| Best known as a Special Effects Coordinator based on credits in that role in 2 films, with $184,798,365 worldwide aggregate box office (rank #127) |
| Best-known technical roles: The Parent Trap (Special Effects Coordinator), Fight Club (Special Effects Coordinator), Malice (Special Effects Supervisor), Dragnet (Special Effects) |
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Special Effects Coordinator | 2 | $103,338,620 | $81,459,745 | $184,798,365 |
| Special Effects | 1 | $57,387,000 | $0 | $57,387,000 | |
| Special Effects Supervisor | 1 | $46,038,636 | $0 | $46,038,636 |
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Oct 15, 1999 | Fight Club | Special Effects Coordinator | $37,030,102 | $63,790,845 | $100,820,947 |
| Jul 29, 1998 | The Parent Trap | Special Effects Coordinator | $66,308,518 | $17,668,900 | $83,977,418 |
| Oct 1, 1993 | Malice | Special Effects Supervisor | $46,038,636 | $46,038,636 | |
| Jun 26, 1987 | Dragnet | Special Effects | $57,387,000 | $57,387,000 | |
| Averages | $51,691,064 | $40,729,873 | $72,056,000 | ||
| Totals | 4 | $206,764,256 | $81,459,745 | $288,224,001 | |
