Australia Box Office for Annabelle Comes Home (2019)

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Annabelle Comes Home
Theatrical Performance (US$)
Australia Box Office $3,781,678Details
Worldwide Box Office $230,779,191Details
Home Market Performance
North America DVD Sales $2,293,443 Details
North America Blu-ray Sales $2,453,520 Details
Total North America Video Sales $4,746,963
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home, placing her “safely” behind sacred glass and enlisting a priest’s holy blessing. But an unholy night of horror awaits as Annabelle awakens the evil spirits in the room, who all set their sights on a new target—the Warrens’ ten-year-old daughter, Judy, and her friends.

Metrics

Movie Details

Production Budget:$27,000,000
Australia Releases: June 27th, 2019 (Wide)
Video Release: September 17th, 2019 by Warner Home Video
MPAA Rating: R for horror violence and terror.
(Rating bulletin 2581 (Cert #52191), 6/5/2019)
Running Time: 106 minutes
Franchise: Annabelle, The Conjuring
Keywords: Based on an UNTRUE Story, Demons, Babysitters, Paranormal Investigation, Supernatural, IMAX: DMR, Supernatural Horror
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Atomic Monster, New Line Cinema, The Safran Company
Production Countries: United States
Languages: English

Home Market Releases for October 8th, 2019

October 10th, 2019

Toy Story 4

It’s another week with a monster hit and nearly nothing else. Fortunately, that monster hit is Toy Story 4, which is easily the Pick of the Week and would be during all but the best weeks of the year. Midsommar comes close to being a contender for Pick of the Week, but the extras are well below average, even compared to a limited release. More...

Home Market Releases for September 17th, 2019

September 18th, 2019

Spider-Man: Far from Home

It’s one of those weeks on the home market. There are almost no new releases to talk about and the ones worth talking about all have caveats when it comes to my recommendations. That is to say, while there are a number of DVDs / Blu-ray that I recommend buying, there are none that really rise to the level of Pick of the Week. This leaves Spider-Man: Far from Home as the Pick of the Week, despite it coming out only on VOD so far. More...

Weekend Predictions: Can Dora find Box Office Gold?

August 8th, 2019

Dora and the Lost City of Gold

There are five wide or semi-wide releases coming out this weekend, which is just too many and practically guarantees at least one of them will flop at the box office. Of these films, Dora and the Lost City of Gold is the only one expected to compete for first place, while Scary Stories to Tell in the Dark should do well as a low-budget horror movie. Unfortunately, The Kitchen and The Art of Racing in the Rain are not connecting with critics and that will likely keep them out of the top five. Finally, Brian Banks is opening in just 1,240 theaters and that could keep it out of the top ten. This weekend last year, The Meg opened with $45 million. No film playing this weekend will match that and I don’t think this year’s depth is going to compensate, meaning we are going to lose in the year-over-year competition yet again. More...

International Box Office: Spider-Man’s Worldwide Vacation

July 18th, 2019

Spider-Man: Far from Home

Spider-Man: Far from Home ended its international run by opening in Italy this past weekend and this helped it remain in top spot on the international chart. Overall, the film pulled in $97.50 million on 30,559 screens in 86 markets for totals of $569.88 million internationally and $844.47 million worldwide. The film earned first place in Italy with $4.38 million on 829 screens over the weekend for a four-day opening of $6.08 million. If we compare just the three-day weekend, which is unfair to Far From Home, this result is still 45% more than Homecoming’s debut in that market. The film’s top holdover was South Korea, where it remained in first place with $9.80 million on 1,708 screens over the weekend for a two-week total of $48.97 million. China wasn’t too far behind with $9.61 million over the weekend for a three-week total of $192.18 million. The film has very likely overtaken Homecoming at the global box office by the time you read this and could top $1 billion this weekend, assuming The Lion King doesn’t take too big a bite out of Far from Home’s box office numbers. More...

