Ukraine Box Office for 7 Days in Entebbe (2018)

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7 Days in Entebbe
Theatrical Performance (US$)
Ukraine Box Office $15,706Details
Worldwide Box Office $9,596,449Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A thriller inspired by the true events of the 1976 hijacking of an Air France flight en route from Tel Aviv to Paris, the film depicts one of the most daring rescue missions ever attempted.

Metrics

Movie Details

Ukraine Releases: April 5th, 2018 (Wide)
Video Release: June 19th, 2018 by Focus Features
MPAA Rating: PG-13 for violence, some thematic material, drug use, smoking and brief strong language.
(Rating bulletin 2492 (Cert #51227), 9/6/2017)
Running Time: 107 minutes
Keywords: Hijacking, Terrorism, Rescue, 1970s, Action Thriller, Hostage, Middle East, Jewish, Archive Footage, Epilogue
Source:Based on Real Life Events
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Participant Media, Working Title Films
Production Countries: United Kingdom
Languages: English

Home Market Releases for July 3rd, 2018

July 3rd, 2018

Blockers

We are deep into the summer doldrums on the home market. Blockers is the biggest first-run release of the week, and also the best. The DVD or Blu-ray Combo Pack is a contender for Pick of the Week, thanks in part to the lack of competition. It’s not the only contender, as both Dietrich and von Sternberg in Hollywood: The Criterion Collection and JoJo’s Bizarre Adventure: Set 2: Stardust Crusades Arc are also worthy of that title. In the end, I rolled a dice and Blockers came out on top. More...

Home Market Releases for June 19th, 2018

June 19th, 2018

Dark Matter: Season Three

Summer is the worst time of the year for the home market and this week is no exception. The “biggest” new release of the week is Pacific Rim: Uprising, but it is not worth picking up. There are a few contenders for Pick of the Week, including the final season of Dark Matter; a dark comedy, The Death of Stalin; and an Anime release, Re:Zero - Starting Life in Another World. In the end, I went with Dark Matter as the Pick of the Week. More...

Theater Averages: Dog Days Carry it to a Second Win

April 3rd, 2018

Isle of Dogs

For the second weekend in a row, Isle of Dogs led the way on the theater average chart with $17,839 in 165 theaters. The only other film to reach the $10,000 mark was Love After Love, which pulled in $11,290 in its lone theater. More...

Theater Averages: Isle Dogpiles the Competition

March 27th, 2018

Isle of Dogs

Isle of Dogs had the best theater average of the weekend and indeed the year with an average of $59,825 in 27 theaters. Technically Fantastic Mr. Fox had a better average with $66,475, but it was only playing on 4 theaters, so this is much more impressive. More...

Weekend Wrap-Up: Uprising Wins, but Falls Compared to Original

March 27th, 2018

Pacific Rim: Uprising

Pacific Rim: Uprising opened in first place over the weekend. In fact, it opened better than expected with $28.12 million. Unfortunately, that’s nowhere near enough compared to its production budget, so it will need international numbers to thrive. Black Panther was finally removed from top spot, but it also held on better than expected with $17.10 million. As for the rest of the new releases, they ranged from serious disappointments like Sherlock Gnomes and Paul, Apostle of Christ, to complete bombs like Midnight Sun and Unsane. The overall box office slipped just 2.0% from last week earning $129 million. However, this is 36% lower than the same weekend last year. 2018’s lead has completely evaporated and it is now $60 million or $2.1% behind 2017’s pace at $2.64 billion to $2.69 billion. I don’t see that improving this coming weekend. More...

7 Days in Entebbe Trailer

March 21st, 2018

Real-life thriller starring Daniel Bruhl and Rosamund Pike opened last Friday ... Full Movie Details.

A thriller inspired by the true events of the 1976 hijacking of an Air France flight en route from Tel Aviv to Paris, the film depicts one of the most daring rescue missions ever attempted. More...

Theater Averages: Flower Doesn’t Smell as Sweet as Stalin

March 20th, 2018

Flower

The Death of Stalin remained in first place on the theater average chart with an average of $16,791 in 32 theaters, while Flower was right behind with an average of $16,306 in 3 theaters. Keep the Change did really well for a rom com with $12,445 in its lone theater. I Can Only Imagine opened semi-wide managing an average of $10,507. More...

