Twin Peaks: Fire Walk With Me (1992)

Twin Peaks: Fire Walk With Me
Theatrical Performance
Domestic Box Office $4,160,851Details
International Box Office $48,619Details
Worldwide Box Office $4,209,470
Home Market Performance
Est. Domestic Blu-ray Sales $1,792,994 Details
Total Est. Domestic Video Sales $1,792,994
OpusData ID: 48660100
Further financial details...

Metrics

Opening Weekend:$1,813,559 (43.6% of total gross)
Legs:2.29 (domestic box office/biggest weekend)
Domestic Share:98.8% (domestic box office/worldwide)
Theater counts:691 opening theaters/691 max. theaters, 1.0 weeks average run per theater
Infl. Adj. Dom. BO $11,339,564

Latest Ranking on Cumulative Box Office Lists


Movie Details

Domestic Releases: August 28th, 1992 (Wide) by New Line
International Releases: May 16th, 1992 (Limited), released as Twin Peaks: Fire Walk With Me (ツイン・ピークス ローラ・パーマー最期の7日間) (Japan)
November 14th, 1992 (Wide), released as Twin Peaks Os Últimos 7 Dias De Laura Palmer (Portugal)
May 7th, 1993 (Wide), released as İkiz Tepeler: Ateşte Benimle Yürü (Turkey)
December 3rd, 1993 (Wide) (New Zealand)
March 25th, 1995 (Wide) (South Korea)
... Show all releases
Video Release: October 17th, 2017 by Criterion
MPAA Rating: R for strong violence, sex, and drug content, and for language.
Running Time: 134 minutes
Comparisons: Create your own comparison chart…
Keywords: Film Noir, Psychological Horror, Prequel, Prologue, Murder Mystery, FBI, Directing Yourself, Director Cameo, Non-Chronological, Incest, Double Life, Surrealism / Absurdism, Child Abuse, Sex Crimes, Dysfunctional Family, Narcotics, Prostitution
Source:Based on TV
Genre:Horror
Production Method:Live Action
Creative Type:Fantasy
Production/Financing Companies: New Line Cinema
Production Countries: United States, France
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 28, 1992 8 $1,813,559   691 $2,625   $1,813,559 1

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/5/2020 $1,321 1 1 3 $0 11/13/2020
Germany 9/5/2023 $0000$0
Italy 9/29/2025 $0000$0
Japan 2/14/2025 $0000$0
Mexico 3/31/2020 $0000$0
New Zealand 12/3/1993 $0 0 2 3 $1,951 3/31/2025
Portugal 11/14/1992 $0 0 2 3 $1,272 2/11/2025
Russia (CIS) 5/19/2017 $18,490 90 90 91 $32,632 12/30/2020
South Korea 3/25/1995 $0 0 7 7 $11,775 7/6/2022
Turkey 5/7/1993 $0 0 10 12 $989 11/5/2020
 
International Total$48,619 3/31/2025

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Oct 22, 20171117,814 17,814$462,995$462,9951

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Uncategorized

Moira Kelly    Donna Hayward
Miguel Ferrer    FBI Agent Albert Rosenfield
Chris Isaak    FBI Special Agent Chester Desmond
Harry Dean Stanton    Carl Rodd
David Bowie    Phillip Jeffries
Heather Graham    Annie Blackburn
Jurgen Prochnow    Woodsman
Kyle MacLachlan    FBI Special Ageny Dale Cooper
Kiefer Sutherland    FBI Agent Sam Stanley
Ray Wise    Leland Palmer
Madchen Amick    Shelly Johnson
David Lynch    Gordon Cole
James Marshall    James Hurley
Grace Zabriskie    Sarah Palmer
Sheryl Lee    Laura Palmer

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

David Lynch    Director
David Lynch    Screenwriter
Robert Engels    Screenwriter

Home Market Releases for October 17th, 2017

October 18th, 2017

Spider-Man: Homecoming

It is one of those weeks. There’s a massive release coming out, which has scared away nearly all of the competition, so it is a really shallow week. Fortunately, that huge release is Spider-Man: Homecoming, which is not only one of the biggest hits of the year, it is also one of the reviewed. It isn’t the only contender for Pick of the Week, but the Blu-ray Combo Pack wins that honor. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Cast & Crew
  7. Trailer