International Box Office: Spider-Man’s Worldwide Vacation

July 11th, 2019

Spider-Man: Far from Home

Spider-Man: Far from Home expanded nearly worldwide over the weekend, and earned $236.74 million on 53,120 screens in 85 markets for a still early international total of $393.37 million, and $578.43 million worldwide. The film’s biggest new market was South Korea, where it earned $24.55 million on 2,173 screens over the weekend for a total opening of $33.45 million. Far From Home also cracked $10 million in the U.K. with $10.53 million on 979 screens over the weekend for a total opening of $17.77 million and in Mexico with $10.39 million on 3,806 screens over the weekend for a total opening of $13.42 million. The film earned a total opening of $12.11 million in Australia, including $7.26 million on 332 screens over the weekend. The film’s biggest holdover was China, where it earned $29.88 million over the weekend for a two-week total of $166.63 million. Italy was the only market the film wasn’t playing in over the weekend, but that changed on Wednesday and we will have those numbers next week. More...

Weekend Wrap-Up: Spider-Man Hits a Home Run

July 9th, 2019

Spider-Man: Far From Home

Spider-Man: Far From Home really brightened up the box office earning $92.58 million over the three-day weekend for a six-day opening of $185.06 million. This is one of the biggest positive surprises of the year and we desperately needed some good news after June. Toy Story 4 and Aladdin held on better than expected and the overall box office surged growing 21% from last weekend to $183 million. This is still lower than this weekend last year, but by only 2.7% and at this point, I’m willing to call that a victory. Year-to-date, 2019 did manage to close ground with 2018, thanks mostly to Far From Home’s strength before the weekend. However, this year is still 8.4% or $540 million behind last year at $5.88 billion to $6.42 billion. More...

Weekend Estimates: Spider-Man Is Marvelous Worldwide

July 7th, 2019

Spider-Man: Far From Home

Spider-Man: Far From Home is getting off to a fantastic start with a three-day weekend haul of $93.6 million giving it a six-day debut of $185.1 million. This is more than it cost to make and it means the film is nearly guaranteed a healthy profit before it reaches the home market, even if it has soft legs. Additionally, its reviews are outstanding and it earned an A from CinemaScore, so its legs should be long for a blockbuster film. Internationally, the film pulled in $238 million on 52,800 screens in 66 markets for totals of $395 million internationally and $580 million worldwide. This was led by a six-day, $33.8 million first place debut in South Korea, while it earned $30.6 million during its second weekend in China for a two-week total of $167.4 million there. More...

Friday Estimates: Has Spider-Man Saved the Summer?

July 6th, 2019

Spider-Man: Far From Home

Spider-Man: Far From Home got off to a record-breaking performance and it has since shown better-than-expected legs by earning $32.5 million on Friday for a four-day running tally of $124 million. Because it opened on Tuesday and not Friday, the film should have a better than average internal multiplier, giving it a better than 50/50 chance of cracking $90 million over the three-day weekend. The film cost $160 million to make and it will match that domestically on Sunday. Additionally, its reviews suggest strong word-of-mouth (The CinemaScore still hasn’t been released. I blame the Fourth of July holidays.) and with no direct competition for the rest of the month, it should have a long stay in theaters. It is yet another success story for the M.C.U. and enough to lift 2019 to a rare win over 2018 in the year-over-year competition. This could be a good omen going forward and perhaps we will look back at this weekend as the weekend that 2019 turned things around. More...

Weekend Predictions: Can Spider-Man Snap the Streak?

July 3rd, 2019

Spider-Man: Far From Home

It has been a long time since we’ve had a pleasant surprise at the box office. In fact, the last film to really beat expectations and earn first place was Aladdin, which came out in May. However, it appears that streak is over, as Spider-Man: Far From Home broke the record for biggest Tuesday with $39.26 million. Additionally, Midsommar earned $1.1 million during its previews, which means July should get off to a faster than expected start. Additionally, there should be some strong holds in the top five as well, with Toy Story 4, Annabelle Comes Home, and Yesterday all looking to earn more than $10 million over the three-day weekend. This weekend last year, Ant-Man and the Wasp opened with $75.81 million. Spider-Man: Far From Home could top that after its record-breaking start and the overall box office does look a little healthier as a result. More...

