Austria Box Office for The Choice (2016)

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The Choice poster
Theatrical Performance (US$)
Austria Box Office $194,913Details
Worldwide Box Office $24,324,476Details
Home Market Performance
North America DVD Sales $6,414,239 Details
North America Blu-ray Sales $2,740,105 Details
Total North America Video Sales $9,154,344
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

When feisty medical student Gabby Holland moves in next door to perennial ladies’ man Travis Shaw, it sends them both on a romantic journey neither ever dreamed possible. Travis has always believed a serious relationship with a woman would cramp his easygoing lifestyle, while Gabby is all set to settle down with her long-term boyfriend—until an irresistible attraction between the unlikely couple upends both of their well-planned lives. After a whirlwind courtship, Gabby and Travis wed and build a family together, making every decision hand-in-hand until one of them is forced to make the most important choice of their life alone.

Metrics

Movie Details

Austria Releases: March 11th, 2016 (Wide)
Video Release: April 19th, 2016 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for sexual content and some thematic issues.
(Rating bulletin 2386, 8/12/2015)
Running Time: 110 minutes
Keywords: Romance, Set in North Carolina, Medical Students, Romantic Drama, Relationships Gone Wrong, Love Triangle, Car Accident, Coma, Medical and Hospitals
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Lionsgate, Nicholas Sparks Productions, The Safran Company
Production Countries: United States
Languages: English

Home Market Releases for May 3rd, 2016

May 2nd, 2016

East Side Sushi

This week the biggest releases are busted Oscar-bait, Joy; a post-apocalyptic young adult adaptation, The 5th Wave; and the latest from Nicholas Sparks, The Choice. Joy is worth at least a rental. The other two are not. There are no major releases that are contenders for Pick of the Week, so that title will go to a smaller release, East Side Sushi on DVD. It has earned unanimously positive reviews, but no buzz. More...

Weekend Wrap-Up: Deadpool Assassinates the Competition

February 17th, 2016

Deadpool

Most people thought Deadpool would be a big hit over the weekend. I didn't see a single prediction that said it would be this big. It earned $132.43 million over the three-day weekend, which is more than enough to cover its entire production budget and a healthy chunk of its advertising budget. ... Or at least its initial advertising budget. Needless to say, there is already a sequel in the works. How to be Single had a very solid opening, while Zoolander 2 will need to become a hit on the home market in order to break even. The overall box office rose 150% from last weekend to $239 million over three days. Wow. This weekend last year, Fifty Shades of Grey debuted. Deadpool made almost as much in the four days it was in theaters than Fifty Shades of Grey made in total. It goes without saying that 2016 won the year-over-year comparison. Its 11% difference is impressive. Year-to-date, 2016 has earned $1.44 billion, which is 1.9% more than 2015's running tally at the same stage. More...

Thursday Night Previews: Deadpool Has Lively Debut - Updated

February 12th, 2016

Deadpool

Deadpool set two records for biggest February previews and biggest previews for an R-rated film with $12.7 million. ... I think it is safe to assume Deadpool 2 is on its way. The studio was expecting between $60 million and $65 million over the four-day weekend, but studios tend to downplay expectations so they can claim victory, even if the film is a little weaker than anticipated. With the record previews, I think it is safe to say it will top those expectations and even our $75 million prediction seems low. More...

Weekend Wrap-Up: Broncos Biggest Winners, but Pandas still earn $21.24 million

February 8th, 2016

Hail, Caesar!

Super Bowl weekend was not a good weekend at the box office. The competition usually takes its toll at the box office, but this year it was particularly bad. Kung Fu Panda 3 led the way with just $21.24 million, while Hail, Caesar! was the only other film to earn more than $10 million. In fact, the weekend was so bad that Star Wars: The Force Awakens remained in third place during its eighth weekend of release. The overall box office took a massive hit, down 31% to just $95 million. This was 37% lower than the same weekend last year, but miraculously, 2016 maintained its lead over 2015, by the tiniest of margins, $1.34 billion to $1.33 billion. With a difference of 0.5% or $6 million, the lead will likely disappear during the week, but 2016 should get it back when Deadpool debuts this Friday. More...

Weekend Estimates: Panda holds off Caesar on Super Bowl weekend

February 7th, 2016

Kung Fu Panda 3

Super Bowl weekend isn’t exactly known for super-sized box office results, and this year will prove to be no exception, with Kung Fu Panda 3 comfortably winning the weekend with $21 million, down 49% from its debut. Hail, Caesar! will land in second place with $11.4 million or so, which is a decent performance from 2,232 theaters, although quite a bit softer than The Ladykillers’ $12.6 million first outing from 1,583 theaters back in 2004, and well behind the kind of numbers posted by True Grit. More...

