| Best known as a Supervising Sound Editor based on credits in that role in 2 films, with $86,171,937 worldwide aggregate box office (rank #403) |
| Best-known technical roles: Dragnet (Supervising Sound Editor), The Shawshank Redemption (Supervising Sound Editor), The Blues Brothers (Sound Effects Editor), Continental Divide (Sound Editor) |
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Supervising Sound Editor | 2 | $85,700,053 | $471,884 | $86,171,937 |
| Sound Effects Editor | 1 | $57,229,890 | $16,570 | $57,246,460 | |
| Sound Editor | 1 | $15,578,000 | $0 | $15,578,000 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Register with The Numbers for free to customize this chart.
| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Sep 23, 1994 | The Shawshank Redemption | Supervising Sound Editor | $28,313,053 | $471,884 | $28,784,937 |
| Jun 26, 1987 | Dragnet | Supervising Sound Editor | $57,387,000 | $57,387,000 | |
| Sep 18, 1981 | Continental Divide | Sound Editor | $15,578,000 | $15,578,000 | |
| Jun 20, 1980 | The Blues Brothers | Sound Effects Editor | $57,229,890 | $16,570 | $57,246,460 |
| Averages | $39,626,986 | $244,227 | $39,749,099 | ||
| Totals | 4 | $158,507,943 | $488,454 | $158,996,397 | |