International Box Office: Spider-Man Swings into First Place

July 3rd, 2019

Spider-Man: Far from Home

Spider-Man: Far from Home made its international debut the weekend before its domestic start earning $111.20 million on 35,187 screens in three markets. Those three markets where led by China, where it earned $97.72 million on 34,300 screens. It was also very potent in Japan with $9.36 million on 465 screens and in Hong Kong with $4.12 million on 422. More...

Weekend Wrap-Up: Toy Story Can’t Overcome Box Office Woes

July 2nd, 2019

Toy Story 4

June ended with shrug, as the weekend was neither a success nor a disaster. Toy Story 4 was the top draw, but it fell faster than most family films do, down 51% to $59.70 million. Annabelle Comes Home had the weakest opening in the franchise, while Yesterday did well as counter-programming, but that’s all. The overall box office fell 26% from last weekend and, more importantly, 15% from the same weekend last year. Year-to-date, 2019 has fallen behind 2018’s pace by a margin of 9.5% or $580 million at $5.52 billion to $6.10 billion. At the beginning of June, I thought 2019 would have cut into 2018’s lead by $100 million, but that clearly didn’t happen. More...

Weekend Estimates: Toy Story has a June-Like Hold with $58 million

June 30th, 2019

Toy Story 4

Toy Story 4 is earning first place over the weekend with $57.92 million. A few weeks ago, a 52% sophomore stint drop-off by a family film would have been a really bad sign; however, June was so bad that this result matches expectations, more or less. The film now has $236.92 million domestically and should race past $300 million here before it is done. This is a monster hit and more than enough to be profitable, but still disappointing. This film is having a better weekend internationally, earning $80.6 million in 45 markets for totals of $259.6 million internationally and $496.5 million worldwide. This includes a $7.0 million opening in France, which is the best in the franchise. More...

Friday Estimates: Toy Story Dominates Chart, Doesn’t Have Aladdin-Like Legs

June 29th, 2019

Toy Story 4

It looks like June won’t end on a high note, as Toy Story 4 is falling faster than hoped for. The film earned $17.04 million on Friday, which is almost as much as the rest of the top five earned in total. However, and more importantly, it is 64% lower than the film’s opening Friday and that’s a sharper decline that I was anticipating. Granted, its $196.03 million running tally is in line with budget expectations, so it will break even, even if it doesn’t match expectations. A profitable disappointment. More...

Thursday Night Previews: Yesterday Hits a High Note with $1.25 million

June 28th, 2019

Yesterday

Yesterday earned $1.25 million during its previews on Thursday, which is on the high end of expectations. It means our $12 million prediction could turn out to be a little pessimistic. This depends on if the audiences like the movie more than the critics did. If the film’s CinemaScore is at an A, then it should top our prediction. If it is at a B plus or lower, then it will not. More...

Weekend Predictions: Will June Completely Miss at the Box Office?

June 27th, 2019

Annabelle Comes Home

So far June has been a disaster with no film topping expectations to any significant degree. In fact, Aladdin was the last time we had a film that really beat expectations at the box office and that came out more than a month ago. This weekend is the last chance for June to not be a complete disaster and frankly I’m not optimistic. Annabelle Comes Home is part of the biggest horror franchise around. However, the most recent installment was also the weakest by far and I fear this film will also be significantly below average for the franchise. Yesterday is the smaller of the two films, but in this case this means it doesn’t have to do much business at the box office to be seen as a success. Meanwhile, Toy Story 4 is expected to remain in top spot over the weekend and if its legs are long enough, it could be seen as a real success rather than a profitable disappointment. This weekend last year, there were no major new releases, but Jurassic World: Fallen Kingdom and Incredibles 2 were strong as holdovers. More...

