Synopsis
As if driven by an inescapable force, Isabel has devoted her life to running an orphanage in a Calcutta slum. With funds running dry, a potential donor, who requires she travel from India to New York, to deliver a presentation in-person, contacts Isabel. At first balking at the demand of an uncommitted philanthropist, she relents, and travels to a city she deliberately hasn’t returned to in over two decades. Once in New York, Isabel lands uncomfortably in the sight line of the orphanage’s possible benefactor, Theresa Young, a multi-millionaire media mogul accustomed to getting what she wants. From the glittering skyscraper where she runs her successful business, to the glorious Oyster Bay estate, where she lives happily with her artist husband, Oscar Carlson, 21-year-old daughter, Grace, and eight-year-old twins, Theo and Otto, Theresa’s life couldn't appear to be more perfect and different from Isabel’s. But appearances are only skin deep and the two women have more in common than meets the eye. While Isabel thinks she’ll soon be returning to her beloved orphanage, Theresa has other plans. She insists Isabel attend Grace’s wedding at the family’s estate. The joyful event becomes a catalyst for a revelation that upends the lives of both women, and the people who love them most
Metrics
Movie Details
Mexico Releases: |
October 11th, 2019 (Wide), released as El Pasado que nos Une |
Video Release: |
November 12th, 2019 by Sony Pictures Home Entertainment |
MPAA Rating: |
PG-13 for thematic material and some strong language. (Rating bulletin 2579 (Cert #51981), 5/22/2019) |
Running Time: |
119 minutes |
Keywords: |
Set in New York City, Orphanage, Sundance Film Festival 2019 |
Source: | Based on Movie |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: |
Ingenious Media, Rock Island Films, Riverstone Pictures, Margaritz Productions, Fortysixty |
Production Countries: |
United States |
Languages: |
English |
September 5th, 2019
It was an odd week on the theater average chart, as the number one film was a holdover. Miles Davis: Birth of the Cool’s average was down less than 0.2% to $18,222 and it did this while doubling its theater count to 2. This is very impressive and bodes well for its future. The best new release was Ne Zha, which earned an average $17,649 in 66 theaters. Animated films rarely do well in limited release and 66 theaters is a lot for a limited release, so this average is even more impressive than it looks at first glance. Finally, Official Secrets opened with an average of $16,241.
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August 15th, 2019
It was a good weekend for limited releases, as three of them opened in the $10,000 club. This group was led by The Peanut Butter Falcon with an average of $12,047 in 17 theaters. This is not as high an average as we’ve seen from other limited releases this year, but it was playing in 17 theaters, which is a lot for an opening weekend. Jay Myself was the only holdover in the $10,000 club earning $10,828 in one theater. Up next was One Child Nation, which managed an average of $10,262 in two theaters, while After the Wedding was right behind with an average of $10,053 in five.
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August 11th, 2019
August 9th, 2019
It’s another slow week for limited releases, so I stretched my usual rule regarding the minimum number of reviews needed to make the list. That doesn’t mean there’s nothing worth watching coming out this weekend. There are two documentaries earning perfect or near-perfect reviews, Vision Portraits and One Child Nation. There are a couple of Chinese films coming out, The Bravest and Dying to Survive. There’s even an Anime title on this week’s list, Love Live! Sunshine!! The School Idol Movie Over The Rainbow. However, The Peanut Butter Falcon is the film with the best shot and earning some measure of mainstream success.
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July 30th, 2019
Drama starring Michelle Williams, Julianne Moore, and Billy Crudup opens August 9 ... Full Movie Details.
The manager of an orphanage in Kolkata travels to New York to meet a benefactor, who, she discovers, is married to a man from her past.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2019/10/11 |
6 |
$150,013 |
|
0 |
|
$150,013 |
1 |
2019/10/18 |
8 |
$62,693 |
-58% |
0 |
|
$292,566 |
2 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits