...

Weekend Wrap-Up: It’s No Secret that Life of Pets Will Get a Sequel

July 12th, 2016

The Secret Life of Pets

As expected, The Secret Life of Pets earned first place on the weekend box office chart. However, almost no one was expecting it to dominate the way that it did with $104.35 million. There are some calling this film the best opening for a non-franchise animation film, but let’s face the facts... Universal started work on two or three sequels as soon as Friday’s Estimates came in. Meanwhile, Mike and Dave Need Wedding Dates has a good opening in the role of counter-programming with $16.63 million. Overall, the box office pulled in $217 million, which was 14% more than last weekend. More importantly, it is 1.3% more than the same weekend last year. Granted, this is lower than ticket price inflation, but since most people assumed the weekend would suffer a serious decline, this should be seen as a major victory. Year-to-date, 2016’s lead over 2015 grew a tiny bit hitting 2.4% at $6.00 billion to $5.86 billion. More...

International Box Office: Independence Day gets Tricked out of Top Spot in China

June 30th, 2016

Independence Day: Resurgence

Independence Day: Resurgence started its international run in first place with $102.1 million in 57 markets. That's the good news. That bad news is that its biggest market was China, where it only managed second place with $36.09 million, including previews. In most of the rest of the world, the film did no better than it did here, relative to the size of the market. South Korea helped it out with a first place, $5.45 million opening on 926 screens over the weekend for a total opening of $7.49 million. It opened in second place in the U.K. with $6.91 million in 610 theaters, which is no better than its opening here. The film cost a lot to make, so it needs to do better than this to be seen as a financial hit. More...

Weekend Wrap-Up: Dory Defeats Alien Invasion with $72.96 million

June 28th, 2016

Finding Dory

As predicted, Finding Dory repeated as the box office champion and came very close to matching our prediction with $72.96 million over the weekend. This is well above Independence Day: Resurgence's opening of $41.04 million. The Shallows was great as a low-budget horror film. The other two films... let's not talk about them. Overall, the box office fell 19% from last weekend to $188 million; however, this is to be expected, given how big Finding Dory opened. The weekend box office was even better than the same weekend last year, albeit by only 2.3%, which is not enough to keep up with inflation. Likewise, the year-over-year comparison is not great either. 2016 still leads 2015, but only by $5.38 billion to $5.31 billion, which is a lead of just 1.2%. Hopefully this weekend's win is a sign of things turning around, but I'm not so sure of that. More...

Thursday Night Previews: Independence Day Doesn't Really Surge

June 24th, 2016

Independence Day: Resurgence

Independence Day: Resurgence started its box office run with $4 million during Thursday previews. That's not good. That's twice as much as the $2 million Teenage Mutant Ninja Turtles: Out of the Shadows earned a few weeks ago, but half as much as the $8.2 million X-Men: Apocalypse earned the week before that. It is identical to Mission: Impossible - Rogue Nation, which opened last summer. If you compare its opening to all three films, taking into account Out of the Shadows' younger target audience and Apocalypse's Fanboy nature, then Resurgence will likely opened with between $50 million and $60 million. Hopefully it is performing better internationally. More...

International Box Office: Dory Earns $50 Million to Dump Warcraft

June 22nd, 2016

Finding Dory

Finding Dory started its international run in first place with $50.0 million in 29 markets. Its biggest market was China, where it earned second place with 18.15 million over the weekend and $18.18 million including previews. This is not a lot of money compared to last week's winner; however, China is not a market that is kind to animated films. Before this year, no animated movie had earned more than $100 million in China and the current record is held by Zootopia at $235.77 million. Zootopia only made $23.99 million during its opening weekend in China, so this isn't a bad start for Finding Dory. Additionally, Finding Dory doubled Zootopia's opening in Australia with $7.63 million on 524 screens. It also performed very well in Argentina ($3.5 million) and in Russia ($3.25 million on 1,220 screens). It is still too early to tell if Finding Dory will top $1 billion worldwide, but this start gives box office watchers a reason to be optimistic. More...

Weekend Wrap-Up: Dory Dominates with $135.06 Million, Central is Solid with $35.54 Million

June 21st, 2016

Finding-Dory

In our prediction column, I said I wanted the top two films to earn a combined total of $150 million to $170 million. Finding Dory's and Central Intelligence's combined opening weekend was $170.60 million. The overall box office was 53% higher than last weekend at $233 million. However, this was still 6.3% lower than the same weekend last year. Finding Dory did do better than either Jurassic World or Inside Out individually, but couldn't compete with their combined totals. 2016 is still ahead of 2015, but its lead was cut by a third at $150 million or 3.1%. That said, 2016 hit $5 billion a week faster than 2015 did and its lead of $5.06 billion to $4.91 billion is still substantial. More...

Friday Estimates: Dory Finds Success with $54.95 Million

June 18th, 2016

Finding-Dory

Finding Dory led the way on Friday with $54.95 million. This is the best opening day for a Pixar film and the best opening day for an animated film. Simply, a fantastic start. Our prediction of $129 million seems woefully inadequate. It is a family-friendly film with 95% positive reviews and a CinemaScore of A, so it should have good legs, meaning a $140 million is the new target. This would also be a record for an animated film and put it in the top twenty opening weekends. If this calculation holds true, then getting to $400 million domestically will be an easy feat. Hitting $500 million isn’t out of the question. More...

Weekend Predictions: Will Audience Find Dory? Is Seeing Central Intelligence the Smart Thing to do?

June 16th, 2016

Finding-Dory

This weekend should be the best weekend in June, led by Finding Dory. Finding Dory should easily be the biggest hit of the month, one of the biggest hits of the year, and the fastest opening film in Pixar's history. On the other hand, Central Intelligence is just hoping for a solid second place opening in its role as counter-programming. If it hits $30 million, then the studio will be very happy. This weekend last year, Jurassic World led the way with $106.59 million, while Inside Out opened in second place with $90.44 million. 2016 is going to lose more ground to 2015. I just hope they keep it close. I will be happy if Finding Dory and Central Intelligence earned a combined $150 million to $170 million. More...

International Box Office: Warcraft Crushes Competition in China on way to $185.8 Million Weekend

June 16th, 2016

Warcraft

Warcraft roared into first place with $185.8 million in 52 markets for totals of $261.7 million internationally and 285.9 million worldwide. There are some amazing news to report from over the weekend, but also some bad news. First the positive news. The film broke records in China earning $156.17 million during its five-day opening. That topped the previous record held by Furious 7. Unfortunately, outside of China, its box office run was much closer to its North American debut. For example, it earned second place in South Korea with $4.26 million on 736 screens over the weekend for a total opening of $5.09 million. Because of how much money the film is earning in China and how little of that the studio sees, the film could make $600 million internationally and still struggle to break even. More...

Contest: Scared Silly: Winning Announcement

June 15th, 2016

The Conjuring 2: The Enfield Poltergeist

The winners of our Scared Silly contest were determined and the entrants with the closest predictions for The Conjuring 2: The Enfield Poltergeist opening weekend were... More...

Theater Averages: Conjuring Comes Out on Top, but De Palma is De Lightful

June 15th, 2016

De-Palma

There were only two films in the $10,000 club on the theater average chart. This includes the overall number one film, The Conjuring 2: The Enfield Poltergeist, which opened with an average of $12,087. The only other film in the $10,000 club was De Palma, which earned an average of $10,118 in three theaters. More...

Weekend Wrap-Up: Conjuring Conquers Competition with $40.41 million

June 14th, 2016

The Conjuring 2: The Enfield Poltergeist

As anticipated, The Conjuring 2: The Enfield Poltergeist led the weekend box office with ease pulling in $40.41 million. The second place film, Warcraft, earned 40% less. Now You See Me 2 only managed third place and it will need a lot of help to break even. The overall box office was $152 million, which is 13% more than last weekend. However, it was also more than $100 million less than this weekend last year. Normally a 44% collapse like this only happens when there is a misalignment in holidays. In this case, it's because of Jurassic World. 2016 is still ahead of 2015 by a substantial margin at $4.76 billion to $4.54 billion. 2016's lead is now 4.8%, more than a full percentage point lower than it was this time last week, but hopefully Finding Dory will help prevent a similar descent this week. More...

Weekend Estimates: Conjuring Top at Home, Warcraft Dominates in China

June 12th, 2016

The Conjuring 2: The Enfield Poltergeist

This weekend’s box office is a tale of two continents. In North America, The Conjuring 2 is off to a great start, easily winning the weekend with $40.35 million, and averaging over $10,000 per theater. In Asia—China to be specific—Warcraft has made a record-breaking debut. Its domestic prospects look horrible though, with just $24.36 million expected for the weekend. More...

Friday Estimates: Sequels Still Struggle, but Conjuring Comes Out on Top with $16.4 million

June 11th, 2016

The Conjuring 2: The Enfield Poltergeist

The Conjuring 2: The Enfield Poltergeist is the only bit of good news to come out of Friday, and even then it was muted. The film earned $16.4 million on Friday, which is enough for first place, but it is also about 3.3% lower than the original’s opening day and sequels really need to open faster than the original. Its outlook for the rest of the weekend is mixed when compared to the first film. Both films earned identical A- CinemaScores, but the sequel’s reviews are weaker and sequels tend to be more front-loaded. Look for an opening weekend of about $38 million. This is a little better than predicted and almost as much as it cost to make. Hopefully it is enough to get to $100 million domestically, because we could use some good news at the box office. Even if it doesn’t quite get to the century mark, as long as it doesn’t completely collapse, it will break even sooner rather than later. More...

Thursday Night Previews: Conjuring 2 Re-Capture's Box Office Might with $3.4 million

June 10th, 2016

The Conjuring 2: The Enfield Poltergeist

The Conjuring 2: The Enfield Poltergeist had the best run during Midnight showings earning $3.4 million on Thursday. By comparison, The Conjuring earned $3.3 million during its previews. The Enfield Poltergeist does have a good Tomatometer Score (74% positive), but the Sequel Effect will still be in play and that will limit the film's weekend box office. Look for $35 million, or close to it. This will make it the biggest horror release of 2016 by Sunday, perhaps as early as Saturday. More...

Weekend Predictions: Will the New Releases Scare the Industry?

June 9th, 2016

The Conjuring 2: The Enfield Poltergeist

If this weekend is as bad as some fear it will be, it could begin to cause a panic among some studio executives. Two of the three wide releases are sequels and there are some who expect both to fail to match their predecessors by significant margins. If this happens, we will have six sequels failing to match expectations during a four-week stretch. Worse still, there are more than six additional sequels left to open before the end of summer. (Finding Dory seems safe, but the rest could flop as well.) The Conjuring 2: The Enfield Poltergeist should come out on top at the box office, but with less than the original made. Now You See Me 2 will likely continue Lionsgate's losing streak. Meanwhile, Warcraft could do well enough in China to justify a sequel, which is great news, because it will likely bomb here. This weekend last year, Jurassic World opened with $208 million. There's no way the entire box office will make that much this year. 2016 is going to get pummeled in the year-over-year comparison. More...

Contest: Turtle Power: Winning Announcement

June 8th, 2016

Teenage Mutant Ninja Turtles: Out of the Shadows

The winners of our Turtle Power contest were determined and the entrants with the closest predictions for Teenage Mutant Ninja Turtles: Out of the Shadows opening weekend were... More...