Metrics

Opening Weekend:$1,813,559 (43.6% of total gross)
Legs:2.29 (domestic box office/biggest weekend)
Domestic Share:98.8% (domestic box office/worldwide)
Theater counts:691 opening theaters/691 max. theaters, 1.0 weeks average run per theater
Infl. Adj. Dom. BO $11,339,564

Latest Ranking on Cumulative Box Office Lists


Movie Details

Domestic Releases: August 28th, 1992 (Wide) by New Line
International Releases: May 16th, 1992 (Limited), released as Twin Peaks: Fire Walk With Me (ツイン・ピークス ローラ・パーマー最期の7日間) (Japan)
November 14th, 1992 (Wide), released as Twin Peaks Os Últimos 7 Dias De Laura Palmer (Portugal)
May 7th, 1993 (Wide), released as İkiz Tepeler: Ateşte Benimle Yürü (Turkey)
December 3rd, 1993 (Wide) (New Zealand)
March 25th, 1995 (Wide) (South Korea)
... Show all releases
Video Release: October 17th, 2017 by Criterion
MPAA Rating: R for strong violence, sex, and drug content, and for language.
Running Time: 134 minutes
Comparisons: Create your own comparison chart…
Keywords: Film Noir, Psychological Horror, Prequel, Prologue, Murder Mystery, FBI, Directing Yourself, Director Cameo, Non-Chronological, Incest, Double Life, Surrealism / Absurdism, Child Abuse, Sex Crimes, Dysfunctional Family, Narcotics, Prostitution
Source:Based on TV
Genre:Horror
Production Method:Live Action
Creative Type:Fantasy
Production/Financing Companies: New Line Cinema
Production Countries: United States, France
Languages: English

Uncategorized

Moira Kelly    Donna Hayward
Miguel Ferrer    FBI Agent Albert Rosenfield
Chris Isaak    FBI Special Agent Chester Desmond
Harry Dean Stanton    Carl Rodd
David Bowie    Phillip Jeffries
Heather Graham    Annie Blackburn
Jurgen Prochnow    Woodsman
Kyle MacLachlan    FBI Special Ageny Dale Cooper
Kiefer Sutherland    FBI Agent Sam Stanley
Ray Wise    Leland Palmer
Madchen Amick    Shelly Johnson
David Lynch    Gordon Cole
James Marshall    James Hurley
Grace Zabriskie    Sarah Palmer
Sheryl Lee    Laura Palmer

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

David Lynch    Director
David Lynch    Screenwriter
Robert Engels    Screenwriter

Home Market Releases for October 17th, 2017

October 18th, 2017

Spider-Man: Homecoming

It is one of those weeks. There’s a massive release coming out, which has scared away nearly all of the competition, so it is a really shallow week. Fortunately, that huge release is Spider-Man: Homecoming, which is not only one of the biggest hits of the year, it is also one of the reviewed. It isn’t the only contender for Pick of the Week, but the Blu-ray Combo Pack wins that honor. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 28, 1992 8 $1,813,559   691 $2,625   $1,813,559 1

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/5/2020 $1,321 1 1 3 $0 11/13/2020
Germany 9/5/2023 $0000$0
Italy 9/29/2025 $0000$0
Japan 2/14/2025 $0000$0
Mexico 3/31/2020 $0000$0
New Zealand 12/3/1993 $0 0 2 3 $1,951 3/31/2025
Portugal 11/14/1992 $0 0 2 3 $1,272 2/11/2025
Russia (CIS) 5/19/2017 $18,490 90 90 91 $32,632 12/30/2020
South Korea 3/25/1995 $0 0 7 7 $11,775 7/6/2022
Turkey 5/7/1993 $0 0 10 12 $989 11/5/2020
 
International Total$48,619 3/31/2025

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Oct 22, 20171117,814 17,814$462,995$462,9951

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.