Friday Estimates: Panda Buries Caesar

February 6th, 2016

Kung Fu Panda 3

Kung Fu Panda 3 will easily win the race for top spot at the weekend box office. Not only did it earn first place on Friday with $5.2 million, but of all of the wide releases, it will be among the least affected by Super Bowl Sunday. Unfortunately, this is still a little lower than predicted and it will likely only earn just over $20 million over the weekend. Its worldwide total is closing in on its production budget and it has barely started its international run, so there’s plenty of reason for DreamWorks to be happy, and there’s justification for another installment in the franchise. More...

Thursday Night Previews: Hail Storms into Theaters

February 5th, 2016

Hail, Caesar!

Hail, Caesar! got off to a relatively good start on Thursday earning $543,000 at 1,815 theaters. This puts it in between the previews for Dirty Grandpa and The 5th Wave, meaning it is on pace for close to $11 million over the weekend. Its positive reviews could help it over $11 million, which would match predictions perfectly. More...

Weekend Predictions: Hail, Holdovers!

February 4th, 2016

Hail, Caesar!

It's a new month and there are three wide releases trying to score and get February off to a fast start. That's probably not going to happen. Not only do the wide releases have to deal with Kung Fu Panda 3, but it is also Super Bowl Weekend with the Carolina Idontknows Playing the Dever Somethingabouthorses. ... Once the Seattle Seahawks were eliminated, I completely stopped caring about the NFL. The best new release of the week is Hail, Caesar!, which is the only film with a real shot at becoming a midlevel hit. Pride and Prejudice and Zombies started out with mixed reviews, but that might not be a dealbreaker for its target audience. Finally there's The Choice. There are still not enough reviews for a Tomatometer Score and the buzz appears to be getting worse. The SpongeBob Movie: Sponge Out of Water led the way this weekend last year, with more than all three new releases will earn this year. More...

2016 Preview: February

February 1st, 2016

Deadpool

As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison. More...

Contest: Seize Your Prizes

January 29th, 2016

Hail, Caesar!

There are three wide releases coming out next week and I think Hail, Caesar! is the only one that will be even a midlevel hit. The Choice is the latest from Nicholas Sparks, who used to have a box office winning streak, but that ended a while ago. Meanwhile, Pride and Prejudice and Zombies is a relatively new addition to the wide release schedule, as it was expected to open in limited release not too long ago. It looks like Hail, Caesar! will be the biggest of the three wide releases and because of this, it is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Hail, Caesar!.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/03/11 8 $57,717   35 $1,649   $57,717 1
2016/03/18 10 $35,658 -38% 35 $1,019   $119,977 2
2016/03/25 13 $19,411 -46% 29 $669   $170,972 3
2016/04/01 24 $4,212 -78% 14 $301   $190,358 4
2016/04/08 35 $1,439 -66% 4 $360   $194,913 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/11/2016 $10,012 14 14 14 $10,012 12/31/2018
Australia 2/5/2016 $427,059 205 205 554 $944,931 6/9/2016
Austria 3/11/2016 $57,717 35 35 117 $194,913 6/9/2016
Belgium 2/17/2016 $77,258 21 21 63 $236,822 6/9/2016
Bolivia 2/11/2016 $6,038 7 7 8 $8,141 12/31/2018
Brazil 2/4/2016 $91,678 100 100 175 $236,723 6/9/2016
Central America 2/4/2016 $0 0 15 16 $82,767 2/23/2016
Chile 3/3/2016 $22,656 14 14 15 $29,448 12/31/2018
Ecuador 2/12/2016 $26,171 18 18 18 $26,171 12/31/2018
Germany 3/10/2016 $359,711 267 267 816 $979,371 6/9/2016
Hong Kong 2/11/2016 $38,508 7 7 9 $54,627 6/9/2016
Iraq 2/11/2016 $3,417 3 3 4 $6,018 12/31/2018
Lebanon 2/11/2016 $7,145 3 3 4 $36,987 12/31/2018
Malaysia 2/18/2016 $7,286 16 19 36 $16,530 6/9/2016
Mexico 3/4/2016 $178,720 0 89 89 $360,616 6/9/2016
Netherlands 2/4/2016 $120,525 65 66 193 $418,327 6/9/2016
North America 2/5/2016 $6,050,443 2,631 2,631 8,817 $18,730,891 9/10/2018
Norway 5/27/2016 $451 1 1 1 $451 6/9/2016
Oman 2/11/2016 $2,712 5 5 5 $2,712 12/31/2018
Peru 2/11/2016 $29,583 15 15 20 $47,712 12/31/2018
Philippines 2/17/2016 $0 0 20 20 $127,604 12/31/2018
Portugal 2/11/2016 $67,371 29 29 83 $140,301 6/9/2016
Russia (CIS) 4/21/2016 $47,223 198 198 338 $91,689 11/13/2018
South Africa 2/5/2016 $0 0 61 61 $92,820 6/9/2016
South Korea 11/8/2018 $5,260 56 56 56 $18,008 1/8/2019
Thailand 2/11/2016 $5,080 11 11 13 $7,418 6/9/2016
Turkey 2/12/2016 $18,113 27 27 28 $25,878 12/31/2018
United Arab Emirates 2/11/2016 $52,737 36 36 39 $76,067 12/31/2018
United Kingdom 3/4/2016 $198,704 205 205 350 $422,619 6/9/2016
Uruguay 2/11/2016 $11,681 5 5 10 $20,793 12/31/2018
Vietnam 2/12/2016 $3,447 7 7 7 $3,447 12/31/2018
 
