Mexico Box Office for Ben is Back (2018)

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Ben is Back
Theatrical Performance (US$)
Mexico Box Office $266,124Details
Worldwide Box Office $12,616,995Details
Home Market Performance
North America DVD Sales $1,297,638 Details
North America Blu-ray Sales $615,285 Details
Total North America Video Sales $1,912,923
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

19 year-old Ben Burns unexpectedly returns home to his family’s suburban home on Christmas Eve morning. Ben’s mother, Holly, is relieved and welcoming but wary of her son staying clean. Over a turbulent 24 hours, new truths are revealed, and a mother’s undying love for her son is tested as she does everything in her power to keep him safe.

Metrics

Movie Details

Production Budget:$13,000,000
Mexico Releases: March 22nd, 2019 (Wide)
Video Release: February 19th, 2019 by Lionsgate Home Entertainment
MPAA Rating: R for language throughout and some drug use.
(Rating bulletin 2549 (Cert #51863), 10/17/2018)
Running Time: 103 minutes
Keywords: Christmas, Dysfunctional Family, One Day, Addiction, Rehab / Former Addict, Interracial Romance, Family Drama
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Black Bear, 30 West, Color Force, LD Entertainment, Roadside Attractions
Production Countries: United States
Languages: English

Home Market Releases for March 5th, 2019

March 6th, 2019

The Favourite

It’s a weird week at the box office. There are no massive releases; Creed II, is by far the biggest release of the week. However, there are a ton of releases that would make the regular list in a normal week, but have been pushed into the Secondary Blu-ray list, mainly because I have nothing to say about them. There are some contenders for Pick of the Week, including The Favourite on Blu-ray Combo Pack and Liz and the Blue Bird on Blu-ray. It came down to a literally coin-toss here and The Favourite won. More...

Home Market Releases for February 19th, 2019

February 20th, 2019

Can You Ever Forgive Me?

The fall smash hits and the Oscar contenders are starting to come out in full force, making it a great time on the home market. This week, we have one of the biggest hits of the fall, A Star is Born; one of the best movies of the year, Can You Ever Forgive Me?; and the Anime that arguably solidified Moe as powerhouse genre, K-ON: Complete Collection Premium Box Set. Of the three, I like K-ON the most, but I admit that price will scare away a lot of people, so Can You Ever Forgive Me? is the better choice for Pick of the Week. More...

Theater Averages: New Releases are Left in the Cold

January 17th, 2019

Cold War

There were no films in the $10,000 club with Cold War coming the closest with $9,751 in ten theaters. The best new release was Touch Me Not, which opened with $7,903 in one theater. More...

Theater Averages: New Releases were Destroyed

January 10th, 2019

Destroyer

Destroyer rose to first place on the theater average chart with an average of $16,383 in six theaters. Cold War actually saw its average grow to $15,127, also in six theaters. Last week’s winner, On the Basis of Sex was next with an average of $14,370 in 112 theaters. It’s rare for a limited release to land in the $10,000 club while playing in more than 100 theaters. The final member of the $10,000 club was Stan and Ollie with an average of $10,920 in 8 theaters. More...

Theater Averages: Mary Reigns over the Competition

December 12th, 2018

Mary Queen of Scots

Mary Queen of Scots led the way on the theater average chart with an average of $48,694 in four theaters. Unfortunately, its reviews strongly suggest it won’t have long legs in limited release. Likewise, Vox Lux got off to a fast start with an average of $25,952 in six theaters, but it is earning nearly identical reviews, so it too will likely have short legs. Up next was Ben is Back with an average of $20,183 in four theaters. The Favourite remained in the $10,000 club for the third weekend in a row with an average of $16,523 in 91 theaters. It will almost certainly expand at least semi-wide at this point, especially if it continues to pick up Awards Season nominations. More...

Limited and VOD Releases: Oscar-Bait is Back

December 7th, 2018

Mary Queen of Scots

It’s a strange week for limited releases. There is not an overwhelming number of releases on this week’s list, but three of them were widely expected to be Awards Season players: Ben is Back, Mary Queen of Scots, and Vox Lux. However, of these three, none of them of earning award-worthy reviews. In fact, none of them are earning reviews that suggest they will truly thrive in limited release. Worse still, the competition between the three of them could result in none of them doing particularly well over the weekend. Hopefully that’s not the case. More...

Ben is Back Trailer

October 11th, 2018

Drama starring Lucas Hedges and Julia Roberts opens December 7 ... Full Movie Details.

19 year-old Ben Burns unexpectedly returns home to his family’s suburban home on Christmas Eve morning. Ben’s mother, Holly, is relieved and welcoming but wary of her son staying clean. Over a turbulent 24 hours, new truths are revealed, and a mother’s undying love for her son is tested as she does everything in her power to keep him safe. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/03/22 8 $266,124   0     $266,124 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/10/2019 $24,733 39 39 39 $32,519 10/20/2019
Australia 2/1/2019 $331,215 146 160 663 $860,870 4/2/2019
Brazil 3/22/2019 $71,935 159 159 159 $71,935 3/30/2019
France 1/18/2019 $568,241 254 264 518 $937,597 2/1/2019
Italy 12/20/2018 $396,595 0 25 56 $2,290,199 8/31/2019
Lithuania 2/22/2019 $9,291 39 39 52 $20,476 3/19/2019
Mexico 3/22/2019 $266,124 0 0 0 $266,124 4/1/2019
Netherlands 1/11/2019 $68,982 46 46 158 $194,383 2/16/2019
North America 12/7/2018 $80,733 4 598 1,535 $3,703,182 9/21/2020
Portugal 12/28/2018 $0 0 27 54 $158,748 1/29/2019
Russia (CIS) 2/8/2019 $21,482 198 198 274 $38,071 3/9/2019
South Korea 5/9/2019 $33,290 78 78 132 $90,398 5/30/2019
Spain 12/7/2018 $330,882 191 196 444 $828,771 1/9/2019
Turkey 4/26/2019 $12,030 75 75 120 $30,960 5/16/2019
United Kingdom 3/15/2019 $109,154 114 114 114 $109,154 3/20/2019
 
Rest of World $2,983,608
 
Worldwide Total$12,616,995 9/21/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Julia Roberts    Holly Burns
Lucas Hedges    Ben Burns

Supporting Cast

Courtney B. Vance    Neal Burns
Kathryn Newton    Ivy Burns
Rachel Bay Jones    Beth Conyers
David Zaldivar    Spencer “Spider” Webbs
Alexandra Park    Cara K
Michael Esper    Clayton
Tim Guinee    Phil
Myra Lucretia Taylor    Sally

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Peter Hedges    Director
Peter Hedges    Screenwriter
Lucas Hedges    Producer
Nina Jacobson    Producer
Teddy Schwartzman    Producer
Brad Simpson    Producer
Dan Steinman    Executive Producer
Micah Green    Executive Producer
Dan Friedkin    Executive Producer
Ben Stillman    Executive Producer
Michael Hemler    Executive Producer
Jane Evans    Executive Producer
Mickey Liddell    Executive Producer
Pete Shilaimon    Executive Producer
Dianne Dreyer    Co-Producer
Joseph Reidy    Co-Producer
Margaret Chernin    Co-Producer
Gabrielle Mahon    Co-Producer
Stuart Dryburgh    Director of Photography
Ian Blume    Editor
Ford Wheeler    Production Designer
Melissa Toth    Costume Designer
Dickson Hinchcliffe    Composer
Susan Jacobs    Music Supervisor
Bernard Telsey    Casting Director