Weekend Wrap-Up

March 20th, 2018

Black Panther

As predicted, Black Panther remained in first place on the weekend chart. Tomb Raider had an okay opening in second place, while I Can Only Imagine was the biggest positive surprise of the weekend. Love, Simon had a solid opening, especially compared to its production budget. The less said about 7 Days in Entebbe, the better. Overall, the weekend box office was down 4.8% from last weekend to just $132 million. This is 49% lower than this weekend last year. A 49% decline usually only happens when there is a misalignment in holidays, but in this case it’s due to Beauty and the Beast’s debut. 2018 is still ahead of 2017, albeit by a fraction of last week’s lead at just $66 million or 2.8%. In fact, with a margin of just $2.46 billion to $2.39 billion, it is very likely 2018 will lose its lead before the next weekend begins. More...

Weekend Estimates: Black Panther Powers Past Tomb Raider

March 18th, 2018

Black Panther

A spirited opening by Tomb Raider won’t be quite enough to knock Black Panther off its perch at the top of the domestic box office chart this weekend. The final numbers will be close: Raider is predicted to earn $23.52 million by Warner Bros., while Disney has Panther coming in with $27.024 million. If the numbers hold (and it would be a huge surprise if they don’t), Black Panther will become the first film since Avatar to spend its first five weekends at the top of the chart. More...

Friday Estimates: Raider Opens in First Place, For Now

March 17th, 2018

Tomb Raider

As expected, Tomb Raider opened in first place with $9.06 million on Friday. However, this won’t be enough to stay ahead of Black Panther for long. Its reviews are nearly 50% positive, while it earned just a B from CinemaScore. A $23 million to $24 million opening isn’t a bad start for this time of year, but it is far from impressive for a film that reportedly cost between $90 million and $106 million. More...

Weekend Predictions: Can Raider Capture Top Spot?

March 15th, 2018

Tomb Raider

Another week and another film trying to dethrone Black Panther. This week, it’s Tomb Raider’s chance to finally remove Black Panther from first place on the weekend chart. I don’t like its chances. The only other truly wide release of the week is Love, Simon, which should have a solid, but not spectacular opening. There are two other films with a shot at earning a spot in the top ten: I Can Only Imagine and 7 Days in Entebbe. This weekend last year, Beauty and the Beast opened with nearly $175 million. That’s more than the entire box office is going to earn this weekend. 2018 is going to get crushed. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/04/06 - $7,590   195 $39   $7,590 1
2018/04/13 - $2,232 -71% 103 $22   $14,476 2
2018/04/20 - $310 -86% 20 $16   $15,459 3
2018/04/27 - $155 -50% 0     $15,706 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/10/2018 $82,942 70 70 96 $127,632 1/1/2019
Austria 5/4/2018 $14,619 18 18 73 $47,234 6/28/2018
Belgium 5/30/2018 $25,603 24 24 73 $42,286 8/24/2018
Bolivia 5/17/2018 $9,686 11 11 16 $15,210 1/1/2019
Brazil 4/19/2018 $279,642 161 161 241 $585,155 6/14/2018
Cambodia 4/5/2018 $1,500 0 0 0 $3,300 1/1/2019
Chile 4/19/2018 $20,993 14 14 28 $46,900 1/1/2019
Colombia 5/17/2018 $69,040 66 66 74 $125,533 1/1/2019
Costa Rica 5/31/2018 $3,091 3 3 4 $4,260 1/1/2019
Croatia 3/29/2018 $10,226 18 18 56 $32,211 1/1/2019
Czech Republic 3/30/2018 $30,621 53 53 98 $51,237 1/1/2019
Dominican Republic 4/12/2018 $1,675 0 0 0 $9,030 1/1/2019
Ecuador 6/1/2018 $29,787 18 18 34 $75,503 1/1/2019
El Salvador 4/12/2018 $3,676 7 7 8 $6,335 1/1/2019
France 5/2/2018 $96,830 62 62 161 $226,225 7/20/2018
Germany 5/3/2018 $77,870 124 124 410 $260,956 7/13/2018
Greece 4/12/2018 $43,124 0 0 0 $43,124 4/19/2018
Guatemala 4/12/2018 $5,346 7 7 7 $5,346 1/1/2019
Honduras 4/12/2018 $4,918 12 12 14 $7,776 1/1/2019
Hong Kong 3/15/2018 $154,606 31 31 76 $291,979 5/3/2018
Hungary 5/10/2018 $21,138 24 32 90 $62,548 1/1/2019
Iceland 5/4/2018 $4,588 0 0 0 $14,944 1/1/2019
India 3/16/2018 $0 0 0 0 $74,478 4/5/2018
Indonesia 4/11/2018 $47,550 63 63 93 $87,878 1/1/2019
Israel 3/29/2018 $56,823 35 35 47 $165,773 1/1/2019
Japan 10/4/2019 $23,367 5 7 12 $86,331 11/7/2019
Laos 4/5/2018 $0 0 0 0 $3,300 1/1/2019
Malaysia 3/29/2018 $48,577 54 54 98 $101,260 5/24/2018
Mexico 4/13/2018 $130,753 119 119 287 $343,422 7/27/2018
Netherlands 6/1/2018 $47,226 45 45 148 $148,097 7/13/2018
Nicaragua 4/12/2018 $3,219 3 3 4 $4,355 1/1/2019
North America 3/16/2018 $1,592,645 838 838 1,674 $3,189,220 7/19/2019
Oman 3/29/2018 $4,293 2 2 2 $10,289 1/1/2019
Panama 4/12/2018 $8,675 7 7 10 $16,859 1/1/2019
Paraguay 5/24/2018 $3,214 10 10 10 $5,345 1/1/2019
Peru 4/12/2018 $71,880 36 36 58 $146,357 12/20/2018
Philippines 4/18/2018 $95,510 146 146 146 $95,510 1/1/2019
Portugal 3/30/2018 $51,418 35 35 79 $115,602 5/1/2018
Qatar 3/29/2018 $15,363 9 9 9 $33,542 1/1/2019
Russia (CIS) 4/5/2018 $56,123 327 327 407 $88,446 2/26/2019
Singapore 3/22/2018 $19,769 0 4 10 $60,452 5/17/2018
Slovakia 3/30/2018 $10,030 30 30 47 $18,407 5/3/2018
South Africa 4/6/2018 $48,546 43 43 95 $115,790 6/28/2018
South Korea 5/31/2018 $0 0 99 118 $42,481 6/27/2018
Spain 4/27/2018 $196,803 193 193 414 $457,604 6/28/2018
Sri Lanka 3/23/2018 $0 0 0 0 $11,477 5/17/2018
Switzerland (French Speaking) 5/2/2018 $11,509 7 7 11 $24,483 5/31/2018
Switzerland (German Speaking) 5/3/2018 $26,704 30 30 45 $60,483 6/14/2018
Taiwan 4/4/2018 $143,143 0 0 0 $257,658 5/24/2018
Thailand 4/5/2018 $0 0 0 0 $88,925 4/26/2018
Turkey 3/16/2018 $7,867 31 31 36 $20,546 2/26/2019
Ukraine 4/5/2018 $7,590 195 195 318 $15,706 1/1/2019
United Arab Emirates 3/29/2018 $95,397 32 32 34 $154,807 1/1/2019
United Kingdom 5/11/2018 $187,495 124 124 301 $410,805 7/25/2018
Uruguay 5/24/2018 $6,323 5 5 10 $12,000 1/1/2019
Venezuela 5/25/2018 $730,659 0 21 49 $730,659 6/28/2018
 
Rest of World $313,378
 
Worldwide Total$9,596,449 11/7/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Daniel Brühl    Wilfried Böse
Rosamund Pike    Brigitte Kuhlmann

Supporting Cast

Eddie Marsan    Shimon Peres
Lior Ashkenazi    Yitzhak Rabin
Denis Menochet    Jacques Lemoine
Ben Schnetzer    Zeev Hirsch
Mark Ivanir    Motta Gur
Peter Sullivan    Amos Eiran
Andrea Deck    Patricia Martel
Nonso Anozie    Idi Amin
Angel Bonanni    Yonatan Netanyahu
Brontis Jodorowsky    Captain Michel Bacos
Vincent Riotta    Dan Shomron
Michael Lewis    Major Muki Betser
Trudy Weiss    Dora Bloch
Natalie Stone    Leah Rabin
Yiftach Klein    Ehud Barak
Samy Seghir   
Vincent Cassel   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jose Padilha    Director
Tim Bevan    Producer
Eric Fellner    Producer
Kate Solomon    Producer
Michelle Wright    Producer
Ron Halpern    Producer
Gregory Burke    Screenwriter
Jeff Skoll    Executive Producer
Jonathan King    Executive Producer
Olivier Courson    Executive Producer
Jean-Claude Darmon    Executive Producer
Angela Morrison    Executive Producer
Jo Burn    Executive Producer
Liza Chasin    Executive Producer
Lula Carvalho    Director of Photography
Kave Quinn    Production Designer
Daniel Rezende    Editor
Bina Daigeler    Costume Designer
Rodrigo Amarante    Composer
Fiona Weir    Casting Director