Contest: Scared Silly

June 3rd, 2016

The Conjuring 2: The Enfield Poltergeist

There are three wide releases coming out next week. The Conjuring 2: The Enfeild Poltergeist is expected to top Now You See Me 2 for top spot. (Warcraft is just hoping to not embarrass itself at this point.) While there is a chance of an upset, The Enfeild Poltergeist has a large enough advantage that I'm confident in making it the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The Conjuring 2: The Enfeild Poltergeist.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize of previously reviews DVD and / or Blu-rays. I grabbed a few more boxes from storage, so we can do winner's choice again. The choices are, two movies, one TV on DVD release, three single-disc kids DVDs, or two items from the mystery box. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: June

June 1st, 2016

Finding Dory

May was great, as long as you don't compare it to last May. Captain America: Civil War was a monster hit and is closing in on $400 million, while both X-Men: Apocalypse and The Angry Birds Movie will earn over $100 million. Looking ahead, every week in June, there is one movie that should top $100 million; however, only Finding Dory is expected to make more than $200 million. In fact, that film is expected to make close to $400 million domestically and over $1 billion worldwide. Last June, there were two monster hits, Inside Out and Jurassic World, plus one $100 million hit, Spy. I don't see how 2016 will top that. Even if every film with a shot at $100 million gets to that milestone, 2016 still might not top last year's pace. Fortunately, 2016 does have a large lead and that could be enough to keep 2016 ahead of 2015's pace in the year-over-year competition. It could be really close at the end of the month, on the other hand. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/06/10 3 $194,017   53 $3,661   $194,017 1
2016/06/17 3 $108,751 -44% 44 $2,472   $391,702 2
2016/06/24 5 $57,868 -47% 39 $1,484   $499,429 3
2016/07/01 6 $45,008 -22% 37 $1,216   $599,628 4
2016/07/08 8 $20,002 -56% 25 $800   $645,493 5
2016/07/15 10 $13,628 -32% 18 $757   $675,994 6
2016/07/22 13 $7,975 -41% 14 $570   $685,582 7
2016/07/29 16 $4,638 -42% 10 $464   $707,360 8
2016/08/05 24 $2,071 -55% 6 $345   $707,178 9
2016/08/12 38 $53 -97% 2 $27   $714,877 10
2016/08/19 38 $279 +426% 2 $140   $725,287 11
2016/08/26 39 $179 -36% 2 $90   $719,946 12

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/10/2016 $2,600,000 0 382 1195 $3,894,800 1/1/2019
Australia 6/10/2016 $2,608,699 207 208 999 $8,341,699 10/23/2023
Brazil 6/10/2016 $3,700,000 0 629 629 $17,121,024 11/16/2018
Bulgaria 6/17/2016 $15,462 0 0 0 $70,599 2/26/2019
Czech Republic 6/9/2016 $172,353 78 78 303 $649,996 12/31/2018
France 6/30/2016 $3,200,000 0 0 0 $11,312,824 8/17/2018
Germany 6/17/2016 $2,120,000 0 0 0 $3,500,000 8/19/2018
India 6/10/2016 $0 0 0 0 $9,200,000 6/20/2016
Indonesia 6/10/2016 $0 0 0 0 $11,300,000 12/20/2018
Italy 6/24/2016 $1,035,770 0 0 0 $2,968,101 10/20/2022
Lithuania 6/10/2016 $58,730 90 90 269 $206,745 8/31/2016
Mexico 6/10/2016 $7,495,808 0 0 0 $20,300,000 8/16/2016
Netherlands 6/10/2016 $432,623 54 56 390 $1,986,337 8/9/2016
New Zealand 6/10/2016 $447,090 53 55 295 $1,606,826 9/5/2022
North America 6/10/2016 $40,406,314 3,343 3,356 14,126 $102,470,008
Poland 6/17/2016 $560,124 0 0 0 $2,648,144 11/17/2018
Portugal 6/10/2016 $194,017 53 53 252 $719,946 8/31/2016
Russia (CIS) 6/17/2016 $1,765,586 935 935 2575 $4,240,306 12/31/2018
Slovakia 6/9/2016 $126,151 50 50 195 $387,019 11/3/2016
Slovenia 6/10/2016 $16,204 13 13 53 $71,149 8/9/2016
South Korea 6/10/2016 $4,254 0 640 2509 $14,127,168 6/11/2021
Spain 6/17/2016 $1,741,493 387 387 2102 $7,187,819 9/8/2016
Turkey 6/10/2016 $143,997 184 188 647 $708,297 2/26/2019
United Kingdom 6/16/2016 $6,625,517 504 510 2226 $15,200,000 7/25/2016
 