2019 Preview: June

June 1st, 2019

Toy Story 4

While the final weekend in May isn’t over yet, we can safely say the month was merely okay. It managed to keep pace with last May, but I was really hoping to cut into 2019’s deficit by a significant margin. June is not looking any better, at least not compared to 2018. There are two potential monster hits, The Secret Life of Pets 2 and Toy Story 4, as well as a trio of $100 million hits, Dark Phoenix, Men in Black: International, and Annabelle Comes Home. On the surface, this looks excellent; however, last June was even better on top with Incredibles 2 and Jurassic World: Fallen Kingdom earning a combined $1 billion domestically. Granted, the only other $100 million hit was Oceans 8, so this year should have a lot better depth. I don’t think it will be enough to gain any ground in the year-over-year comparison, which is the only way to really judge how a month is doing at this point. More...

Annabelle Comes Home Trailer

May 7th, 2019

Supernatural horror movie starring Mckenna Grace opens June 28 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/06/28 3 $1,354,494   256 $5,291   $1,354,494 1
2019/07/05 5 $811,035 -40% 216 $3,755   $2,628,883 2
2019/07/12 6 $463,261 -43% 217 $2,135   $3,532,410 3
2019/07/19 8 $197,204 -57% 174 $1,133   $3,908,823 4
2019/07/26 11 $134,776 -32% 136 $991   $4,026,839 5
2019/08/02 14 $59,969 -56% 83 $723   $4,067,681 6
2019/08/09 - $24,191 -60% 38 $637   $4,106,081 7
2019/08/16 - $9,070 -63% 17 $534   $4,116,354 8
2019/08/23 - $865 -90% 2 $433   $4,100,495 9
2019/08/30 - $90 -90% 2 $45   $4,089,381 10
2022/10/21 - $25   1 $25   $3,781,678 174

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/27/2019 $1,298,197 374 374 1161 $3,424,958 12/1/2019
Australia 6/27/2019 $1,354,494 256 256 1142 $3,781,678 10/24/2022
Brazil 6/27/2019 $1,900,000 1054 1054 3104 $6,900,000 7/24/2020
Bulgaria 6/28/2019 $39,898 0 0 0 $177,621 9/5/2019
Colombia 6/28/2019 $1,520,000 491 491 1016 $4,300,000 9/24/2019
Czech Republic 6/28/2019 $223,225 122 122 365 $834,255 10/19/2022
France 7/12/2019 $2,400,000 360 401 2081 $8,100,000 9/24/2019
Germany 7/4/2019 $1,400,000 395 456 1294 $5,400,000 9/24/2019
Hong Kong 7/5/2019 $799,000 55 55 55 $799,000 7/9/2019
India 6/28/2019 $2,600,000 1650 1650 1650 $4,600,000 9/24/2019
Indonesia 6/26/2019 $4,900,000 1150 1150 1662 $8,900,000 9/24/2019
Italy 7/3/2019 $1,174,070 420 420 867 $3,858,760 8/31/2019
Japan 9/20/2019 $902,000 169 169 169 $3,152,419 10/11/2019
Lithuania 7/12/2019 $75,456 116 116 300 $275,487 10/19/2022
Malaysia 6/27/2019 $2,200,000 487 487 808 $4,320,000 9/24/2019
Mexico 6/28/2019 $5,507,864 2660 2660 3852 $16,500,000 9/24/2019
Netherlands 6/28/2019 $412,831 84 86 594 $1,722,187 10/19/2022
New Zealand 6/27/2019 $0 0 11 27 $750,362 10/19/2022
North America 6/26/2019 $20,269,723 3,613 3,613 15,742 $74,152,591 7/19/2021
Poland 7/12/2019 $737,000 202 202 805 $2,322,563 10/19/2022
Portugal 6/28/2019 $294,737 75 75 341 $1,078,475 10/19/2022
Romania 7/12/2019 $0 0 19 55 $687,318 12/31/2019
Russia (CIS) 6/27/2019 $2,540,255 1424 1424 4238 $5,700,000 10/19/2022
Slovakia 6/28/2019 $160,571 67 67 223 $496,208 11/5/2019
Slovenia 6/28/2019 $0 0 5 16 $119,557 9/25/2019
South Korea 6/26/2019 $1,364,045 644 644 1135 $3,354,768 8/1/2019
Spain 7/12/2019 $1,402,104 305 320 1599 $5,600,000 9/24/2019
Taiwan 6/28/2019 $1,500,000 168 168 168 $2,300,000 7/9/2019
Thailand 6/28/2019 $1,510,000 696 696 696 $1,510,000 10/19/2022
Turkey 6/28/2019 $199,064 320 320 1196 $910,854 10/19/2022
United Arab Emirates 6/27/2019 $0 0 0 0 $376,000 6/28/2019
United Kingdom 7/10/2019 $2,791,215 527 527 2064 $8,300,000 9/24/2019
Vietnam 6/26/2019 $2,100,000 623 623 623 $3,000,000 7/15/2019
 