Rest of World $873,662
 
Worldwide Total$24,324,476 1/8/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Benjamin Walker    Travis
Teresa Palmer    Gabby

Supporting Cast

Maggie Grace    Steph
Alexandra Daddario    Monica
Tom Welling    Ryan
Tom Wilkinson    Dr. Shep
Brett Rice    Dr. McCarthy
Jesse C Boyd    Matt
Brad James    Ben
Noree Victoria    Liz
Anna Enger    Megan
Lou Lou Safran    Katie
Vance Griswold    Jesse
Ashley LeConte Campbell    Maryanne McCarthy
Sharon Blackwood    Cora
Marty Stonerock    Alice Vandy
Diane Sellers    Jackie
Wilbur Fitzgerald    Mr. Holland
Callan White    Mrs. Holland
Brett Kelley    Steph's Fiance
Caity Brewer    Pretty Girl
Lori Lail Marette    Woman
Sophia Grillo    Server
Joe Gallison    Distinguished Man
Veda Wilson    Churchgoer
Simone Griffeth    Distinguished Woman

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ross Katz    Director
Bryan Sipe    Screenwriter
Nicholas Sparks    Based on the novel by
Nicholas Sparks    Producer
Peter Safran    Producer
Theresa Park    Producer
Hans Ritter    Executive Producer
Dan Clifton    Co-Producer
Alar Kivilo    Director of Photography
Mark E. Garner*    Production Designer
Joe Klotz    Editor
Alex Bovaird    Costume Designer
Marcelo Zarvos    Composer
Marguerite Phillips    Music Supervisor
Mary Vernieu    Casting Director
Venus Kanani    Casting Director
Lindsay Rodger    Production Supervisor
Liz Richards    Post-Production Supervisor
William G. Davis    Art Director
Chuck Potter    Set Decorator
Larry Long    Sound Mixer
Jennifer Opresnick    Script Supervisor
David Beavis    Special Effects Supervisor
Shea Masterson    Costume Supervisor
Sandra Orsolyak-Allen    Make up
Holly Sago    Make up
Joan Shay    Hairstylist
Bryan Moss    Hairstylist
Jaceson Mann    Additional Casting-Casting Associate
LaVonna Cupid    Additional Casting-Casting Assistant
Riva Winningham    Additional Casting-Casting Assistant
Jon Poll    Additional Editor
Ulysses Guidotti    Assistant Editor
Daniela Ovi    Assistant Editor
Steven Iba    Supervising Sound Editor
Eric Offin    Sound Effects Editor
Chris David    Re-recording Mixer
Leandro Marini    Visual Effects Executive Producer
Jessica Clarke    Visual Effects Producer
Worth Bjorn Walter    Visual Effects Supervisor
Marcelo Zarvos    Score Producer
Johnny Caruso    Music Editor
Christopher Bromley*    Unit Production Manager
Chad Graves    First Assistant Director
Katarzyna Malec    Second Assistant Director
John Copeman    Stunt Coordinator
Dino Muccio    Stunt Coordinator
John Gilbert    Stunt Coordinator
Dean Mumford    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.