Rest of World $69,977,525
 
Worldwide Total$310,196,332 10/23/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Vera Farmiga    Lorraine Warren
Patrick Wilson    Ed Warren
Frances O’Connor    Peggy Hodgson
Madison Wolfe    Janet Hodgson

Supporting Cast

Simon McBurney    Maurice Grosse
Franka Potente    Anita Gregory
Lauren Esposito    Margaret Hodgson
Benjamin Haigh    Billy Hodgson
Patrick McAuley    Johnny Hodgson
Maria Doyle Kennedy    Peggy Nottingham
Bob Adrian    Bill Wilkins
Robin Atkin Downes    Demon Voice
Bonnie Aarons    Demon Nun
Javier Botet    Crooked Man
Steve Coulter    Father Gordon
Abhi Sinha    Harry Whitmark
Chris Royds    Graham Morris
Sterling Jerins    Judy Warren
Daniel Wolfe    Kent Allen
Annie Young    Constable Heeps
Elliot Joseph    Constable Peterson
Debora Weston    Talk Show Host
Cory English    Skeptic Kaplan
Joseph Bishara    Demon
Emily Tasker    Camilla
Kate Cook    Mrs. More
Carol Been    Lollipop Woman
Shannon Kook    Drew
Holly Hayes    Audience Member
Lance C. Fuller    Audience Member
Thomas Harrison    Peter
Jennifer Collins    Louise Defeo

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

James Wan    Director
Peter Safran    Producer
Rob Cowan    Producer
James Wan    Producer
James Wan    Screenwriter
Chad Hayes    Screenwriter
Carey W. Hayes*    Screenwriter
David Leslie Johnson    Screenwriter
Chad Hayes    Story by
Carey W. Hayes*    Story by
James Wan    Story by
Toby Emmerich    Executive Producer
Richard Brener    Executive Producer
Walter Hamada    Executive Producer
Dave Neustadter    Executive Producer
Don Burgess    Director of Photography
Julie Berghoff    Production Designer
Kirk Morri    Editor
Dana Sano    Music Supervisor
Joseph Bishara    Composer
Ariel Velasco Shaw    Visual Effects Supervisor
Anne McCarthy    Casting Director
Kellie Roy    Casting Director
Rose Wicksteed    Casting Director
Kristin M. Burke    Costume Designer
Jenny Hinkey    Unit Production Manager
Albert Cho    First Assistant Director
Conte Matal    Second Assistant Director
A. Todd Holland    Art Director
Sophie Neudorfer    Set Decorator
William Kaplan*    Sound Mixer
Darin Read    Post-Production Supervisor
Liz Calandrello    First Assistant Editor
Todd Zongker    First Assistant Editor
Joe Dzuban    Supervising Sound Editor
Gregg Landaker    Re-recording Mixer
Steve Maslow    Re-recording Mixer
Peter Staubli    Sound Effects Editor
Eliot Connors    Sound Effects Editor
Charlie Campagna    Sound Effects Editor
Lauren Hadaway    Supervising Dialogue Editor
Justin Dzuban    Dialogue Editor
Lise Richardson    Music Editor
Julie Pearce    Music Editor
Curtis Collins    Location Manager
Jody Blose    Script Supervisor
Sandy Kenyon    Costume Supervisor
Eleanor Sabaduquia    Make up
Yoko Nobushi    Make up
Shimmy Osman    Hairstylist
Tuen Osman    Hairstylist
John Bruce    Set Designer
David Moreau    Set Designer
Richard Jacobs    Special Effects
Bart Barber    Special Effects
Chris Bailey    Special Effects
Frank Balzer    Special Effects
Mark Caplan    Special Effects
Michael McCooey    Special Effects
Robert Clot    Special Effects
Matt Kutcher    Special Effects

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.