Rest of World $43,074,130
 
Worldwide Total$230,779,191 10/24/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Mckenna Grace    Judy Warren

Supporting Cast

Madison Iseman    Mary Ellen
Vera Farmiga    Lorraine Warren
Patrick Wilson    Ed Warren
Samara Lee    Annabelle “Bee” Mullins
Katie Sarife    Daniela
Kenzie Caplan    Nurse
Sade Katarina    Nurse
Michael Patrick McGill    Cop
Brittany Hoza    Young Woman in Car
Sheila McKellan    Cemetery Ghost
Eddie J. Fernandez    Truck Driver
Steve Coulter    Father Gordon
Luca Luhan    Anthony Rios
Gary-7    Ghostly Priest
Paul Dean    Mr. Palmeri
Alison White    Mrs. Faley
Oliver Dauberman    School Bully
Lou Lou Safran    Little Girl (Rebecca)
Anthony Wemyss    Daniela’s Dad
Natalia Safran    Bride
Edwin Scheibner    Exorcism Guy
Bill Kottkamp    Pizza Guy
Douglas Tait    Werewolf
Alexander Ward    Demon
Ava Hamada    Party Guest

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Gary Dauberman    Director
Gary Dauberman    Screenwriter
Gary Dauberman    Story by
James Wan    Story by
Gary Dauberman    Character Creator
James Wan    Producer
Peter Safran    Producer
Richard Brener    Executive Producer
Dave Neustadter    Executive Producer
Victoria Palmeri    Executive Producer
Michael Clear    Executive Producer
Michelle Morrissey    Executive Producer
Judson Scott    Executive Producer
Jennifer Spence    Production Designer
Kirk Morri    Editor
Joseph Bishara    Composer
Michael Burgess    Director of Photography
Leah Butler    Costume Designer
Rich Delia    Casting Director
Leigh Shanta    Unit Production Manager
Jeffrey Wetzel    First Assistant Director
Joann Connolly    Second Assistant Director
A. Todd Holland    Art Director
Al Hobbs    Set Designer
Robert Sharman    Sound Mixer
Becca Sale    Post-Production Supervisor
Liz Calandrello    Additional Editor
Stuart Sperling    First Assistant Editor
Julie Pearce    Music Editor
Joe E. Rand    Music Editor
Stephen Perone    Music Editor
Aaron Glascock    Sound Designer
Aaron Glascock    Sound Supervisor
Tim LeBlanc    Re-recording Mixer
Aaron Glascock    Re-recording Mixer
Albert Gasser    Dialogue Editor
Albert Gasser    Sound Effects Editor
Mitch Osias    Sound Designer
Mitch Osias    Sound Effects Editor
Walter Spencer    Foley Mixer
Ralph Meyer    Location Manager
Jody Blose    Script Supervisor
Susan Bertram    Costume Supervisor
Kate Samhat    Costume Supervisor
Melanie DeForrest    Key Make Up Artist
Eleanor Sabaduquia    Make up
Mara Rouse    Make up
Justin Raleigh    Special Make-up Effects
Shimmy Osman    Hairstylist
Tuen Osman    Hairstylist
Jacob Eaton    Visual Effects Producer
Mark Hawker    Special Effects Coordinator
Chris Spilfogel    Score Recordist
Chris Spilfogel    Score Mixer
Art Codron    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.