| Theatrical Performance (US$) | ||
| France Box Office | $0 | Details |
| Worldwide Box Office | $1,862,000 | Details |
| Home Market Performance | ||
| North America Blu-ray Sales | $32,614 | Details |
| Total North America Video Sales | $32,614 | |
| Further financial details... | ||
| France Releases: | September 23rd, 1992 (Wide), released as Lunes de fiel |
| Video Release: | May 21st, 2019 by Kino Lorber |
| MPAA Rating: | R for the strong depiction of a perverse sexual relationship. |
| Running Time: | 139 minutes |
| Keywords: | Erotic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | France, United Kingdom, United States |
| Languages: | English, French |
May 21st, 2019
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It is a very strange week on the home market. There are two $100 million hits, How to Train Your Dragon: The Hidden World and The Upside, a midlevel hit, Isn’t it Romantic, and then practically nothing. The week’s releases are more top-heavy than any other week I can remember. Fortunately, the biggest release of the week, How to Train Your Dragon: The Hidden World, is also one of the best wide releases of the year so far and it is easily the Pick of the Week. In fact, it would likely have won that title even if it was a busier than average week.
More...
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| France | 9/23/1992 | $0 | 0 | 0 | 0 | $0 | |
| North America | 4/1/1994 | $0 | 0 | 0 | 0 | $1,862,000 | |
| Worldwide Total | $1,862,000 | ||||||
| Emmanuelle Seigner | Mimi |
| Peter Coyote | Oscar | |
| Hugh Grant | Nigel | |
| Kristin Scott Thomas | Fiona | |
| Stockard Channing | Beverly | |
| Victor Banerjee | Singh | |
| Sophie Patel | Amrita | |
| Patrick Albenque | Steward | |
| Boris Bergman | Oscar’s Friend | |
| Leo Eckmann | Bridge Player |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Roman Polanski | Director |
